| RILM Classification System: Super Classes Reference and Research Materials Collected Writings Universal Perspectives Historical Musicology (Western music) Ethnomusicology (including history of music other than Western) Sound Sources Performance Practice and Notation Theory, Analysis, and Composition Pedagogy Music and Other Arts Music and Related Disciplines Music in Liturgy and Ritual Reference and Research Materials 01 Bibliography and librarianship 02 Libraries, museums, collections 03 Encyclopedias and dictionaries 04 Catalogues (library, museum, or exhibition) 05 Catalogues, thematic 06 Bibliographies, general 07 Bibliographies, music 08 Bibliographies, music literature 09 Discographies and filmographies 10 Iconographies 11 Chronologies and almanacs 12 Directories and membership lists back to top Collected Writings 14 Periodicals and yearbooks 15 Festschriften 16 Congress reports, symposium proceedings 17 Essays and documents back to top 19 Universal Perspectives General (historical/ethnographical) back to top Historical Musicology (Western music) 20 The discipline 21 History, general 22 To ca. 500 (Antiquity) 23 To ca. 1400 (Middle Ages) 24 To ca. 1600 (Renaissance) 25 To ca. 1750 (Baroque) 26 To ca. 1825 (Classic and pre-Classic) 27 To ca. 1910 (Romantic and post-Romantic) 28 1910 to present (history) 29 1910 to present (musical life) back to top Ethnomusicology (including history of music other than Western) 30 The discipline 31 General 32 Africa 33 Asia 34 Europe 35 North America (North of Mexico) 36 South and Central America and Caribbean 37 Oceania, Australia, New Zealand 38 Jazz and blues 39 Popular music back to top Sound Sources 40 General (including conducting, organology) 41 Voice (including choral ensembles) 42 Keyboard, organ 43 Keyboard, general 44 String (chordophones) 45 Wind (aerophones) 46 Percussion (membranophones and idiophones) 47 Mechanical 48 Electrophones (synthesized sound) back to top Performance Practice and Notation 50 Performance practice, general 51 Performance practice, to ca. 1600 52 Performance practice, ca. 1600-1825 53 Performance practice, ca. 1800-1900 54 Performance practice, 20th & 21st centuries 55 Notation and paleography 58 Editing back to top Theory, Analysis, and Composition 60 Theory, general 61 Rhythm, meter, tempo 62 Tuning, temperament, scale structures 63 Harmony, counterpoint, voice-leading 64 Form and genre 65 Sound color, texture, register 66 Style analysis 67 Structural analysis 68 Computer and electronic composition 69 Melody and motive back to top Pedagogy 70 General 71 Preschool, primary, and secondary schools 72 Colleges and universities 73 Conservatories and other professional training 74 Music education for amateurs back to top Music and Other Arts 75 General 76 Dance 77 Dramatic arts 78 Poetry and other literature 79 Visual arts (including iconography) back to top Music and related disciplines 80 General 81 Philosophy, aesthetics, criticism 82 Psychology and hearing 83 Physiology, therapy, medicine 84 Archaeology 85 Engineering and sound recording 86 Physics, mathematics, acoustics, architecture 87 Sociology 88 Linguistics, semiotics 89 Printing, engraving, publishing back to top Music in Liturgy and Ritual 90 General 91 Jewish 92 Byzantine and Eastern Orthodox 93 Catholic 94 Protestant 95 Buddhist 96 Hindu 97 Islamic 99 Other back to top |
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