02318cas a22003854 4500 RAPMMMarcTrust NyNyRILM20250602132818.0cr bn mpcma250506d19862022gw || p o 0 a0ger d1615-4347(CaEvSKY)sky255035192(OCoLC)858752461NyNyRILMengrdapnNyNyRILMgerenge-gw---e-gx---Trust (Augsburg, Germany)Trust.Augsburg :Trust-Verlag-GBR, 1986-2022.1 online resource (217 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrier"Norddeutsches Hardcore Magazin."Digitized version of a print zine.Founded by a group of participants in the Southern German punk scene (Dolf Hermannstädter, Michael Alber, Armin Hofmann, Moses Anrdt, Tomasso Shultze, and Anne Ullrich), Trust has been the dominant German-language punk zine since its first publication in 1986. It was modeled after the U.S. punk zine Maximumrocknroll and, in 1987, the two zines collaborated on a jointly-issued photozine. Trust’s extensive musical coverage has featured bands such as The Drive-in, Nirvana, and Gossip prior to their mainstream breakthroughs, while its large review sections include a substantial number of non-music-related books. It continues to be edited by Hermannstädter and appears twice a month as a print publication that can be found in booksellers in German railway stations, as well as in digital form.Text in German with some articles and advertisements in English.Online resource; title from RAPMM website (viewed 2 June 2025) Latest issue consulted: Nr. 217 (December/January 2022/2023).AnarchismPeriodicals.http://id.loc.gov/authorities/subjects/sh2007101103Punk rock musicGermanyPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Fan magazines.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/369621 02265cas a2200457 i 4500 RAPMMHarp NyNyRILM20250602141927.0cr cn 010718d20012008mdubx p o 0 a0eng d 20012117471536-14381536-14381(OCoLC)ocm47365391 Harp, P.O. box 5780, Takoma Park, MD 20913$14.95NyNyRILMengrdapnNyNyRILMpccnsdpML3533.8.H3780813Harp (Takoma Park, Md.)Harp(Takoma Park Md.)Harp(Takoma Park, Md.)Harp.Harp magazine[Takoma Park, MD] : Guthrie, Inc., 2001-2008.1 online resource (30 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan in 2001.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPublished in 30 issues between 2001 and 2008 from Silver Spring in Maryland, Harp covered adult alternative music, rock, and indie. Founded by Scott Crawford, the magazine was purchased by Guthrie Inc., owners of JazzTimes, in 2003. Interview subjects included some of the biggest rock names of the time, such as Flight of the Conchords, The White Stripes, Beck, and Kings of Leon. After a final issue featuring a mock presidential campaign announcement by Foo Fighters frontman Dave Grohl, Harp ceased publication during a period in which several similar publications closed down. In 2009, however, Crawford started Blurt, a magazine also featured in RAPMM.Online resource; title from RAPMM website (viewed 2 June 2025) Rock musicPeriodicals.Popular musicPeriodicals.Popular music.fast(OCoLC)fst01071422Rock music.fast(OCoLC)fst01099204Periodicals.fast(OCoLC)fst01411641Crawford, Scott,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/6629 02929cas a2200481 i 4500 RAPMMArthur NyNyRILM20250602141501.0cr cn 160802d20022013nyubr p o 0 a0eng d 200324830259037881995751195612883336(OCoLC)ocm51576815Lime Pub. & Projects, 195 Chrystie Street #503, New York, NY 10002NyNyRILMengrdapnNyNyRILMpccn-us---51576815Arthur (New York, N.Y.)Arthur.Arthur magazineNew York, NY :Lime Publishing & Projects,c2002-20131 online resource (34 issues)Six times a yeartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesIssue for May 2005 incorrectly called vol. 1, number 15 in masthead, but constitutes number 16.None published in print from late 2008 to December 2012.Founded by editor Jay Babcock and publisher Laris Kreslins in 2002, Arthur magazine combined musical coverage with highly opinionated writings on art, politics, and alternative lifestyles from a progressive perspective, until its demise in 2014. Indicative of the zine’s range, the first issue featured an interview with Daniel Pinchbeck, the author of Breaking open the head: A psychedelic journey into the heart of contemporary shamanism; artwork by Alan Moore, author of the Watchmen comic book series; and an interview with the science-fiction author and futurist Arthur C. Clarke. Arthur magazine played a critical role in establishing the underground credibility and popularity of various musical styles from stoner metal to psychedelic noise to a genre known as “freak folk”, maintaining a sensibility distinct both from more commercially-oriented publications and from other alternative- and subculture-associated titles. The spirit of Arthur magazine lives on in Jay Babcock’s newsletter Landline.Online resource; title from RAPMM website (viewed 2 June 2025) CountercultureUnited States21st centuryPeriodicals.Arts21st centuryPeriodicals.Popular cultureUnited StatesPeriodicals.http://id.loc.gov/authorities/subjects/sh2010107534Popular culture.fast(OCoLC)fst01071344United States.fast(OCoLC)fst01204155Periodicals.fast(OCoLC)fst01411641Babcock, Jay,founder,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354836 02935cas a2200493 i 4500 RAPMMPuncture NyNyRILM20250602143603.0cr cn 891127d19822000cauqr p o 0 a0eng dsn 89002198 1047-45281047-45281(OCoLC)ocm2069723714010152Puncture Magazine, 1592 Union St., #431, San Francisco, CA 94123NyNyRILMengrdapnNyNyRILMnsdpmscn-us---70511Puncture (San Franc. Calif.)Puncture(San Franc. Calif.)Puncture(San Francisco, Calif.)Puncture :a magazine of music and the arts.San Francisco, CA : Puncture Magazine, c1982-20001 online resource (47 issues)Quarterlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan in 1982; ceased with no. 47 published in 2000.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFounded by Patty Stirling and Katherine Spielmann in 1982, Puncture was a rare example of a fanzine established by two women. Based first in San Francisco and later in Portland, it lasted for 47 issues over 18 years. The zine documented the development of the influential Bay Area independent music scene from the early 1980s onward—including groups like Dead Kennedys, Flipper, and MDC alongside experimental outfits like Negativland and Toiling Midgets—while also covering major players from further afield, such as Meat Puppets, Minor Threat, and Crass. As it evolved from a black-and-white mimeographed fanzine to a glossy newsstand magazine, Puncture mirrored the larger trajectory of alternative music, which grew in popularity and became more mainstream in the 1990s. Profiles of soon-to-be-major indie rock icons such as Sleater-Kinney, Hole, Pavement, Flaming Lips, Belle & Sebastian, the Pixies, Cat Power, Nick Cave, Neutral Milk Hotel, Fugazi, My Bloody Valentine, and Guided By Voices provide valuable perspectives on a transformational period.Online resource; title from RAPMM website (viewed 2 June 2025) Punk rock musicPeriodicals.Punk cultureUnited StatesPeriodicals.Punk culture.fast(OCoLC)fst01084152Punk rock music.fast(OCoLC)fst01084153United States.fast(OCoLC)fst01204155Periodicals.fast(OCoLC)fst01411641Stirling, Patty,founder.Spielmann, Katherine,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354837 02394cas a2200433 i 4500 RAPMMDNA NyNyRILM20250602150254.0cr bn 890913d19792019xramx p o 0 a0eng d(OCoLC)220837393 (AuCNLKIN)000006423440 3649747 (Voyager)3649747-slvdb-Voyager NyNyRILMengrdapnNyNyRILMu-at-sa 784.54/009423 19 D.N.A. (Adelaide, S. Aust.) D.N.A.DNAMusic fan's shopping guide to Adelaide Publications about Australian music, covering the period 1856 to 1998, December 1998 edition Adelaide : E.C. Productions, 1979-2019.1 online resource (99 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierNo. 1 (Oct. 1979)- Digitized version of a print zine.Has occasional supplement: Publications about Australian music, covering the period 1856 to 1998, December 1998 edition. Some issues are combined issues.DNA is the longest lasting music fanzine in Australia, with 111 issues published over 40 years (1979–2019). The zine has consistently documented the alternative music scene of the city of Adelaide, which produced groups like King Snake Roost and JAB, but it also looks further afield; for example, issue 7 (1980) chronicles the punk scene of Perth, Western Australia. Prominent Australian punk groups like The Saints and The Scientists were featured in early issues, and interviews with hardcore bands from Melbourne, including Civil Dissident and Depression, are present in issues from the 1980s. Although few images are included, there are many extensive profiles and interviews written by editor Harry Butler.Online resource; title from RAPMM website (viewed 2 June 2025) Punk rock music South Australia Periodicals. Rock groups South Australia Periodicals. New wave music South Australia Periodicals. Butler, Harry, editorRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391720 03134cas a2200577 i 4500 RAPMMUndertheRadar NyNyRILM20250603125637.0cr cn 041019c20019999cauqr p o 0 a0eng d 20042143941553-23051553-23051330USPS(OCoLC)ocm56771889 Under the Radar, 238 S. Tower Drive, #204, Beverly Hills, Calif. 90211$15.00NyNyRILMengrdapnNyNyRILMnsdppccML3533.8.U5378113Under the radar (Beverly Hills, Calif.)Under the radar(Beverly Hills, Calif.)Under the radar.Under the radar magazineUTRDec. 2001/Jan. 2002-Jan. 2015:Beverly Hills, Calif. :Under the Radar<Mar. 2015->Rockbridge Baths, VA :Under the Radar LLC.1 online resource (27 issues)Quarterly,2015-Five no. a year,2001-<2002>Four issues a year,<2003>-2007Five issues a year,2008-<2014>texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan with December 2001-January 2002."The solution to music pollution."Digitized version of a print zine.RAPMM includes issues 21-23, 25-48.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe first issue of Under the radar appeared in December 2001 with the indie rock band Grandaddy on the cover. Since then, The Cardigans, Japanese Breakfast, Mitski, Kamasi Washington, Joanna Newsom, Jarvis Cocker, and Belle and Sebastian are among the artists to have been featured on its front cover, while it was also the first magazine to interview the major indie bands Vampire Weekend and Fleet Foxes. Under the radar continues to cover the U.S. alternative and indie rock and pop scene online and in print to this day. The husband-and-wife team of Mark and Wendy Lynch Redfern founded and run the magazine from Lexington, Virginia, with Mark working as editor and writing many of the articles, while Wendy oversees the layout and supplies some of the photography. Special political protest issues are released to coincide with U.S. presidential elections.Online resource; title from RAPMM website (viewed 3 June 2025) Alternative rock musicPeriodicals.Alternative rock musiciansPeriodicals.Alternative rock music.fast(OCoLC)fst00806181Alternative rock musicians.fast(OCoLC)fst00806183Periodicals.fast(OCoLC)fst01411641Periodicals.lcgftRedfern, Mark,founder,publisher,editor.Redfern, Wendy Lynch,publisher,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/356740 02991cas a2200517 i 4500 RAPMMCMJ NyNyRILM20250603140025.0cr cn 940210d19792010nyumr p o 0 a0eng d1074-69781074-69781(OCoLC)ocm29780650 College Media, Inc., 11 Middle Neck Rd., Ste. 400, Great Neck, NY 11021-2301NyNyRILMengrdapnNyNyRILMnsdppccML156.9.C59781.64/026/60520CMJ new musicCMJ new musicCMJ new music.College media journal new musicCMJ new music monthlyNew music<no. 122 (2004)->Great Neck, NY :College Media, 1979-20101 online resource (34 issues)Monthlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes 34 issues from 1979-1994.Access limited to subscribers of RILM Archive of Popular Music MagazinesCMJ began in 1979 as the College media journal, a bi-weekly trade magazine intended for college radio programmers and DJs. College radio often provided the only media exposure for underground and alternative artists, serving as a conduit for new and emerging acts. In its decades-long duration as a print magazine, CMJ published detailed charts listing the most-played new tracks on college radio broken down by region and by college. Under the name CMJ New music report, CMJ became a well-known newsstand magazine in the late 1980s and 1990s that covered indie and alternative music, including artist profiles, interviews, and record reviews. CMJ also organized and hosted the annual CMJ Music Marathon festival in New York City as well as other live events. CMJ New music monthly and its sister publication CMJ new music report had ceased publication by 2010, and the CMJ Music Marathon festival stopped in 2016. The festival has subsequently been relaunched as an online event under the management of British musician and entrepreneur Paul Campbell.Online resource; title from RAPMM website (viewed 3 June 2025) Sound recordingsReviewsPeriodicals.Popular musicDiscographyPeriodicals.Popular music.fast(OCoLC)fst01071422Sound recordings.fast(OCoLC)fst01127034Discographies.fast(OCoLC)fst01423883Periodicals.fast(OCoLC)fst01411641Reviews.fast(OCoLC)fst01423760College media journal.CMJ alert.Online version:CMJ new music(OCoLC)989721971RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/390445 02277nas a2200385 i 4500 RAPMMJamming NyNyRILM20250603180450.0cr cn 090319d19771986enk|| p o 0 a eng d(OCoLC)316340862NyNyRILMengrdapnNyNyRILMe-uk---EEMJML3534.6.G7J36Jamming.In the cityLondon :Jamming,1977-1986.1 online resource (38 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan in 1977; ceased in 1986.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesBritish music journalist Tony Fletcher started Jamming! in 1977 as a 13-year-old, printing the first issues at school. It gradually transformed from a DIY fanzine with hand-drawn illustrations to a glossy magazine with professional photographs that were issued monthly. An extensive list of artists—including Pete Townshend, Paul McCartney, Dead Kennedys, Adam and the Ants, the Smiths, U2, Billy Bragg, the Cocteau Twins, R.E.M., and Madness—were interviewed in its pages, which provide a valuable account of post-punk musical life in the U.K. Fletcher, only 21 when Jamming! ceased publication after 36 issues in January 1986, has gone on to write a number of books on popular music and produce The Fanzine Podcast.Online resource; title from RAPMM website (viewed 3 June 2025) Rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh2010109536Rock musicGreat BritainPeriodicals.http://id.loc.gov/authorities/subjects/sh85114675Rock musiciansPeriodicals.http://id.loc.gov/authorities/subjects/sh85114680Fan magazines.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Fletcher, Tony, founder.http://id.loc.gov/authorities/names/n88283589RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/387559 02903cas a2200457 i 4500 RAPMMSlash NyNyRILM20250616124906.0cr cn 111021d19771980caumr p o 0 a eng d(CaEvSKY)sky253334371(OCoLC)ocn775879481(OCoLC)775687797NyNyRILMengrdapnNyNyRILMn-us-caSlash (Los Angeles, Calif.)Slash.Slash magazine.Los Angeles, CA :Slash,©1977- ©1980.1 online resource (28 issues)Monthly (irregular)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan with v. 1, no. 1, 5/77; ceased with v. 3, no. 5, copyrighted in 1980.Editors: volume 1, number 1-volume 3, number 2, Steven M. Samiof, Melanie Nissen; volume 3, number 3-volume 3, number 5: Robert Biggs.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFounded in Los Angeles in 1977 by the journalist Steve Samiof and the photographer Melanie Nissen, Slash ranks among the most important fanzines of the first-wave punk era. It chronicled the underground music scene in Los Angeles of the late 1970s, which featured groups like Bags, The Weirdos, and The Screamers. The fanzine was published monthly in tabloid style in color on commercial newsprint. Its striking cover images included black-and-white portraits of singers Alice Bag and Debbie Harry. Beginning in 1978, Slash Records operated in tandem with the publication, releasing recordings by the Germs, X, and other L.A. punk acts. Slash Records continued as an independent record label after the magazine published its last issue in 1980. In 1986 it was sold to London Records and later folded into Universal Music Group, which disbanded the imprint in 2000.Online resource; title from RAPMM website (viewed 16 June 2025) Punk rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Punk culturePeriodicals.http://id.loc.gov/authorities/subjects/sh85109126Punk rock musicCaliforniaLos AngelesPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Punk cultureCaliforniaLos AngelesPeriodicals.http://id.loc.gov/authorities/subjects/sh85109126Fan magazines.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Samiof, Steven M.,founder.Nissen, Melanie,founder.Biggs, Robert,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354906 02321cas a2200409 i 4500 RAPMMPropaganda NyNyRILM20250616125719.0cr cn 830303d19822002nyu x p o 0 a eng d83641656 0737-07760737-07761(OCoLC)ocm09274382 F.H. Berger, P.O. Box 296, New Hyde Park, NY 11040NyNyRILMengrdapnNyNyRILMpccnsdpML3533.8.P76784.5/419Propaganda (New Hyde Park, N.Y.)Propaganda(New Hyde Park, N.Y.)Propaganda.New Hyde Park, NY :F.H. Berger,©1982-2002.1 online resource (26 issues)Irregulartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPublished during the 1980s and 1990s, Propaganda focused on all topics related to goth, including fashion, fetish gear, witchcraft, and literature, as well as music. Founded by the journalist and photographer Fred H. Berger in 1982, who was credited in some issues of the zine as “Propaganda Minister”, the zine included interviews with major musical artists, from Siouxsie and the Banshees to Bauhaus to The Cure, as well as with the American gothic novelist Anne Rice. Photographs, often taken by Berger, commonly featured androgynous young men and women in fetish gear. Given the number of alternative and underground genres associated with the goth aesthetic—ranging from industrial music and darkwave to neo-psychedelia and dream pop—Propaganda serves as a significant historical record of early alternative and indie music in general.Online resource; title from RAPMM website (viewed 16 June 2025) Punk rock musicPeriodicals.Punk rock music.fast(OCoLC)fst01084153Periodicals.fast(OCoLC)fst01411641Berger, Fred H.,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354831 02095cas a2200361 i 4500 RAPMMReglar NyNyRILM20250616130437.8cr cn 050914d19932020ilu x p o 6 0 a eng d(OCoLC)ocm61498680(OCoLC)61498680NyNyRILMengrdapnNyNyRILMML3533.8.A96Auman, Chris,1970-author.Reglar wiglar.Chicago, IL :Chrispy Auman,[1993]-1 online resource (26 issues)Irregulartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan in 1993.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPrint publication ceased after No. 21 (2005) and resumed with No. 22 (2014).Reglar wiglar was first published in 21 issues from 1993 to 2005 as a print-only zine, focusing on Chicago bands and concerts. At its peak, each issue consisted of 100 pages with a circulation of 2000 distributed through the retail chain Tower Records and the zine distributor Desert Moon. When print publication ceased, a Reglar wiglar blog was started, followed by a digital magazine in 2010, before a return to print in 2014. Over the years, the zine has often featured satire: interviews with made-up artists (e.g., the “controversial rapper Enenen”), reviews of non-existent records, or parody reviews. It has also continued to feature real musicians—from the well-known metal group Lamb of God to local bands like Lollygagger and Summer Girlfriends—as well as comic artists.Online resource; title from RAPMM website (viewed 16 June 2025) Alternative rock musicPeriodicals.Zines.lcgftComics (Graphic works)lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/386706 03139cas a2200589 i 4500 RAPMMND NyNyRILM20250616143504.0cr cn 870727d19821999txufx p o 0 a eng dsn 87002208 0894-8585 0894-8585 1 (CU-S)b41037868-01ucs_sdi (OCoLC)16288130 (OCoLC)173693589 (OCoLC)1009010834 (OCoLC)ocm16288130 ND, c/o Daniel Plunkett, PO Box 4144, Austin, TX 78765, http://www.desk.nl/northam NyNyRILMengrdapnNyNyRILMnsdp pcc NX1.A1 N3 705 11 ND (Austin, Tex.) N D (Austin Tex.) N D (Austin, Tex.) ND. Austin, Texas : Daniel Plunkett, 1983-1999 1 online resource (18 issues)Two no. a year, <Feb. 1995-> 3 no. a year (irregular) texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan with 1 (1982); ceased with issue 21 (Apr. 1999) or 22 (1999)? Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesStarting in 1995 publication frequency erratic.Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.Online resource; title from RAPMM website (viewed 16 June 2025) Avant-garde (Music) Periodicals. Music 20th century Periodicals. Arts Experimental methods Periodicals. Art, Modern 20th century Periodicals. Art and music Reviews 20th century Periodicals. Art, Modern. fast (OCoLC)fst00816615 Arts Experimental methods. fast (OCoLC)fst00817748 Avant-garde (Music) fast (OCoLC)fst00824287 Music. fast (OCoLC)fst01030269 Periodicals. aat Periodicals. fast (OCoLC)fst01411641 1900-1999 fast Plunkett, Daniel,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/385128 02202cas a2200361 i 4500 RAPMMCoolbeans NyNyRILM20250616143504.0cr cn 990629d19932003cauuu p o 0 a eng d(CaEvSKY)sky117916316(OCoLC)931802783NyNyRILMengrdapnNyNyRILMML3533.8.C67Cool beans!.Issue #9 has title:UnCool beans!San Francisco, CA : Matt Kelly, 1994-2003.1 online resource (12 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan in 1993.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe West Coast-based (San Francisco and later Portland) indie, punk, and alternative rock zine Cool beans was launched in 1993 by the zine editor and producer Matt Kelly. Cool beans spawned an eponymous label that released records by less known avant-rock bands like Deerhoof, Danny & the Nightmares, and Rhythm Pigs. Each issue revolved around a pre-selected theme for its feature articles, such as drinking and driving in the United States, food and cooking, and bikes in San Francisco, in addition to pieces adhering to more standard music publication formats centered around band profiles, interviews, and record reviews. Each issue included a compilation CD.Online resource; title from RAPMM website (viewed 16 June 2025) Alternative rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh96004375Punk rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh2010109536Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Kelly, Matt,editor.http://id.loc.gov/authorities/names/n95116719RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/374366 02570cas a2200457 i 4500 RAPMMRollerderby NyNyRILM20250616144304.0cr cn 940414d19901999nhu|| p o 0 a eng d 2023227114(OCoLC)ocm30392605(OCoLC)30392605NyNyRILMengrdapnNyNyRILMpccn-us---ML3533.8.R65052OCoLC23/eng/20230216Carver, Lisa,author.http://id.loc.gov/authorities/names/n96051022Rollerderby /Lisa Carver.Dover, NH : Lisa Carver, 1990-1999.Guerneville, CA : Lisa Carver, 1992-1993.San Francisco : Lisa Carver, 1993-1994.Denver, CO : Lisa Carver, 1994-19951 online resource (25 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFeatures the writings and music of Lisa Carver, occasionally under the pen name Lisa Suckdog.Published in the 1990s by zinester Lisa Carver in Dover, New Hampshire, this "no-apologies feminist" fanzine contains interviews with underground performance artists and fellow zinesters. In the first issue of Rollerderby, Carver explains how she started the zine: "Rollerderby was originally going to be another Disaster fanzine by Bill Callahan. Then Lisa said she would help, and we decided to change the name to Rollerderby. Then Costes was supposed to supply drawings and 'stuff,' but he forgot to. Then Bill dropped out. So I suppose that makes me editor.” Some of the contributors included zinester Reverend Anthony (Conquer now), and comic artist John Porcellino (King-cat comics and stories).Online resource; title from RAPMM website (viewed 16 June 2025) Women rock musiciansPeriodicals.Alternative rock musicPeriodicals.Riot grrrl movementPeriodicals.TeenagersUnited StatesPeriodicals.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Fanzines.rbmscvhttp://id.loc.gov/vocabulary/rbmscv/cv02061RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/429131 02521cas a2200457 i 4500 RAPMMPigpaper NyNyRILM20250616145800.0cr cn 820511d19751987xxc x p o 0 a eng dcn 81031512 810315122 can (AMICUS)000001305744 0710-3034 0710-3034 1 (NNU)000301476NYU01 (OCoLC)8415753 (OCoLC)8264991 NyNyRILMengrdapnNyNyRILMnlc isds/c nsdp 780/.42/05 19 Pig. pap. Pig paper The Pig paper. Schweine Zeitung Aug.-Dec. 1977; Apr. 1978 Cochonnerie Apr. 1978 Mississauga, Ontario : Pig Productions, 1975-1987 Huntington Beach, CA : Pig Productions, 19821 online resource (34 issues)Irregular texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe pig paper is cited as Canada’s first self-published music fanzine. Co-founded in 1975 by the writer, record producer, filmmaker, singer, and songwriter Gary Pig Gold, its first issue was styled as a mock concert program for a gig in Toronto that year by The Who, while the third issue took a similar format for a 1977 concert by the Kinks. As it developed, the zine provided coverage of the punk and indie scenes in Canada and beyond, combining parody and serious analysis. For instance, the fifth issue (August 1977) included an interview with the Ramones, conducted after a performance in Toronto. In 1978, the offshoot Pig Records emerged, releasing a single by the Canadian rock group Simply Saucer. Later issues took a newsletter form with mock headlines like "John Lennon has come back as a crow!", but The pig paper continued over 32 issues until December 1987.Online resource; title from RAPMM website (viewed 16 June 2025) Rock musicPeriodicals. Rock music. fast (OCoLC)fst01099204 Periodicals. fast (OCoLC)fst01411641 Gold, Gary Pig,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391892 02589cas a2200421 i 4500 RAPMMBomp NyNyRILM20250617130925.0cr cn 760918d19701979cauqr p o 0 a eng d76645513 0039-78730039-78731(OCoLC)ocm02439003 NyNyRILMengrdapnNyNyRILMpccnsdpML1.W415784Who put bompWho put the bompWho put the bomp!Bomp!Fairfax, CA : Greg Shaw, 1970-1972.Burbank, CA : Greg Shaw, 1973-1979.1 online resource (17 issues)Quarterlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesNamed for the 1961 Barry Mann doo-wop hit, Who put the bomp! was published by writer and record executive Greg Shaw from 1970 to 1979. The rock zine played a substantial role in shaping and championing what later came to be known as “proto-punk”, promoting a musical aesthetic that went against the grain of mid- and late-1960s rock era (primarily associated with hippie culture) and helping lay the foundation for the birth of punk rock itself. Who put the bomp! started as a five-page mimeograph and evolved into a magazine with contributions by well-known authors such as Lester Bangs and Greil Marcus. The magazine eventually spawned Bomp! Records (established in 1974), a label that released records by proto-punk and early punk rock figureheads such as Iggy and the Stooges, The Modern Lovers, Devo, Germs, Stiv Bators and the Dead Boys, The Sonics, The Pandoras, The Weirdos, and The Zeros. Together with his wife Suzy, Greg Shaw edited other punk zines included in RAPMM: Duke of earl, Metanoia, Mojo navigator, Rock you sinners, and Phonograph record magazine, all included in the RAPMM collection.Online resource; title from RAPMM website (viewed 17 June 2025) Rock musicPeriodicals.Rock music.fast(OCoLC)fst01099204Periodicals.fast(OCoLC)fst01411641Shaw, Greg,1949-2004.https://id.oclc.org/worldcat/entity/E39PBJr7WFvf97w9TjPxbF384qRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354929 02023cas a2200409 i 4500 RAPMMBravEar NyNyRILM20250617131738.0cr cn 830303c19821987caumr p o 0 a eng d83641638 0737-0768 0737-0768 1 (OCoLC)09273822 BravEar, \703, Box 4158, Hayward, CA 94540 NyNyRILMengrdapnNyNyRILMpcc nsdp AP2 .B842243 051 19 BravEar BravEar. Hayward, CA : Michael Miro, 1982-1983Berkeley, CA : Michael Miro, 1983-19871 online resource (16 issues)Monthly texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesA 16-issue zine published between 1981 and 1988 in Hayward, California, BravEar was edited first by Lorry Flemming and later by Rory Cox, and published with attractive design by Mike Miro. In addition to coverage of the local alternative music scene, which included punk bands like Dead Kennedys and Camper Van Beethoven, it featured interviews with prominent musicians from further afield, such as U.S. bands Soul Asylum and Violet Femmes, the English singer Billy Bragg, and Scotland’s Cocteau Twins. Other articles considered Richard Wagner’s Der Ring des Nibelungen and decried U.S. militarization and the threat of nuclear war.Online resource; title from RAPMM website (viewed 17 June 2025) Rock musicPeriodicals. Punk culturePeriodicals. Zines.lcgft Miro, Michael. RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/386041 01945cas a2200337 i 4500 RAPMMEurock NyNyRILM20250617134903.0cr cn 900328u19731993oruuu p o 0 a eng dsn 94017978 (OCoLC)21278941 (CLU)3821197-ucladb-Voyager NyNyRILMengrdapnNyNyRILMML3533.8 .E976 Eurock.Fresno, CA : Archie Patterson, 1973-1976Portland, Oregon : Archie Patterson, 1976-19931 online resource (36 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesA young DJ named Archie Patterson started a weekly radio show dedicated to European psychedelic rock in Fresno, California in 1971, calling it Eurock. Taking inspiration from famed fanzine editor Greg Shaw, Patterson transformed Eurock into a zine in 1973. In 36 issues over the next 20 years, Eurock’s focus changed: it initially centered on progressive and kraut-rock, including Can, Faust, and Amon Düül II; in the 1980s, it turned to more do-it-yourself (DIY) and experimental styles, including artists like Metabolist, Pascal Comelade, and DDAA; and in the early 1990s, new age and electronic music dominated its pages. Patterson also founded a music distribution service, likewise entitled Eurock.Online resource; title from RAPMM website (viewed 18 June 2025) Rock music Europe History and criticism Periodicals. Zines.lcgftPatterson, Archie,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/379272 01926cas a2200337 i 4500 RAPMMBadtrip NyNyRILM20250617135808.0 cr cn 050107c19921998gauqr p o 0 a eng dNyNyRILMengrdapnNyNyRILMBad trip Dallas, GA :Bruce M. Ciero, [between 1990 and 1999] 1 online resource (number of issues)Quarterly texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan in the 1990s Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesBad trip was an Atlanta-based punk, indie, and grunge zine active in the 1990s and early 2000s under the leadership of Bruce Ciero. The editor’s column in the first issue reads: “A lot of bands have more guts than ‘talent’. This little rag is about those bands, the ones that have the nerve and lack of vision to think they can make a difference in an indifferent world”. Combining passion for the music it covered with an iconoclastic attitude and edgy sense of humor, the zine also featured sex-industry advertisements and imagery that recalled the pin-up culture of the 1950s and 1960s. Bad trip is notable for its striking art, design, and illustrations, combining high contrast, black-and-white inked images with typewriter-produced text.Online resource; title from RAPMM website (viewed 18 June 2025) Fan magazines Rock musicPeriodicals Rock groupsInterviews Zines Zines.lcgft Ciero, Bruce,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354928 04218cas a2200781 i 4500 RAPMMPaidmydues NyNyRILM20250617141701.0cr cn 750731d19741980ilu x p 0 a0eng 75642126 0097-80350097-80351(OCoLC)ocm01799171 NyNyRILMengrdapnNyNyRILMpccnsdpML1.P1052780/.5Paid my duesPaid my dues.Also known as:PMD<-March 1976>:Milwaukee, WI :Womens' Soul Publishing<August 1977>Jan. 1980:ChicagoCalliope Publishing, Inc.1 online resource (12 issues)Irregular,1980Quarterly,1974Irregular,1975-Mar. 1976Quarterly,fall 1977-October-December, 1979texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine."A Quarterly journal of women and music" (subtitle varies slightly).Access limited to subscribers of RILM Archive of Popular Music MagazinesIssues no. 4-6 published in 1975-1976 lack a volume designation but constitute v. 1, no. 4-6.No issues published between no. 6 (Mar. 1976) and v. 2, no. 1 (fall 1977) issues.Founded by Dorothy Dean of Milwaukee in 1974, Paid my dues is an important document of women’s music of the 1970s. A major focus of the zine was women folk musicians and singer-songwriters, especially those who directly confronted political concerns in their lyrics, such as Betsy Rose, Jane Voss, Willie Tyson, Vera Johnson, and Margie Adam. Other articles delved into women’s jazz and classical music, covering “foremothers” like Hildegard von Bingen and Clara Wieck Schumann alongside living artists such as Vivian Fine and Mary Watkins. Each issue featured sheet music for songs contributed by women composers, and articles on practical matters—reading sheet music, guitar-playing technique, chord substitutions—were also included. Paid my due’s profiles, interviews, reviews, and editorials provide insight into the evolution of second-wave feminism more broadly.Also issued on microfilm from Primary Source Microfilm.Online resource; title from RAPMM website (viewed 17 June 2025) Women in musicPeriodicals.Women musiciansPeriodicals.Women's musicPeriodicals.Feminist musicPeriodicals.Women's music festivalsPeriodicals.Women musiciansHistory and criticismPeriodicals.Music tradePeriodicals.Feminism and musicPeriodicals.Feminism and music.fast(OCoLC)fst00922744Feminist music.fast(OCoLC)fst00922792Musicfast(OCoLC)fst01030269Music trade.fast(OCoLC)fst01030641Women musicians.fast(OCoLC)fst01178182Women's music.fast(OCoLC)fst01178761Women's music festivals.fast(OCoLC)fst01178762Women's music.homoitLesbian culture.homoitWomen's music festivals.homoitLGBTQ+ events.homoitFeminism.homoitLGBTQ+ culture.homoitCriticism, interpretation, etc.fast(OCoLC)fst01411635Periodicals.fast(OCoLC)fst01411641Periodicals.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026139(uri) http://id.loc.gov/authorities/genreForms/gf2014026139Dean, Dorothy,founder.Online version:Paid my dues(OCoLC)1031194589Online version:Paid my dues(OCoLC)1001134665Microfilm version:Paid my dues(DLC) 2006225397(OCoLC)70057182RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354908 02554cas a2200385 i 4500 RAPMMIneffect NyNyRILM20250617143123.0 cr cn 050728c19871999nyuuu p o 0 a eng dNyNyRILMengrdapnNyNyRILMIn effect Queens, NY :Christopher Wynne, 1988-1999. 1 online resource (12 issues)Irregular texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierNo. 1 (1987)- Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesIn 1988, a group of young friends passionate about hardcore and punk started a fanzine called In effect in College Point, Queens, New York, as a way to dive deeper into their newly found community and support smaller bands. By the time the third issue was released, the New York hardcore scene had experienced increased violence, leading to clubs banning shows, which delayed the subsequent issue of the zine. In effect embodied the DIY style, which editor Chris Whyne defines as an approach centered around trust and community involvement. Creators would send their merchandise to labels, distros, and stores ahead of time, putting faith in them to fulfill their promises, often resulting in a relentless pursuit to collect payment. In effect moved from printing 50 issues to a final issue with 10,000 copies and 132 pages. By issue 9, which featured Madball's vocalist Roger Miret on the cover, producing the fanzine began to feel overwhelming, given the amount of work involved. For the final issue–issue 12–Whyne sold In effect at various outlets, including Jamie Jasta's label Stillborn Records, Generation Records, Bleeker Bob's, and Slipped Disc Records, ending an over a decade-long coverage of the New York scene.Online resource; title from RAPMM website (viewed 17 June 2025) Fan magazines Zines Punk rock musicPeriodicals Hardcore (Music)New York (State)New YorkPeriodicals Hardcore musiciansInterviews Rock musicPeriodicals Zines.lcgft Musiczines Reviewzines Wynne, ChrisRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/410600 02155cas a2200385 a 4500 RAPMMFfanzeen NyNyRILM20250617144111.0cr cn 111107d19771988nyuqr p o 0 a eng d(NNU)003525837NYU01 (OCoLC)61098037 NyNyRILMengrdapnNyNyRILMFfanzeen. Brooklyn, NY : Robert Barry Francos, 1977-1988. 1 online resource (15 issues)Quarterly (irregular), 1980-1988 Frequency varies. texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFFanzeen: Rock 'n' roll attitude with integrity captured the vibrant spirit of the independent New York music scene from 1977 to 1988, as seen through the photographs and words of Robert Barry Francos. This fanzine showcased diverse genres such as punk, rock' n' roll, folk, blues, and jazz, reflecting Francos' eclectic tastes and countless hours in the Village. He distributed FFanzeen to record stores, cafés, and clubs such as the Bottom Line and Bitter End. Among many performances, he covered the rare 1997's AC/DC's metal performance at CBGB, the iconic punk venue in New York. After the print era, Francos continued his writing with the FFanzeen blog from 2007 to 2024: https://ffanzeen.blogspot.com/.Online resource; title from RAPMM website (viewed 17 June 2025) Fanzines. local Punk rock music Periodicals. Punk rock musicians Interviews Periodicals. Garage rock music Periodicals. Rock musicians Interviews. Rock music 1971-1980 Periodicals. Rock music 1981-1990 Periodicals. Francos, Robert Barry. RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/400308 02486cas a2200445 i 4500 RAPMMReggaeAfrican NyNyRILM20250617152112.0cr cn 841206d19831988caubr p o 0 a eng d87645433 (OCoLC)ocm11459308 Bongo Productions, P.O. Box 29820, Los Angeles, CA 90029.NyNyRILMengrdapnNyNyRILMpccML3532.R43781/.519The Reggae & African beat.Reggae and African beatBeatSanta Monica, CA : Bongo Productions for KCRW, 89.9 FM, 1982-1983.Los Angeles, CA : Bongo Productions, 1983-1988.1 online resource (12 issues)Bimonthlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFounded in 1981 by publisher and editor C.C. Smith and continuing until 2009, The beat described itself as “the world's leading publication on reggae, African, Caribbean and world music”. Originally a fanzine for the radio program The reggae beat (broadcast by KCRW-FM in Santa Monica, California), it progressed from a handmade publication to a major, glossy newsstand magazine available at many book stores and music outlets. This mirrored the increasing popularity and prominence of the genres it covered. The beat is valuable not only for its profiles and interviews of artists like Bob Marley, Burning Spear, Alton Ellis, and Miriam Makeba, but also as a source for tracking the application and interpretation of the “world music” label.Online resource; title from RAPMM website (viewed 17 June 2025) Reggae musicPeriodicals.Reggae music.fast(OCoLC)fst01093058Periodicals.fast(OCoLC)fst01411641.Smith, C.C.,founder.Online version:Reggae & African beat(OCoLC)690409216Reggae beat & African beat(DLC) 87645431(OCoLC)17156168Beat (Los Angeles, Calif. : 1989)1063-5319(DLC) 89640303(OCoLC)20690008RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/3958 03318cas a2200553 i 4500 RAPMMTwisted NyNyRILM20250617153311.0cr bn 880919c19821987caumr p o 0 a eng dsn 93023630 (OCoLC)ocm1850196113840529NyNyRILMengrdapnNyNyRILMpccn-us-can-us---Twisted image.Berkeley, CA : Ace Backwords, 1982-19871 online resource (8 issues)Monthly,<Nov. 1989->Irregular,1982-<Jan. 1987>texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesTwisted image was a zine edited by Ace Backwords--later co-edited with Bruce N. Duncan and Mary Mayhem-- from 1982 to 1994. Ace Backwords envisioned Twisted image as an underground media aimed at the “admittedly improbable task of putting out an ‘art’ paper in a commercial setting”. He encouraged the contributors and artists to convey their message as clearly as possible to avoid the emptiness of pseudo-art. The early issues of the zine, with a circulation between 5000 and 10,000, explored different aspects of the punk rock youth culture that was surging through the San Francisco Bay Area. Each of the nine issues featured record reviews, interviews, visual arts, comics, and sharp critiques of the political discourses of the time. In 1987, Ace Backwords changed the zine format from a tabloid to a monthly xeroxed newsletter focused on comics, which he continued publishing until 1994. The East Bay Punk Archive has provided the scans of Twisted image.Online resource; title from RAPMM website (viewed 17 June 2025) United StatesSocial life and customs1971-Caricatures and cartoonsPeriodicals.United StatesSocial life and customs1971-Periodicals.United StatesCivilization1970-Caricatures and cartoonsPeriodicals.United StatesCivilization1970-Periodicals.United StatesHistory1969-Caricatures and cartoonsPeriodicals.United StatesHistory1969-Periodicals.Underground press publicationsCaliforniaBerkeley.Civilization.fast(OCoLC)fst00862898Manners and customs.fast(OCoLC)fst01007815Underground press publications.fast(OCoLC)fst01160984CaliforniaBerkeley.fast(OCoLC)fst01205020United States.fast(OCoLC)fst01204155Since 1969fastCaricatures and cartoons.fast(OCoLC)fst01423691History.fast(OCoLC)fst01411628Periodicals.fast(OCoLC)fst01411641Underground periodicals.Zines.lcgftBackwords, Ace,1956-,editorhttp://id.loc.gov/authorities/names/n93024632RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/427134 02176cam a2200373 i 4500 RAPMMFluke NyNyRILM20250617155031.0cr cn 190211s19912022azuac p o 0 a eng d(OCoLC)1274227384 (OCoLC)on1274227384 NyNyRILMengrdapnNyNyRILMn-us---Thompson, Matthew Fluke. Little Rock, AK : Fluke, 1991-1993.Seattle, WA : Fluke magazines, 1995-1998.Tucson, AZ : Fluke fanzine, 2005-2010.Tempe, AZ : Fluke fanzine, 2011-2012.Phoenix, AZ : Fluke fanzine, 2013-1 online resource (20 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe punk fanzine Fluke started in 1991 in North Little Rock, Arkansas, cofounded by Steve Schmidt, Jason White, and Matthew Thompson. Schmidt later played guitar in the Chicago-based indie group Acquaintances, while White has played guitar for Greenday since 1999. Matthew Thompson, meanwhile, continues to edit the magazine. In a 2016 interview, he explained that Fluke mostly covered punk but reviewed hip hop albums: "We saw hip hop as punk rock, totally. Only the beat and demographic were different. Both were honest, in your face, youthful rebellion”. Recent issues have also thematized topics such as outsider art and mail art.Online resource; title from RAPMM website (viewed 17 June 2025) Punk rock musiciansUnited StatesInterviews.http://id.loc.gov/authorities/subjects/sh2005008654Punk rock musicUnited States.http://id.loc.gov/authorities/subjects/sh85109128Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391466 02083cas a2200421 i 4500 RAPMMEmpire NyNyRILM20250618142741.0cr cn 900828d19871994ilumx p o 0 a eng d2023227104(OCoLC)ocm22288988 (OCoLC)22288988NyNyRILMengrdapnNyNyRILMpccn-us-ilML3533.8.E475Empire monthly (Chicago, Ill.)Empire monthly.Chicago :Pat Daly, 1987-19941 online resource (18 issues)Monthly (Irregular)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan with: June 1987.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesVolume numbering and chronological designations cease with Vol. 1, no. 2 (July 1987).Empire monthly grew out of Pat Daly’s Empire Records Store on Chicago’s Northwest Side. It covered the indie rock scene in Chicago from 1987 to 1994, including punk bands like Barbie Army and Friends of Betty, noise group Rapeman, the alternative rock of God’s Acre and The Smashing Pumpkins, and the power pop of Material Issue. In spite of its name it was issued sporadically in 18 issues. Although freely available, it featured high quality photographs and lengthy articles.Online resource; title from RAPMM website (viewed 18 June 2025) Alternative rock musicPeriodicals.Popular musicIllinoisChicagoPeriodicals.Periodicals.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026139Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Daly, Pat,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391937 02083cas a2200361 i 4500 RAPMMTremolina NyNyRILM20250618145556.0cr bn 180914d19992004sp uu p o 0 b spa dM 1803-2018Oficina Depósito Legal Madrid(OCoLC)1055855826(SpMaBN)a6314506NyNyRILMengrdapnNyNyRILMTremolina (Irún)TremolinaTremolina fanzineFanzine TremolinaMadrid : [Publisher unidentifed], 1999-2004.1 online resource (14 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesBetween 1999 and 2004, Jesús Miguel Gimeno Rosales published 15 issues of Tremolina. The opening dialogue between a pilot and a stewardess in the first issue of the fanzine explains that the term tremolina denotes a noisy commotion in the air or the chaos created by multiple voices shouting. Some of the European and North American bands to which Gimeno Rosales dedicated the pages of Tremolina include Altered Images, Black Tambourine, Hello Cuca, La Buena Vida, Los Empresarios, Meteosat, Morrissey, Pedro Páramo, La Casa Azul, Chico y Chica, Patrullero Mancuso, Slumber Party, and The Peechees, among others. Tremolina also featured items about movies, comics, and cultural events in Spain.Online resource; title from RAPMM website (viewed 18 June 2025)ZinesSpain Periodicals.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026139Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Gimeno Rosales, Jesús Miguel,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/389297 01890cas a2200361 i 4500 RAPMMUnderdog NyNyRILM20250618152141.0cr cn 130625c200620uugw q p o 0 a ger d13,B42dnbDE-6002721802-8DE-1011036440567(DE-599)ZDB2721802-8(OCoLC)861222498NyNyRILMengrdapnNyNyRILMger2\u323.04404305DE-10122/gerUnderdogDötlingen, Germany : Fred Spenner, 2006-2023.Wildeshausen, Germany : ˜F.œ Spenner1 online resource (33 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe German zine Underdog (started in 2002 and still in print) combines punk fandom with political coverage, describing itself as committed to a “world without exploitation and oppression”. Each issue is devoted to a specific topic: these have included "more punk no war", "pop feminism and queer-feminist subcultures", and "punk and disability” but also “police violence and racism” and “animal rights”. Interviews have featured organizations such as People for the Ethical Treatment of Animals (PETA) and Foodsharing Bremen, and several academics, along with musical groups such as Deutsch Amerikanische Freundschaft and Das Pack.Online resource; title from RAPMM website (viewed 18 June 2025) ZinesGermanyZines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/381325 02291nas a2200433 i 4500 RAPMMOldtime NyNyRILM20250618153207.0cr cn 240405c19881994msuqr p o ko 0 a eng d1044-1042 (OCoLC)1428794196 (OCoLC)on1428794196 NyNyRILMengrdapnNyNyRILMRBNN ML3523 .O52x Old time ctry. Old time country Old time country. Oxford, Mississippi : The University of Mississippi Center for the Study of Southern Culture, 1988- 1994.1 online resource (12 issues)Quarterly texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPublished between 1988 and 1994 by the Center for the Study of Southern Culture at the University of Mississippi, Old time country evolved from the newsletter of the Jimmie Rodgers Memorial Association. Under the editors W.K. McNeil and David Nelson, it featured pieces based upon first-hand reportage alongside historical research and sociocultural analysis. Committed to traditional forms of country music, the magazine often featured big country stars of the 1930s and 1940s on their covers, such as Wilf Carter, Gene Autry, and Lulu Belle.Online resource; title from RAPMM website (viewed 18 June 2025) Rodgers, Jimmie, 1897-1933 Periodicals. Rodgers, Jimmie, 1897-1933. fast (OCoLC)fst00199386 https://id.oclc.org/worldcat/entity/E39PBJghjtMXPjf3qjJQpGGbVC Country music Periodicals. Country music. fast (OCoLC)fst00881424 Periodicals. fast (OCoLC)fst01411641 Periodicals. lcgft University of Mississippi. Center for the Study of Southern Culture. Jimmie Rodgers Memorial Association. RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354875 01883cas a2200349 i 4500 RAPMMBlurt NyNyRILM20250618154122.0 cr cn 130828c20092013mduuu p o 0 a eng d(OCoLC)857194315 NyNyRILMengrdapnNyNyRILMBlurt (Silver Spring, Md.) Blurt Silver Spring, Maryland : CCO Creative, LLC, 2009-2013. 1 online resource (3 issues)Irregular texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes first three issues from 2009-2011.Access limited to subscribers of RILM Archive of Popular Music MagazinesAfter Harp magazine declared bankruptcy in 2008, its founder Scott Crawford set up a new magazine in Silver Spring, Maryland, with many of Harp’s writers on board. Originally an online, downloadable magazine, Blurt also published print issues from 2009 to 2013. RAPMM contains the first three of these issues. At around 100 pages each, they combined in-depth features on artists like The Avett Brothers, David Bazan, Janelle Monaé, Otep Shamaya, Antony and the Johnsons, and PJ Harvey with extensive review sections that included newly issued music, rereleases, video games, books, and DVDs.Online resource; title from RAPMM website (viewed 18 June 2025) Rock musiciansPeriodicals Rock groupsPeriodicals Rock music x ReviewsPeriodicals Rock musicPeriodicals Crawford, Scott,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/387553 02483cas a2200469 i 4500 RAPMMChin NyNyRILM20250618154914.0cr cn 050119c19972004cauar p o 0 a eng d(OCoLC)ocm5744819113020053NyNyRILMengrdapnNyNyRILMGV862.C45ChinMusic!.San Francisco, CA : Incommunicado Press, 1997-2004.1 online resource (7 issues)Annual,2004-Irregular,1998-2003Quarterly,1997texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierVol. 1, no. 1 (1997)-Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesBetween 1997 and 2004, Kevin Chanel published ChinMusic!, devoted to a crossover of punk rock and baseball. To the people who did not believe in the connection between these two topics, Chanel cited, on the editorial of the first issue, the case of Scott Radisnky, ex-singer for Scared Straight and Ten Foot Pole, who signed a 1.2 million contract with the Dodgers. And on issue 5, Chanel interviewed “Black” Jack McDowell, an ex-Yankee and rock star-in-waiting. Characterized by “hard-hitting, smash-mouth journalism”, ChinMusic! was also distinguished by a direct style that emerged from baseball and punk rock as non-artsy forms. Kevin Chanel has his own indie press, which has published a wide range of quirky and eclectic topics in the last 20 years.Online resource; title from RAPMM website (viewed 18 June 2025) BaseballPeriodicals.Music and baseballPeriodicals.Baseball playersInterviews.Punk rock musiciansInterviews.Baseball.fast(OCoLC)fst00827904Baseball players.fast(OCoLC)fst00828007Music and baseball.fast(OCoLC)fst01200150Punk rock musicians.fast(OCoLC)fst01084156Interviews.fast(OCoLC)fst01423832Periodicals.fast(OCoLC)fst01411641Zines.lcgftChanel, Kevin,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/423275 02637nas a2200361 i 4500 RAPMMGirlyhead NyNyRILM20250618161203.0cr cn 050908c19962004cauuu p o 0 a eng d(OCoLC)61456161NyNyRILMengrdapnNyNyRILMGirlyhead.San Francisco, CA : Girlyhead Productions, 1996-20041 online resource (5 issues)Irregulartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Editor: Sunny M. Andersen.Access limited to subscribers of RILM Archive of Popular Music Magazines“We are only reviewing stuff we like”, explained editor Sunny Andersen (later Sunny Chanel) in the first issue of Girlyhead, which was published in five issues in San Francisco from 1996 to 2004. The zine demonstrates a fascination with the pin-up models of an older generation—the first issue features a cut-out doll of Brigitte Bardot and a later issue a lengthy profile of Liz Renay—and its visual style is reminiscent of the sexploitation movies of Russ Meyer. The name itself was a reference to fellow publication Gearhead, a title concentrating on a mixture of punk rock and automobile culture. However, Girlyhead, as its name suggests, was written primarily for and by women. Musically eclectic, the zine profiled or interviewed Japanese rock band Guitar Wolf, the French-born singer Claudine Longet, the French prog rock band Magma, as well as U.S. punk groups The Camps and Scared of Chaka. The fourth issue–a special issue on the theme of romance–juxtaposed profiles of the new wave rock band Adam and Ants and bestselling romance novelist Barbara Cartland.Online resource; title from RAPMM website (viewed 18 June 2025) WomenPeriodicals._aWomen_vPeriodicalsFashionCaliforniaSan FranciscoPeriodicals._aFashion_zCalifornia_zSan_Francisco_vPeriodicalsZinesCaliforniaSan Francisco._aZines_zCalifornia_zSan_FranciscoSan Francisco (Calif.)Social life and customsPeriodicals._aSan_Francisco_(Calif)_xSocial_life_and_customs_vPeriodicalsZines.lcgft_aZines_2lcgftCompilation zines.local_aCompilation_zines_2localAndersen, Sunny,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/420517 02199cas a2200349 i 4500 RAPMMBoricuas NyNyRILM20250618162855.0cr cn 001129c19962001pr qx p o 0 a spa d(OCoLC)ocm47105771(WU)5118289-uwmadisondb(EXLNZ-01UWI_NETWORK)999902016602121NyNyRILMengrdapnNyNyRILMBoricuas bestiales.San Juan, Puerto Rico : Boricuas Bestiales Inc., 1996-2001.1 online resource (11 issues)Four issues yearlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesBoricuas bestiales was a groundbreaking Puerto Rican fanzine edited by Javier Tous and Omar Dauharje, starting in 1996. Initially launched as a modest fotocopia limpia, a half-sized Xerox pages publication, it evolved into a 32-page newsprint edition, with print runs reaching up to 2000 copies. Published quarterly until 2000, Boricuas bestiales captured Puerto Rico's music culture, focusing primarily on ska while delving into punk, hardcore, and oi. Javier Tous and Omar Dauhajre, known for their involvement with the punk bands Da' Pingaz and Al Raz, published classic interviews with influential bands such as Blind Pigs, Los Crudos, and Pleasure Fuckers, alongside articles and album reviews. Local fans could get copies of Boricuas bestiales at the visual arts comic shop in the neighborhood of Condado and punk and hardcore concerts in San Juan. This fanzine remains a cherished part of Puerto Rico's rich musical heritage.Online resource; title from RAPMM website (viewed 18 June 2025) Punk rock musicPeriodicals.ZinesPuerto RicoZines.lcgftTous, Javier,editor.Dauharje, Omar,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391708 02277cas a2200421 i 4500 RAPMMYesterday NyNyRILM20250618164938.0cr cn 750930c19751977nyuuu p o 0 a eng d75643862 0098-17960098-17961(OCoLC)ocm01799603 P.O. Box 1825, FDR Station 10022NyNyRILMengrdapnNyNyRILMpccnsdpn-us---ML1.Y4Yesterday's memoriesYesterday's memories.New York : Freebizak, Inc., 1975-1977.1 online resource (8 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesA zine dedicated to retrospective, in-depth articles on R&B and doo-wop artists from the past (hence the title), Yesterday’s memories was active from 1975 to 1977 and profiled well-known stars, like The Four Tunes, alongside more obscure artists, such as The Turks. The result of a collaboration among veteran doo-wop-ologists Marvin Goldberg, Mike Redmond, and Marcia Viance, the zine contained profiles and complete discographies of otherwise under-documented artists who sometimes had only a single hit song on the R&B charts or only broke through in regional markets.The zine is named after a little-known 1955 song by Lillian Leach and The Mellow, a Bronx-based doo-woo group.Online resource; title from RAPMM website (viewed 18 June 2025) Rock musicUnited StatesPeriodicals.Rhythm and blues musicPeriodicals.Rhythm and blues music.fast(OCoLC)fst01097281Rock music.fast(OCoLC)fst01099204United States.fast(OCoLC)fst01204155https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrqPeriodicals.fast(OCoLC)fst01411641Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354914 02714cas a2200373 i 4500 RAPMMAdventures NyNyRILM20250620134539.0cr cn 081003d19802012enk|| p o 0 a eng d(OCoLC)260069819NyNyRILMengrdapnNyNyRILMe-uk-enML3534.6.G7A38Adventures in reality.Coventry, United Kingdom : Alan Rider, 1984-2012.1 online resource (13 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrier12 issues from 1980-1984, with an additional special issue released in 2012.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesOperated by art school graduate Alan Rider out of Coventry in the British Midlands, Adventures in reality was published in 12 issues (labeled A to L) from 1980 to 1984 with a special edition released as issue “M” in 2012. The zine highlighted the local alternative music scene, and its associated cassette label, Adventures in Reality Recordings, released many of the earliest recordings of Coventary’s industrial, proto-goth band, Attrition. British indie and experimental groups from further afield-–Flux of Pink Indians, Bauhaus, and Eyeless in Gaza—were also featured, while the zine and its sound recordings circulated widely; for example, the compilation recording The last supper was distributed internationally by the independent label Rough Trade Records. Individual issues of the zine came with gifts that ranged from tea bags to flexi disc sound recordings. Rider later established several other zines, which are also available on RAPMM: Sticky fingers, Certain substances, Negative reaction, and Not the job hunter.Online resource; title from RAPMM website (viewed 20 June 2025) Rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh2010109536Punk rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Rock musicEnglandCoventryPeriodicals.http://id.loc.gov/authorities/subjects/sh2010111363Punk rock musicEnglandCoventryPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Fan magazines.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Rider, Alan,editor,publisher.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/380632 02619cas a2200385 i 4500 RAPMMDynamiteH 20250620143618.0cr cn 230123d20132022cau|| p o 0 a eng d(OCoLC)on1363833121(OCoLC)1363833121NyNyRILMengrdapnNyNyRILMML3533.8.D96Dynamite hemorrhage.San Francisco : Dynamite Hemorrhage, 2013-2022.1 online resource (10 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesDynamite hemorrhage, a fanzine crafted by Jay Hinman, captivated music enthusiasts since its debut in 2013. With approximately 68 pages per issue, this publication delved deep into underground music, blending Hinman's extensive historical knowledge of rock with a discerning perspective on contemporary bands. Based in San Francisco, Hinman, a college radio DJ and seasoned music writer, continued the legacy of his earlier fanzine, Superdope, which ran until 1998 (and is also part of the RAPMM collection). Each issue featured a varied content, including album reviews, discographies, in-depth articles, book reviews, and interviews with notable figures such as Chris D, the legendary frontman of the Los Angeles punk band The Flesh Eaters. In issue 8, Hinman shared an in-depth review of the early punk fanzine Slash, which covered the Los Angeles punk scene, and is also included in RAPMM. Hinman also produces the homonym podcast, later renamed Radio dies screaming, focusing on the sub-underground music of the last 60 years.Online resource; title from RAPMM website (viewed 20 June 2025) Alternative rock musicHistoryPeriodicals.Alternative rock musiciansHistoryPeriodicals.Garage rock musicHistoryPeriodicals.Punk rock musicHistoryPeriodicals.Alternative rock music.fast(OCoLC)fst00806181Alternative rock musicians.fast(OCoLC)fst00806183History.fast(OCoLC)fst01411628Periodicals.fast(OCoLC)fst01411641Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Hinman, Jay,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406740 02201cas a2200361 i 4500 RAPMMHardtimes NyNyRILM20250620144725.0cr bn 100427u19841985nju|| p o 0 a eng d(CaEvSKY)sky136268230(OCoLC)61156279NyNyRILMengrdapnNyNyRILMML3533.8.H37Hard times.Maywood, NJ : Hard Times Magazine, 1984-1985.1 online resource (number of issues)Monthlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesHard times covered 1980s punk rock–particularly hardcore punk–as well as other “hard” or “heavy” forms of rock. Founded by Ron Gregorio and also edited by Amy Yates Wuelfing, the coverage centered on bands from the zine’s home state of New Jersey but also included major national and international acts. The bands profiled, interviewed, and reviewed in its pages included New Jersey-based death rockers the Misfits, singer Glenn Danzig (of the Misfits, Samhain, and Danzig), Suicidal Tendencies, seminal DC-based hardcore band Minor Threat, and other well known groups such as the Meatmen, Black Flag, Dead Kennedys, Circle Jerks, and the Replacements. Gregorio and Wuefling typed and pasted the zine together, including many of Gregorio’s own photographs.Online resource; title from RAPMM website (viewed 20 June 2025) Punk rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Alternative rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh96004375Fan magazines.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Gregorio, Ron,founder.Yates Wuelfing, Amy,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/362665 02183cas a2200409 i 4500 RAPMMSuperdope NyNyRILM20250620145547.0cr bn 050916c19911998wau p o 0 a eng d(OCoLC)ocm6152147116110259NyNyRILMengrdapnNyNyRILMSuperdope.San Francisco : Jay Hinman, 1991-1994.Seattle, WA : Jay Hinman, 1998.1 online resource (8 issues)Irregulartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesSuperdope was a 1990s fanzine crafted by Jay Hinman, a San Francisco-based college radio DJ and music expert. Celebrating the raw energy of lo-fi garage punk, Superdope showcased the underground sounds that often slip through the mainstream's cracks. With its DIY cut-and-paste aesthetic, each issue included concert reviews, album reviews, and interviews, featuring bands like Supercharger, Cheater Slicks, and Night Kings. Hinman also produces the podcast Radio dies screaming, where he explores the sub-underground music of the last 60 years.Online resource; title from RAPMM website (viewed 20 June 2025) Punk rock musicPeriodicals.Fan magazines.http://id.loc.gov/authorities/subjects/sh85047176MusicPeriodicals.http://id.loc.gov/authorities/subjects/sh85088772Fan magazines.fast(OCoLC)fst01728966Music.fast(OCoLC)fst01030269Punk rock music.fast(OCoLC)fst01084153Zines.fast(OCoLC)fst01919987Periodicals.fast(OCoLC)fst01411641Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Hinman, Jay,editor,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406757 02104cas a2200337 i 4500 RAPMMBasicpaper NyNyRILM 20250620151821.0 cr cn 160819c20059999oruuu p o 0 a eng d(OCoLC)956995169 NyNyRILMengrdapnNyNyRILMAmberson, Joshua Basic paper airplane Olympia, WA : S.S.O. Press Box, 2005-2010Portland, OR : Joshua James Amberson, 2010-2023Portland, OR : Antiquated future, 2020-1 online resource (13 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesJoshua James Amberson founded Basic paper airplane with the idea of "launching something small and simple into the world and seeing where it lands”. This project served as a distraction from running a small poetry press for four years. Initially launched in Olympia, Washington, and later produced in Portland, Oregon, Basic paper airplane was a 13-issue fanzine featuring personal essays, interviews, reviews, and reflections on themes such as family, Americana, and the evolution of print media. Each issue focused on specific themes: Issue 1 included a mix CD and a "fully functional paper airplane"; Issue 5 explored odd Americana; and Issue 13, titled The cassette issue, examined the art of the mixtape, the importance of the boombox, and the intimacy of the Walkman. Every issue of Basic paper airplane offered a unique reading experience.Online resource; title from RAPMM website (viewed 20 June 2025) FamiliesPeriodicals HistoryPeriodicals Zines.lcgft Zines.fast(OCoLC)fst01919987 RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391704 02027cas a2200313 a 4500 RAPMMBam NyNyRILM20250620152613.0 cr bn 050110c19751982stkuu p o 0 a eng dNyNyRILMengrdapnNyNyRILMBam balam Dunbar, United Kingdom : Brian Hogg, 1975-1982 1 online resource (13 issues)Irregular texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesBam balam was a 1970s zine covering 1960s garage rock, power pop, and psychedelia. Lenny Kaye’s Nuggets: Original artyfacts from the first psychedelic era, a compilation album of 1960s psychedelic and garage rock released in 1972, was an inspiration for the publication, while the title was derived from a song by Flamin’ Groovies, a Californian rock band much influenced by the British invasion. Bam balam’s Scottish founder, Brian Hogg, championed groups like The Misunderstood, The Birds, The Droogs, The Kinks, The Yardbirds, The Seeds, and The Creation. Profiles of these groups and others include extensive discographies. Many of the groups featured in the zine were also highly regarded in punk circles and the editor of the seminal punk zine Sniffin' Glue, Mark Perry, cited Bam Balam as an inspiration. Hogg subsequently published the monograph The history of Scottish rock and pop: All that ever mattered (Enfield: Guiness, 1993).Online resource; title from RAPMM website (viewed 20 June 2025) Fan magazines Rock musicPeriodicals Zines Zines.lcgft Hogg, Brian,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354927 02597cas a2200517 i 4500 RAPMMOnetwothreefour NyNyRILM20250620153713.0cr cn 860701d19851990cauqr p o 0 a eng dsn 86036310 sn 86001644 NyNyRILMengrdapnNyNyRILM0889-05360889-05361(OCoLC)13806863(OCoLC)13819041pccnsdpML3533.8O5378411One two three fourOne, two, three, fourOne, two, three, four : A rock 'n' roll quarterly12341, 2, 3, 4OnetwothreefourLos Angeles, CA : Strong Sounding Thought Press, Inc., c1984-c1990.1 online resource (8 issues)Quarterlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesA seminal scholarly journal dedicated to popular music studies, OneTwoThreeFour appeared from 1984 to 1990, altogether releasing nine issues under various editors, including Brenda Johnson-Grau (UCLA) and Gary Burns (Northern Illinois University). Highly interdisciplinary in scope, OneTwoThreeFour addressed academics as well as music journalists and other readers interested in sociocultural and musicological perspectives on popular music. One issue of OneTwoThreeFour focused on music videos; other topics of discussion included gender, racism, technology, and the music industry.Online resource; title from RAPMM website (viewed 20 June 2025) Rock musicPeriodicals(ctweharu)280659MusicPhilosophy and aestheticsPeriodicals(ctweharu)275023MusicHistory and criticismPeriodicals(ctweharu)286512Musicfast(OCoLC)oca02048224 MusicPhilosophy and aestheticsfast(OCoLC)oca02048692 Rock musicfast(OCoLC)oca02059086 Criticism, interpretation, etc.fast(OCoLC)fst01411635Periodicalsfast(OCoLC)oca10077273 Periodicalslcgft(OCoLC)oca10077273 Johnson-Grau, Brenda,editor.Burns, Gary,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/209388 02192cas a2200313 i 4500 RAPMMEditorialdelfuturo NyNyRILM20250623124358.0cr bn 950517d19821982sp p o 0 a spa d(ES-BaCBU).b12799026 (OCoLC)802471613 NyNyRILMengrdapnNyNyRILMEditorial del Futuro Método Madrid ; València : Editorial del Futuro Método, [1982?]-[1984?] 1 online resource (8 issues)Irregular texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesEditorial del futuro método, which started in 1982, was one of the earliest Spanish fanzines to emerge after the explosion of comic zines, alongside with other early fanzine publications such as Estricnina (also part of the RAPMM collection).Written by the multifaceted Juan Vitoria Valle–a writer, music critic, DJ, and radio host, who also owns the iconic record store Amsterdam–this fanzine was a cornerstone of La Movida Valenciana, the cultural and musical phenomenon that emerged in the early 1980s in Valencia, Spain. It was a time of artistic explosion at the national level after the end of the Franco era, and in Valencia it led to the birth of iconic pop rock bands across diverse styles. Editorial del futuro método always opposed mainstream media, amplifying the voices and sounds of the underground. Its pages celebrated the pioneering bands of La Movida Valenciana, such as Glamour, Esgrima, Fanzine, Europa, Última Emoción, and Ceremonia, while also exploring the British and Madrid-based bands that inspired them.Online resource; title from RAPMM website (viewed 23 June 2025) Popular musicZines Alternative rock musicZines Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/361085 02427cas a2200361 i 4500 RAPMMCaboose NyNyRILM20250623125231.0cr cn 060214c20029999iluuu p o 0 a eng dNyNyRILMengrdapnNyNyRILMMason, Liz,creator.Caboose.Chicago, IL : Liz Saidel, 2002-1 online resource (10 issues)Irregulartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierNo. 1 (Jan. 2002)-Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesCaboose is the longest-running zine by the prolific zinester Liz Mason, who began publishing it in 2002. The zine offers readers an in-depth look at popular music, with a focus on the vibrant local scene in Chicago, including its lively karaoke culture. In issue seven, 101 Britney Spears, Mason dives deep into the world of the iconic pop star, exploring everything from her music to her captivating Femme fatale album. The special issue began as a fun CD exchange among friends, after which Mason chose Spears as the topic of the issue. Each edition of Caboose is dedicated to a singular topic, like the heartwarming My Canadian boyfriend, which reflects Mason’s teenage obsession with Canadian pop sensation Corey Hart. Mason has produced several zines, including Awesome things, Dance dance party party zine zine, Here’s a zine template, Most unwanted zine, and Punk rock glee club, all of which are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 23 June 2025) Each issue of this personal zine has a specific theme (e.g. improvement, music, ridiculousness). Liz Mason, of Quimby's bookstore in Chicago fame, reminisces about events in her life with regard to her chosen topic.Fan magazines(uri) http://id.loc.gov/authorities/subjects/sh85047176LCSH41-LIBRARY_OF_CONGRESS-sh 85047176Periodicals.Popular musicIllinoisChicago.Fanzines.Zines.Saidel, Liz.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/387490 02385cas a2200385 i 4500 RAPMMNolonger NyNyRILM20250623130143.0cr cn 940906d199u1995njufr p o 0 a eng d(OCoLC)ocm31056165Joseph A. Gervasi, 142 Frankford Ave., Blackwood, NJ 08012NyNyRILMengrdapnNyNyRILMn-us---NO LONGER A FANzine.PhilthadelphiaBlackwood, NJ : Joseph A. Gervasi, 199?-19951 online resource (number of issues)Two issues yearlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issues 4-7.Access limited to subscribers of RILM Archive of Popular Music MagazinesNO LONGER A FANzine was a seven-issue publication from the early 1990s, edited by Joseph A. Gervasi. It focused on the Philadelphia hardcore scene and featured interviews with musicians and bands, including Abraham Rodríguez Jr. and Green Day, as well as conversations with other zine editors, tour diaries, and essays. Each issue of NO LONGER A FANzine included a note explaining that it was a 100% DIY publication, accompanied by a picture of Gervasi with his cat. Gervasi offered a trading advertisement in NO LONGER A FANzine for services and abilities he required. In the final issue, he reported on the activities of the Cabbage Collective, a group that organized all-ages, smoke-free, and alcohol-free hardcore shows in Philadelphia. In 2013, Gervasi started the Loud! Fast! Philly!, an audio interview archive that preserves the aural history of the Philadelphia hardcore punk scene.Online resource; title from RAPMM website (viewed 23 June 2025) Underground press publicationsNew JerseyBlackwood.Underground press publications.fast(OCoLC)fst01160984New JerseyBlackwood.fast(OCoLC)fst01250111Zines.lcgftGervasi, Joseph A.,editor.United StatesNew JerseyBlackwood.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/410616 02024cas a2200337 i 4500 RAPMMGulcher NyNyRILM20250623140743.0cr cn 240328d19751977inu|| p o 0 a eng d(UkMbAM-D)1980-AMD-00006630 (CKB)5490000000573557 NyNyRILMengrdapnNyNyRILMGulcher.Bloomington, IN : B. Richert, 1975-1977. 1 online resource (7 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFollowing the rock fanzine Beyond our control, Bob Richert started another title in 1975 with more of a punk ethos: Gulcher. Seven issues were published—the first numbered “0”–-in Bloomington, Indiana until 1977. Punk groups like Kiss and The Dictators were featured, as did The Gizmos, a local group founded by fanzine writers Eddie Flowers and Ken Highland. Other styles were also given space, including the psychedelia of The Crazy World of Arthur Brown, and reggae, the subject of the seventh and final issue. Longer lasting than the fanzine, Gulcher Records, also founded by Richert, released a number of The Gizmos’ early recordings and continues to exist. Beyond our control, Gulcher, and Vulcher testify to U.S. fanzine and musical cultures outside the well-known scenes of California and New York City.Online resource; title from RAPMM website (viewed 23 June 2025) Bloomington's music paper. Reggae music Periodicals. Rock music 1971-1980 Periodicals. Zines.Zines.lcgftRichert, Bob,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/380238 02140cas a2200373 i 4500 RAPMMWomeninsound NyNyRILM20250623141829.0cr cn 161031c20159999xxu x p o 0 a eng d(OCoLC)ocn961478116(OCoLC)961478116NyNyRILMengrdapnNyNyRILMML82.W657Women in sound.[United States] : Madeleine Campbell, 2015-1 online resource (8 issues)Irregulartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesA zine that started in 2015, Women in sound contains extensive interviews with women and non-binary people who work with sound and music. Interview subjects have included the home recording artist Linda Smith, the electronic music trailblazer Suzanne Cia, the recording engineer Susan Rogers, the DJ-singer Yaeji, the singer-songwriter-producer Vagabon, and the bassist Carol Kaye. Edited by sound engineer Madeleine Beyer (formerly Madeleine Campbell), interviews concentrate on issues related to technology and the music industry, supplemented by practical guides on similar topics, such as a glossary of synthesizer terminology and a section entitled “How do I start my own label?”.Online resource; title from RAPMM website (viewed 23 June 2025)Women sound engineersPeriodicals.Women musiciansPeriodicals.Transgender musiciansPeriodicals.Gay musiciansPeriodicals.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Interviews.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026115Campbell, Madeleine(Sound engineer),editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391893 02377cas a2200349 i 4500 RAPMMEvolutionraceriot NyNyRILM20250623142556.0cr bn 120912d19972002cau p o 0 a eng d(UkLSE)1389158-lsedb (OCoLC)1435968226 NyNyRILMengrdapnNyNyRILM052 23 Evolution of a race riot. Berkeley, CA : Independent Publishing Resource Centre, 1997-2002.1 online resource (3 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesIn August 1995, Mimi Thi Nguyen started her "multisubcultural revolution" by posting the first flyer for submissions to her punk rock zine Evolution of a race riot. By 1997, she published the inaugural issue, a substantial 100-page "compilation zine written exclusively by people of color in and around punk and grrrl" aimed at fostering "dialogues with each other" and providing a nuanced critique of racism in punk rock while moving away from tokenism and exceptionalism. The first issue of Evolution of a race riot featured around 50 contributors, primarily Asian American and biracial from the U.S. and Canada who were active in punk scenes, the riot grrrl movement, and zine creation. Some articles had been previously published in other fanzines such as Bamboo girl, Exedra, and Hey Mexican!, and subsequently collected in the Evolution of a race riot. It was not until 2002 that Nguyen released two equally significant follow-up issues, one of which was the Race riot project directory, containing a complete list of zines and contact information to help connect zinesters and fans.Online resource; title from RAPMM website (viewed 23 June 2025) Zines. Women Periodicals. Popular music Periodicals. Riot grrrl movement Periodicals. Race Political aspects. Nguyen, Mimi Thi,1974-,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/433178 01869cas a22003857i 4500 RAPMMBeyondcontrol NyNyRILM20250623143219.0cr cn 921210d19731974inuuu p o 0 a eng d(OCoLC)27097362 (OCoLC)ocm27097362 NyNyRILMengrdapnNyNyRILMBeyond our control. (Due to circumstances) Beyond our controlBloomington, IN : Bear Print, 1973-1974. 1 online resource (4 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesBob Richert’s fanzine (Due to circumstances) Beyond our control from Bloomington, Indiana was published in three issues in 1973 and 1974. Eddie Flowers and Ken Highland, future members of the punk group The Gizmos, both wrote for it, but the zine covered a range of styles, including popular acts like John Denver and The Eagles alongside the prog rock of Jade Warrior. Richert subsequently founded Gulcher, a fanzine more focused on punk rock, and an associated record label, Gulcher Records, also available in RAPMM.Online resource; title from RAPMM website (viewed 23 June 2025) Fan magazines. Rock music Periodicals. Popular music Periodicals. Zines. fanzines. aat periodicals. aat Periodicals. lcgftZines.lcgftRichert, Bob,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391706 02405cas a2200385 i 4500 RAPMMFembot NyNyRILM20250623144648.0cr cn 091009d19921995cau x p o 0 a eng d(MiU)009613978MIU01(OCoLC)455512776(OCoLC)ocn455512776NyNyRILMengrdapnNyNyRILMn-us-caFembot.San Francisco, Calif. : Gary Fembot, 1992-1995.1 online resource (6 issues)Irregulartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesIn the editorial to the first issue of Fembot, Gary Gregerson, better known as Gary Fembot, wrote: “Hi this is Fembot and it's about digging girls who are in bands or bands with girls in them and this is from a queer point of view if ya need to know". Profiles were written on both contemporary artists and paradigm-shifting women in rock bands from the past, including the Pleasure Seekers, Fizzbombs, Rosehips, Cavegurls, Vultures, Heavenly, Marzipan, Naked Aggression, Bratmobile, Bikini Kill, and Huggy Bear. The zine was only published for five issues in the 1990s as a photocopied, cut-and-paste style classic fanzine, the last two issues under the title of Fembot presents jam while you cram. Gregerson later became a director of low-budget independent films.Online resource; title from RAPMM website (viewed 23 June 2025) Zines California San Francisco. http://id.loc.gov/authorities/subjects/sh2005003810Riot grrrl movement Periodicals. http://id.loc.gov/authorities/subjects/sh2001002388Lesbians Periodicals. http://id.loc.gov/authorities/subjects/sh85076160Zines. http://id.loc.gov/authorities/subjects/sh2005003810LGBTQ+ people. homoit https://homosaurus.org/v3/homoit0000915Sexual minorities. homoit https://homosaurus.org/v3/homoit0001297Gregerson, Gary,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391765 03217cas a2200457 i 4500 RAPMMBlankGeneration NyNyRILM20250623145238.0cr bn 060313d197719uucauuu p o o 0 a eng d(OCoLC)ocn479900332(OCoLC)479900332NyNyRILMengrdapnNyNyRILMML3533.8.S537709.05Slash (Tustin, Calif.)[Slash] :the fanzine for the blank generation.[Forward slash] :the fanzine for the blank generationFanzine for the blank generationIssue 5 also has title:Alex goes to London!!Tustin, CA : Susan Compo, 1977.volumes :black and white illustrations ;29 cm1 online resource (5 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierBegan in 1977.Title consists of a forward slash symbol, intended to be referred to as "Slash".Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe fanzine for the blank generation, one of the earliest punk zines in the U.S., offered an immersive glimpse into the vibrant early punk scene of the late 1970s in California and London. Spanning six issues, this essential publication was edited by Susan Compo, who also contributed to major music publications like Spin and Mojo (the latter is part of the RAPMM collection). The fanzine featured record reviews, concert critiques, and candid interviews with iconic bands such as the New York punk groups Blondie and The Ramones, as well as London-based bands like The Damned and the Sex Pistols. Compo and her fellow writers Sue, Alex, Peter Urban, and Les Bilian, conducted these interviews, many of which were obtained through long-distance phone calls with the musicians. The zine also provided fans with information on how to contact their favorite bands through fan clubs worldwide. In the last published issue, Compo wrote about the Sex Pistols concert in Tulsa, California, in January of 1978. Fanzine for the blank generation, which derived its title from Blank generation, the seminal album by Richard Hell and the Voidoids, had an early classic black and white Xerox aesthetic that combined handwritten and typewritten fonts with photographs.Online resource; title from RAPMM website (viewed 23 June 2025) Punk fanzine by Alex Rude, Sue Starstruck and others with coverage of the girls' favorite punk bands, especially the Sex Pistols, and punk fashion. Issue #5 includes an essay on Alex's trip to London where she visits punk clothing boutique, Seditionaires.Punk rock musicPeriodicals.Punk culturePeriodicals.Fan magazines.Zines.lcgftRude, Alex,editor.Starstruck, Sue,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354903 02327cam a2200349 i 4500 RAPMMPunkrockgleeclub NyNyRILM20250623145741.0180427d20132015ilua p o 0 a eng d(NPV)b33618793-01vac_inst (OCoLC)1032614451 NyNyRILMengrdapnNyNyRILMn-us--- Mason, Liz, author. http://id.loc.gov/authorities/names/nb2003018184 Punk rock glee club. \2 / Liz Mason Chicago, Ill. : The author, 2015-2016. 1 online resource (2 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPunk rock glee club was a fanzine started in 2013 by Liz Mason, dedicated to celebrating the spirit and sounds of Chicago’s Blue Ribbon Glee Club. This a cappella group brings a fresh twist to classic punk rock anthems, covering iconic bands like the Buzzcocks, the Raincoats, and Fugazi. In the inaugural issue of Punk rock glee club, Mason explored the captivating journey of a community forged through the love of music, featuring in-depth interviews with both current and former members. In the second issue, members talked about their relationships to the songs they sing form bands like The Buzzcocks, Generation X, The dB's, T-Rex, Blondie, and more. Mason has produced several zines, including Awesome things, Caboose, Dance dance party party zine zine, Here’s a zine template, and Most unwanted zine, all of which are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 23 June 2025) Blue Ribbon Glee Club Punk rock music. http://id.loc.gov/authorities/subjects/sh85109128 Glee clubs United States Interviews. lcgft http://id.loc.gov/authorities/genreForms/gf2014026115 Zines. lcgft http://id.loc.gov/authorities/genreForms/gf2014026210 Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/387493 02771cas a2200457 i 4500 RAPMMMeathook NyNyRILM20250624123625.0cr bn 070911c19901994cauux p o 0 a eng d(OCoLC)232009587NyNyRILMengrdapnNyNyRILMThe meat hook.Los Angeles, Calif. : Equalist Productions, 1990-1994.1 online resource (4 issues)Irregular.texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe meat hook was a 4-issue zine created by the writer, zinester, and artist Lucretia Tye Jasmine who, after graduating from New York University in 1988, moved to Los Angeles. In this city, the artist turned to zine-making as a means to process her experiences and perceptions. By engaging in writing, drawing, and collage, Jasmine examined her emotional and mental challenges. The meat hook reflects the artist's realization that the treatment of women parallels the treatment of animals, a concept inspired by the writings of Margaret Atwood. Over the years, The meat hook has gained recognition, with copies housed in prestigious university zine collections. Excerpts from The meat hook have been published in notable works on women in popular music, demonstrating its impact within feminist discourse and media studies. Other titles by Jasmine include The groupie gospel mixtape zine, Ghost, Riot grrrl Los Angeles 1992–1995 mixtape zine, and Touché, and titles edited by the mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 24 June 2025) FeminismPeriodicalsWomenViolence againstPeriodicals.RapePeriodicals.Forced sexual intercourseForced sexual penetrationNonconsensual sexual intercoursePenetration, Forced sexualSexual intercourse, ForcedSexual intercourse, NonconsensualSexual penetration, ForcedSexual assaultHuman femalesFemalesHuman beingsFemininityJasmine, Lucretia Tye,artist,founder,writer.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432251 03325cas a2200505 i 4500 RAPMMInterrobang NyNyRILM20250623130542.0cr bn 050801c19942014cau x p o 0 a eng d20082122881943-37511943-37511(OCoLC)ocm6118343816079890Decomposition, 3288 21st St., #33, San Francisco, CA 94110NyNyRILMengrdapnNyNyRILMnsdppccInterrobang?!Interrobang?!.<winter '96/'97-> :San Francisco, CA : Interrobang?!<2008-> :San Francisco, CA : Decomposition1 online resource (4 issues)Irregulartexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issues 2-4, 6.Access limited to subscribers of RILM Archive of Popular Music MagazinesCreated by Sharon Cheslow, a pioneering figure in the punk scene and an accomplished multi-disciplinary artist, Interrobang?! was a groundbreaking fanzine that explored the diverse realms of punk and sound art. The inaugural issue featured an insightful interview with the Washington, D.C. punk band Nation of Ulysses. In the second issue, Cheslow presented a comprehensive list of women in punk from 1975 to 1980, aiming to highlight the often underrecognized contributions of women during the early punk era, just before the more male-dominated hardcore scene of the 1980s emerged. Cheslow designed issues 4 and 5 as anthologies, featuring contributions from notable figures such as Cynthia Connolly, a photographer of punk culture; Marc Kate, a musician and electronic artist from I Am Spoonbender; Ian MacKaye, a punk rock pioneer and co-founder of Dischord Records; Pauline Oliveros, an experimental composer; Maggi Payne, a composer and sound artist; Niko Wenner, the guitarist for Oxbow; and Allison Wolfe, a punk musician from Bratmobile and feminist activist. In issue 4, the authors delved into sound as a transcendent art form, focusing on the mental state induced by how listeners perceive music and the transformative experience they undergo when engaging with sound. In issue 5, they explored the intricate relationship between music and family.Online resource; title from RAPMM website (viewed 24 June 2025)Punk rock musicPeriodicals.Women rock musiciansPeriodicals.Fan magazines.fast(OCoLC)fst01728966Punk rock music.fast(OCoLC)fst01084153Women rock musicians.fast(OCoLC)fst01178475Zines.fast(OCoLC)fst01919987Periodicals.fast(OCoLC)fst01411641Underground periodicals.Fan magazines.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Cheslow, Sharon,creator.http://id.loc.gov/authorities/names/n92029904http://www.banginterro.comRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391378 05451cam a2200361 i 4500 RAPMMDancedance NyNyRILM20250624145856.0cr cn 181127s2017 ilua p o 0 a eng d(OCoLC)1076359354NyNyRILMengrdapnNyNyRILMn-us-ilGV1799.4.D36 2017Dance dance party party zine zine : appreciating 10 years of DDPP Chicago / edited by Liz Mason.Dance dance party party zine zine : appreciating ten years of Dance Dance Party Party ChicagoChicago : Liz Mason, 2017.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.A dance party I can rely on / by Liz Mason (aka MC Escher), DDPP Chicago Den Mother, zine editor -- DDPP Chicago origins / by Jenn Brandel, DDPP Chicago co-founder, Den Mother Emeritus -- DDPP memories / by DJ Tanner, Jenny Bear, Jennifer Gillingham formerly known as Jennifer Martin, DDPP Chicago co-founder, Den Mother Emeritus -- Beautify the mess in front of you / by DJ Hotdish, DDPP Chicago Den Mother -- Dance! Dance! Party! Party! No boys, no booze, no judgement / by Allison Wolcott/DJ AWOL, DDPP Chicago Den Mother Emeritus -- A survival guide to Outkast's "B.O.B. (Bombs over Baghdad)" / brought to you by DJ Disco Biscuit, DDPP Chicago Den Mother -- Liberal use / by DJ Clank! aka Kelley Clink, DDPP Chicago Den Mother Emeritus -- #1 fan / by DJ Bell Biv deHo, DDPP Chicago Den Mother Emeritus -- Whiplash every time / by Amy Kelley AKA DJ Muzak & DJ Sex Frosting, DDPP Chicago Den Mother Emeritus -- Room on the dance floor / by Kristen Studard, DJ CAPS LOCK, current DDPP LA Den Mother, DDPP Chicago Den Mother Emeritus -- A place to flail about without knocking over any furniture / by Mega Krejny/DJ Reaction, Den Mother DDPP Twin Cities Emeritus -- DJ Devil Bunny testimonial / DDPP Chicago Den Mother -- Dance Dance Party Party Kelly Kelley Chicago Chicago Pensacola Pensacola / by Kelly Peraino aka DJ Baby maker DDPP Pensacola Den Mother, DDPP Chicago Den Mother Emeritus -- Dance Dance Party Party revolution / by Claire Zulkey/DJ Incredible Zulk -- Dancing my face off / by Toni AKA DJtunerkin -- A spark of hope / by Izabela Gluszak -- Mini interview with DJ Foxxy K! -- Notes from DDPP Toronto / Den Mothers DJ Soozapalooza, DJ McWiggles, and DJ Hanna Bananahammock -- Testimonials!Access limited to subscribers of RILM Archive of Popular Music MagazinesThis zine, produced by Liz Mason, serves as a heartfelt tribute to the 10th anniversary of Dance Dance Party Party Chicago, a vibrant chapter of the Dance Dance Party Party, an initiative started to provide a safe dance space for people of marginalized genders. Hosted at the Perceptual Motion Dance Studio, the Dance Dance Party Party dance collective created a judgment-free sanctuary where dancers could let loose and express themselves freely. Mason has produced several zines, including Awesome things, Caboose, Here’s a zine template, Most unwanted zine, and Punk rock glee club, all of which are part of the RAPMM collection."Remember jumping up and down on the bed to your favorite music, or dancing with your friends when you were a kid to your favorite song? That's what Dance Dance Party Party is. It's a one hour dance party workout that originated in New York, then made its way to Chicago in 2007. DDPP Chicago has provided a refuge for dancing where female-identified folks can dance, a "class" that operates with the motto: 'no boys, no booze, no judgement.' There's no instructor, so you can do whatever you want once the music starts and the disco lights go on, whether it's poppin' and lockin' or doing yoga in the corner. A different dancer makes the playlist for each session, and everybody wears workout clothes. DDPP has chapters all over the world now, but Chicago currently serves as the lead chapter, where it happens twice a week. This zine celebrates DDPP Chicago in all of its glory: the story of its humble beginnings with a tiny sound system up through the volunteer "den mothers" that run it now, as well as its effect on those who have experienced this cult phenomenon; many DDPP participants have cited it as being instrumental in their own personal growth. This oral history of sorts includes contributions from Chicago founders Jenn Brandel and Jennifer Martin as well as many others. DDPP Zine Zine is an artifact that's part cultural preservation of a culture, part description of a successful autonomous zone, and ALL DANCE PARTY."--Quimby's description.https://www.quimbys.com/store/8295Online resource; title from RAPMM website (viewed 24 June 2025)Dance for womenIllinoisChicago.http://id.loc.gov/authorities/subjects/sh2005003858Aerobic dancingIllinoisChicago.http://id.loc.gov/authorities/subjects/sh85001289Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Mason, Liz(Zine publisher),editor,author.http://id.loc.gov/authorities/names/no2012032251RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/388266 02428cam a2200385 i 4500 RAPMMAwesomethings NyNyRILM20250624162342.6cr bn 171211s20172021ilua p o 0 a eng d(OCoLC)1015201159(OCoLC)in00005929872NyNyRILMengrdapnNyNyRILMPS3613.A8175A94 2017PN4836.M37A9 2017Mason, Liz(Zine publisher),author.http://id.loc.gov/authorities/names/no2012032251Awesome things /by Liz Mason.Chicago : Liz Mason, 2017-20211 online resource (4 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe prolific zinester Liz Mason is dedicated to finding awesomeness in every small detail of life. With her passion for music and dance, many items on her list of awesome things include songs, dance battles, memories evoked by music, karaoke bars, fictitious album names, lyrics, musical instruments, and dance movements. Additionally, she draws from popular culture and bright moments from her time as the manager of Quimby’s Bookstore in Chicago, where she has developed an impressive collection of fanzines. As a founding member of Zine Club Chicago, Mason has produced several zines in addition to Awesome things, including Caboose, Dance dance party party zine zine, Here’s a zine template, Most unwanted zine, and Punk rock glee club, all of which are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 24 June 2025)JoyMiscellanea.Conduct of lifeMiscellanea.http://id.loc.gov/authorities/subjects/sh2008100240Conduct of life.fast(OCoLC)fst00874563Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Trivia and miscellanea.fast(OCoLC)fst01921748Zines.fast(OCoLC)fst01919987Mason, Liz(Zine publisher)http://id.loc.gov/authorities/names/no2012032251RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/387488 02128cam a2200433 i 4500 RAPMMZinetemplate NyNyRILM20250624163450.0cr bn 220310s2019 ilu p o 0 a eng d(OCoLC)1302758667 b64914306 NyNyRILMengrdapnNyNyRILMMason, Liz (Zine publisher), author. Wanna make a zine? : here's a zine template. Here's a zine template Chicago : LizMasonZines, 2019. 1 online resource (number of issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesDive into the world of zine making with Here's a zine template, a must-have guide from renowned zinester Liz Mason, manager of Quimby's Bookstore. With a wealth of experience and a passion for creativity, Mason broke down the barriers that often intimidate newcomers. She debunked several myths, including the belief that advanced writing skills or expensive design software are necessary. Mason has produced several zines, including Awesome things, Caboose, Dance dance party party zine zine, Most unwanted zine, and Punk rock glee club, all of which are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 24 June 2025)Zines Publishing. Zines Handbooks, manuals, etc. Zines Authorship. Self-publishing. Self-publishing. fast Zines. fast Authorship. fast Publishing. fast Zines. lcgft Handbooks and manuals. lcgft Handbooks and manuals. fast Zines. fast RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/388497 02696cam a2200385 i 4500 RAPMMSkinny NyNyRILMcr cn 230925t20232023iluac p o 0 a eng d20250624164048.0(OCoLC)on1399433829(OCoLC)1399433829NyNyRILMengrdapnNyNyRILMML421.S565C37 2023Capshaw, Vanessa,author.Skinny Puppy : so much love and thank you for everything : final tour fanzine / by Vanessa Capshaw.Skinny Puppy : farewell final tour fanzine! : so much love and thank you for everything[Ill.] :Darlingnight.com,[2023][Lancaster, Pa.] :[Risolve Studio]©20231 online resource (number of issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesArtist Vanessa Capshaw juxtaposed hearts, flowers, and pink paper with images of the Canadian band Skinny Puppy, known for their harsh industrial sounds and horror-film imagery, in this risographed fanzine. Formed in 1982, Skinny Puppy disbanded for the second time in 2023. Skinny Puppy: Farewell final tour fanzine includes images from the performance they gave in Silver Spring, Maryland, as part of their final tour that year."Risograph printed Skinny Puppy fanzine! Includes full-bleed photographs taken at the Silver Spring, Maryland show of their final tour, drawings and fan art by Vanessa Capshaw, and write-ups by various contributors who also attended the final tour and loved every goddamn minute of it. This fanzine is a hot pink mess of hearts and flowers dedicated to the best band that ever existed.28 pages; 8" x 10"; Two Color Risograph (Black & Fluorescent Pink); Saddle-stitched, black staples. Edition of 250 copies."--Publisher's description.https://www.darlingnight.com/shop/skinny-puppy-farewell-final-tour-fanzine-so-much-love-and-thank-you-for-everythingOnline resource; title from RAPMM website (viewed 24 June 2025)Skinny Puppy (Musical group)Appreciation.Industrial musicHistory and criticism.Risographs.lcgfthttp://id.loc.gov/authorities/genreForms/gf2021026034Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/388498 03671cam a2200457 i 4500 RAPMMMostunwanted NyNyRILM20250624164802.0cr bn 210616s2021 ilu p o 0 a eng d(OCoLC)1256714108in00006456590NyNyRILMengrdapnNyNyRILMZ286.Z54M37 2021Mason, Liz(Zine publisher),author.http://id.loc.gov/authorities/names/no2012032251Most unwanted zine /Liz Mason.Chicago : Liz Mason, 20211 online resource (number of issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine."The Most Unwanted Zine is based on research culled from zine readers via a Google survey and my experience selling Qustomized Quimby's Zine Packages at Quimby's Bookstore."Access limited to subscribers of RILM Archive of Popular Music MagazinesMost unwanted zine is the latest project by Chicago zinester Liz Mason. Inspired by the unconventional art of Russian-born conceptual artists Komar and Alexander Melamid, this zine boldly embraces everything zine enthusiasts claim to dislike. With a playful twist, Mason delivers an intriguing mix of unwanted elements, including poetry that readers would rather avoid, shoddy construction, and a self-indulgent perzine rant (criteria pointed out by real zine readers). Expect ridiculous font choices, baffling layouts, and meandering thoughts through a fictional punk scene and beyond. Mason has produced several zines, including Awesome things, Caboose, Dance dance party party zine zine, Here’s a zine template, and Punk rock glee club, all of which are part of the RAPMM collection."Based on extensive zine research and surveying, The Most Unwanted Zine incorporates everything people like least in zines. Inspired by Russian conceptual artists Komar and Melamid and their genius creations like 'The Most Unwanted Song,' The Most Unwanted Zine is a true charmer for any long-time zine reader. In Liz's own words: 'The #1 thing people said they didn't want in a zine? Poetry. So there's that. The #2 thing people complained about zines? Shitty construction. So there's that. But also, don't miss a self-involved perzine rant, ridiculous font decisions with bad letting/kerning, a poorly laid out photo spread, the obligatory punk scene report, vague or meandering ramblings, lecturing with pedantically big academic words, whining and more!'"--Antiquated Future description.https://antiquatedfuture.com/zines/the-most-unwanted-zine/Online resource; title from RAPMM website (viewed 24 June 2025)Zines.http://id.loc.gov/authorities/subjects/sh2005003810Satire.http://id.loc.gov/authorities/subjects/sh85117645Zines.(CaQQLa)201-0428104Satire.(CaQQLa)201-0003483Satire.fast(OCoLC)fst01105668Zines.fast(OCoLC)fst01896158Literary zines.lcgftPopular works.fast(OCoLC)fst01423846Zines.fast(OCoLC)fst01919987Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Zines.rvmgf(CaQQLa)RVMGF-000001179Mason, Liz(Zine publisher)http://id.loc.gov/authorities/names/no2012032251RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/387497 02086cam a2200301 i 4500 RAPMMXicanistas NyNyRILM20200519175930.0cr bn 190627s2013 xxu p o 0 a eng d(OCoLC)1105930641NyNyRILMengrdapnNyNyRILMRasquache ZinesXicanistas & punkeristas say it loud!Oakland, CA : Brenda Montaño, 20131 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesIn Xicanistas & punkeristas say it loud, the writer Brenda Montaño amplifies the powerful narratives of Xicanas, who were essential yet overlooked contributors to the punk movement. Covering xicanistas and punkeristas from the suburbs of Southern California to the vibrant pueblos of Chiapas in Mexico, this fanzine celebrates the fierce spirit of self-identified "womyn" of color whose experiences and histories challenge colonial narratives and redefine cultural identities. Through the lens of punk as a megaphone for teenage rebellion and empowerment, Montaño interweaves compelling personal stories with an exploration of influential bands like The Brat and Los Ilegales, while illuminating the unique aesthetic of rasquachismo within DIY punk culture. The fanzine includes a list of "badass xicanas" of the past and present and a playlist honoring these revolutionary women. Montaño also published Louder than bombas: On raza, Morrissey, and The Smiths, also included in the RAPMM collection.Online resource; title from RAPMM website (viewed 24 June 2025)Underground periodicalsZines.lcgftMontaño, Brenda,writer.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/426966 02941cas a2200385 i 4500 RAPMMMojoentmooter NyNyRILM20250625115438.0cr cn 190709d19681969cau x p o 0 a eng d(OCoLC)1107791487 (OCoLC)on1107791487 NyNyRILMengrdapnNyNyRILMMojo entmooter. Fairfax, CA : Greg and Suzy Shaw, 1968-1969.1 online resource (1 issue)Irregular texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issue 1.Access limited to subscribers of RILM Archive of Popular Music MagazinesMojo entmooter emerged from the legacy of two previous publishing efforts by fanzine legends Greg and Suzy Shaw: Mojo navigator and Entmoot. Mojo navigator, one of the first rock and roll magazines launched in the summer of 1966 and a pioneering voice in the underground music scene, ultimately ceased publication due to editorial disagreements, as explained by the Shaws, despite its potential to become a significant influence in the music world. Entmoot was dedicated to the works of J.R.R. Tolkien and gained recognition in fantasy circles before being discontinued as their founders shifted focus to music. Mojo entmooter sought to revive the spirit of exploration and discussion found in both previous projects while emphasizing personal insights into music and culture. Unlike traditional fanzines, it strived to stand out by including content from the underground press, which was made possible through its membership in the Underground Press Syndicate. With a modest circulation of 500, it aimed to connect with readers passionate about music, offering fresh perspectives and encouraging contributions from various genres, including science fiction and fandom. The Shaws mailed Mojo entmooter to members of the syndicate and to all major record companies to score review copies of new records for sourcing materials to write about. The Shaws' zines Metanoia, Mojo navigator, Duke of earl, Phonograph record magazine, Bomp!, Duke of earl, and Rock, you sinners! are also included in the RAPMM collection.Online resource; title from RAPMM website (viewed 25 June 2025)Fan magazines. Underground press publicationsPeriodicals. Fan magazines.fast(OCoLC)fst01728966 Underground press publications.fast(OCoLC)fst01160984 Periodicals. fast (OCoLC)fst01411641 Zines.lcgftShaw, Greg,publisherShaw, Suzy,publisherRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/390442 01933cas a2000349i 4500 RAPMMVulcher NyNyRILM20250625115944.0 cr cn 230526d1978 inuuu p o 0 a eng d(OCoLC)1380366862 NyNyRILMengrdapnNyNyRILMVulcher Bloomington, IN : Bob Richert,1978 1 online resource (1 issue)Irregular texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierSelf-hype in the Gulcher tradition.--Cover Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesVulcher was a short-lived publication from 1978, the last title in the zine saga edited by Bob Richert in Bloomington, Indiana. In the editor's words, "VULCHER magazoon [sic] is published for self-hype and self-abuse whenever Bob Richert can get EZ Edde to stop pulling his pud long enough to come up with something”. This zine was dedicated to The Gizmos, a punk band from Bloomington, Indiana, that recorded all their albums at Gulcher Records, which was owned by Richert, one of the earliest small independent labels and fanzines in the area. It also featured articles about the 1978 Gizmo's recording World tour. The sibling publications Beyond our control and Gulcher are also included in the RAPMM collection.Online resource; title from RAPMM website (viewed 25 June 2025)Zines Rock musicPeriodicals Punk rock musicPeriodicals Zines.lcgftRichert, Bob,editor.Gulcher Records (Firm) RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/395998 03806cas a2200517 i 4500 RAPMMLouderthanbombas NyNyRILM20250625120918.0cr cn 180823s2017 cau p o 0 a eng d(OCoLC)on1049699137(OCoLC)1049699137NyNyRILMengrdapnNyNyRILMn-us---ML3917.U6M66 2017Montaño, Brenda,author.http://id.loc.gov/authorities/names/no2021104070Louder than bombas :a Zines Rasquache creation on Raza, Morrissey and the Smiths.Oakland, CA : Montaño, Brenda, 2016.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesIn 2016, the zinester, editor, and activist Brenda Montaño published the onezine Louder than bombas: On raza, Morrissey, and The Smiths as a way to "further understand the obvious relationship we Brown Folks, Xicanas y Xicanos, have to both the man and the music". Montaño highlights how the vocalist Morrissey and The Smiths have played a significant role in shaping the lives of many adolescents growing up in Southern California, who found comfort in the melancholy words of the British vocalist. The zine's title cleverly plays with the 1987 The Smiths album title Louder than bombs, reflecting the critical decolonial perspective on the iconic British band. Montaño draws on the distinctive aesthetic of rasquachismo within DIY punk culture. Before Louder than bombas, Montaño published in 2013 Xicanistas & punkeristas say it loud, also included in the RAPMM collection."Louder Than Bombas by Brenda Montaño is a personal examination of the author's relationship with race, white supremacy and The Smiths/Morrissey."--These Days description.https://www.thesedaysla.com/products/louder-than-bombas"I made this Zine in order to further understand the obvious relationship we Brown Folks, Raza, Xicanas y Xicanos, have to both the man and the music. I'm writing to place the music that's saved so many lives into context with the reality of white supremacy, of cultural hegemony and unrelenting patriarchy. Because if you don't already know, these things are alive and well! "--Author's Etsy page, viewed August 23, 2018.Online resource; title from RAPMM website (viewed 25 June 2025)MorrisseyCriticism and interpretation.Smiths (Musical group)http://id.loc.gov/authorities/names/n91079106Music and raceUnited States.MusicSocial aspectsUnited States.http://id.loc.gov/authorities/subjects/sh2010102902ZinesSpecimens.Morrissey.fast(OCoLC)fst00295019Smiths (Musical group)fast(OCoLC)fst00669682Zines.fast(OCoLC)fst01896158MusicSocial aspects.fast(OCoLC)fst01030444Music and race.fast(OCoLC)fst01030486United States.fast(OCoLC)fst01204155https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrqSpecimens.fast(OCoLC)fst01423861Criticism, interpretation, etc.fast(OCoLC)fst01411635Zines.fast(OCoLC)fst01919987Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Zines.rvmgf(CaQQLa)RVMGF-000001179RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/428910 04376cas a2200733 i 4500 RAPMMIfthisbesin NyNyRILM20250625122311.0cr cn 150313d20142014nyu p o 0 a eng d 2019218732 9781630687069 1630687065 (OCoLC)904821251 (OCoLC)ocn904821251 NyNyRILMengrdapnNyNyRILMn-us-ny Newlevant, Hazel,artist,author. If this be sin / Hazel Newlevant. New York : Hazel Newlevant, 2014. ©2014 1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierCover title.Digitized version of a print zine.Bibliography : page [43] Published with funding from the Prism Comics Queer Press Grant. "Gladys Bentley was a blues singer, piano player, and drag king who performed bawdy tunes in Harlem nightclubs throughout the 1920s and '30s. Despite the social obstacles she faced as a black, openly queer woman, her outrageous and energetic act became a mainstay of the Harlem cabaret. In 1952, under the oppressive social conditions of the McCarthy era, Bentley publicly renounced her previous identity and claimed to have found happiness as a feminine housewife."--Hazel Newlevant's website, viewed May 1, 2014. Access limited to subscribers of RILM Archive of Popular Music MagazinesWinner of the 2013 Prism Comics Queer Press Grant! 'If This Be Sin' is a collection of comics about queer women expressing themselves through music. It tells the stories of Gladys Bentley, the Harlem Renaissance blues singer and drag king, and Wendy and Lisa, the lesbian rockstars of Prince and the Revolution. "Hazel Newlevant draws like a dream and weaves a mesmerizing story. 'If This Be Sin' is a stunning achievement." -Alison Bechdel, author of 'Fun Home' "The stories are super sweet and hopeful, but also have a touching gloominess to them. I loved it!" -Ross Campbell, author of 'Wet Moon' 8.25" x 11", 44 pages, perfect-bound, full color throughout. Three stories are told in comics format in this collection from cartoonist Hazel Newlevant. Each depicts queer women who express themselves through music: one concerns Gladys Bentley, the blues singer of the Harlem Renaissance; a second tells the story of Wendy & Lisa, i.e., rock musicians Wendy Melvoin and Lisa Coleman who made vital contributions to Prince and the Revolution’s music during the Purple Rain period and who subsequently released their own music; a final story depicts a fictional dance competition.If this be sin -- No it U lover -- Dance the blues. Online resource; title from RAPMM website (viewed 25 June 2025)artists' books (books)aat graphic novels.aat Artists' books.fast(OCoLC)fst00817660 Gay culture.fast(OCoLC)fst01201219 Graphic novels.fast(OCoLC)fst00946656 Lesbian culture.fast(OCoLC)fst01201220 Zines.fast (OCoLC)fst01896158 Zines. ZinesUnited States. Artists' books. Gay cultureComic books, strips, etc. Lesbian cultureComic books, strips, etc. Graphic novels. Coleman, Lisa. Melvoin, Wendy. Bentley, Gladys. Newlevant, Hazel. comic strips.aat comic books.aat Lesbian comics.fast(OCoLC)fst02000485 Biographical comics.fast(OCoLC)fst01921595 Gay comics.fast(OCoLC)fst02000486 Comics (Graphic works)fast(OCoLC)fst01921613 Lesbian comics.lcgft Biographical comics.lcgft Comics (Graphic works)lcgft Prism Comics Queer Press, sponsoring body RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354924 01684nas a2200349 i 4500 RAPMMBoredstiff NyNyRILM20250625123351.0cr bn 081010d19771977enk|| p o 0 a eng d(OCoLC)261504208NyNyRILMengrdapnNyNyRILMe-uk-enML3534.6.G7B67Bored stiff.Bored stiff till '77!.Newcastle upon Tyne, United Kingdom : Terry Macalister, 1977.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issue 2.Access limited to subscribers of RILM Archive of Popular Music MagazinesOriginating in Newcastle upon Tyne in the north of England, Bored stiff appeared in two issues in 1977, edited by future Guardian journalist Terry Macalister. Concerts and record reviews accompanied extensive coverage of favorites such as Iggy Pop and the Sex Pistols and an interview with Pauline Murray of the English punk band Penetration.Online resource; title from RAPMM website (viewed 25 June 2025)Punk rock musicEnglandPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Fan magazines.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Macalister, Terry,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391707 02193cas a2200385 i 4500 RAPMMHalftruth NyNyRILM20250625124250.0cr cn 091204c19901997cauuu p o 0 a eng d(OCoLC)472656187NyNyRILMengrdapnNyNyRILMn-us-caHalf-truth.Los Angeles, CA : B.A. Productions, 1990-1994.Hermosa Beach, CA : Half-truth, 1995-1997.1 online resource (24 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrier"Only half the lies of other magazines."Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesJeff Hughart, previously the co-creator of 60 miles north, returned to the world of fanzines with the publication Half-truth in 1990, which described itself as having “only half the lies of other magazines”. Over the next seven years and 25 issues, it featured luminaries of the U.S. and British punk and alternative rock worlds: Joey Ramone, Robyn Hitchcock, NOFX, Toy Dolls, Sublime, and Suede were all interviewed. Humorous photo collages were placed on the covers of early issues, but later issues included elaborately drawn cover art. Contributors included the novelist and poet Charles Bukowski.Online resource; title from RAPMM website (viewed 25 June 2025)Popular culturePeriodicals.http://id.loc.gov/authorities/subjects/sh2008109790Little magazinesCaliforniaLos Angeles.Little magazines.fast(OCoLC)fst01000529Popular culture.fast(OCoLC)fst01071344CaliforniaLos Angeles.fast(OCoLC)fst01204540Periodicals.fast(OCoLC)fst01411641Zines.lcgftHughart, Jeff,editor.http://id.loc.gov/authorities/names/no2009142850RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391895 02241cas a2200361 i 4500 RAPMMHardcorearchitecture NyNyRILM20250625125013.0 cr cn 160502d20152018ilu p o 0 a eng d(OCoLC)948510994 NyNyRILMengrdapnNyNyRILMHardcore architecture : a project of Marc Fischer and Public Collectors Chicago : Public Collectors, 2015-2018.1 online resource (7 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issues PC0015-PC0016, PC0018-PC0020, PC0029, and PC0034.Access limited to subscribers of RILM Archive of Popular Music MagazinesHardcore architecture explored the intersection between living spaces and the vibrant history of underground U.S. hardcore bands from the 1980s. Launched in June 2014, this project began as a blog showcasing images of homes associated with iconic bands of the era published on Maximum rocknroll. Each issue delved into a specific topic, from tracking the addresses listed in Maximum rocknroll and utilizing Google Street View to visualize these key locations, to highlighting influential figures associated with the publication, such as Les Evans and Grace Ambrose, one of the latest coordinators of the magazine. Edited by Marc Fischer, the last issue of Hardcore Architecture featured a retrospective on the zines and paper ephemera that shaped the punk scene. The printed issues were a supplement of Marc Fischer's website https://www.tumblr.com/ hardcorearchitecture.Online resource; title from RAPMM website (viewed 25 June 2025)Zines Hardcore musiciansInterviews Musical groupsHousing Hardcore musiciansHousing Hardcore (Music) Punk rock music Zines Fischer, Marc,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391938 02122cas a2200361 i 4500 RAPMMKillyourpet NyNyRILM20250625135132.0cr cn 950408c19809999enkuu p o 0 a eng dNLGGC 116881240 (NL-AmU)000896440UVA01 (OCoLC)73215748 NyNyRILMengrdapnNyNyRILM741.5 OCoLC 23/eng/20230216 Kill your pet puppy. London : The Puppy Collective, 1979-1982 1 online resource (3 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issues 1, 3, and 5.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe British punk fanzine Kill your pet puppy continued Tony Drayton's narrative that he started with the fanzine Ripped and torn (1976-79). Born in the aftermath of Margaret Thatcher's rise to power, when Drayton moved to Europe, this publication emerged as a fierce response to the commercialization of the punk movement, capturing the details of an era marked by squatting, subversion, and an unwavering spirit of resistance. Kill your pet puppy invited readers to peel back layers of societal expectations and confront the oppressive forces within it. The fanzine, created at the Fire Station on Tabernacle Street squat building and printed with vibrant colors, was launched at the Adam and the Ants New Year's Eve concert at the Electric Ballroom in 1979. The 500 copies sold out that night.Online resource; title from RAPMM website (viewed 25 June 2025)Satire Periodicals. Satire. fast (OCoLC)fst01105668 Periodicals. fast (OCoLC)fst01411641 Zines.lcgftDrayton, Tony,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/424824 02560cas a2200373 i 4500 RAPMMLookout NyNyRILM20250625140145.0cr cn 100802d19841999cau|| p o 0 a eng d(CaEvSKY)sky232018785(OCoLC)931812190NyNyRILMengrdapnNyNyRILMn-us-caLookout!.Lookout magazineLaytonville, CA : Lawrence D. Livermore, 1984-1990.Berkeley, CA : Lawrence D. Livermore, 1991-1999.1 online resource (42 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesLookout magazine started in 1984 as a xeroxed community newsletter when the musician, record producer, and author Lawrence Livermore lived in Spyrock, Mendocino County, California. Spyrock was part of a constellation of locales across Mendocino and Humboldt County that, since the late 1960s, had become increasingly popular among artists and hippies. Lookout magazine, named after the Iron Peak Lookout Tower in the Mendocino National Forest, included content on local politics and tackled issues as diverse as environmental topics and countercultural philosophy. Over the years, following Livermore's involvement with the Gilman Street Project and the punk-rock scene, the publication's focus shifted to music, which resulted in finding a whole new audience in the Bay Area and across the United States, especially among Maximum rocknroll readers. While publishing Lookout magazine, Livermore co-founded Lookout Records. The scans have been provided by the East Bay Digital Punk Archive.Online resource; title from RAPMM website (viewed 25 June 2025)Punk culturePeriodicals.http://id.loc.gov/authorities/subjects/sh85109126East Bay (Calif.)Politics and governmentPeriodicals.http://id.loc.gov/authorities/subjects/sh95004168Punk rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Fan magazines.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Livermore, Lawrence D.,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/411684 02253cas a2200385 i 4500 RAPMMNonstopbanter NyNyRILM20250624141021.0cr cn 871204c19851988ilubr p o 0 a eng d(OCoLC)17193175 (OCoLC)ocm17193175 NyNyRILMengrdapnNyNyRILMn-us--- n-us-il Non-stop banter. NSB Orland Park, IL : Non*stop Banter, ©1985-1988. 1 online resource (16 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesNon-stop banter was a vibrant fanzine published between 1985 and 1988 in Orland Park, Illinois. This center-stapled publication, edited by Debbie, Thomas, and Bruce Novak, comprised 16 issues filled with sharp interviews, insightful record reviews, and candid opinion pieces. It spotlighted the lively Chicago indie scene, covering bands like Big Black, Naked Raygun, and Eleventh Dream Day, as well as touring acts like Sonic Youth and R.E.M. Known for its fun and informative style, Non-stop banter emerged as a platform for Debbie, Thomas, and Bruce Novak, self-appointed music critics, to share their highly biased opinions and connect with fellow music enthusiasts. Each issue focused on new music, delivering substantial content on local favorites like The Outnumbered and The Del Fuegos, providing a unique perspective of the underground rock scene.Online resource; title from RAPMM website (viewed 25 June 2025)Rock music United States Periodicals. Rock music Illinois Chicago Metropolitan Area Periodicals. periodicals. aat Periodicals. lcgft Zines.lcgftNovak, Debbie,editor.Novak, Thomas,editor.Novak, Bruce,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391939 02332cas a2200409 i 4500 RAPMMPuddle NyNyRILM20250625142047.0cr bn 110819d19881992cau|| p o 0 a eng d(CaEvSKY)sky239946728(OCoLC)931841159NyNyRILMengrdapnNyNyRILMn-us-caPuddle zine.PuddlePuddle fanzineMiranda, CA : Christopher Appelgren, 1988-1990.Berkeley, CA : Christopher Appelgren, 1991-1993.1 online resource (6 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPuddle was a perzine written, edited, and designed by Chris Appelgren from 1988 to 1994 in the East Bay area. Appelgren, along with collaborators such as Lawrecene Livemore and Robert Eggplant, created nine issues of Puddle, focusing on writing about music and local punk communities. Appelgren worked for Lookout Records and eventually became its owner. As a designer, he created artwork for many East Bay bands and has performed as a musician in multiple bands. The East Bay Punk Archive has provided the scans of Puddle.Online resource; title from RAPMM website (viewed 25 June 2025)Punk cultureCaliforniaSan Francisco Bay AreaPeriodicals.http://id.loc.gov/authorities/subjects/sh85109126Punk rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128StudentsCaliforniaSan Francisco Bay AreaBiographyPeriodicals.http://id.loc.gov/authorities/subjects/sh85129296SkateboardingPeriodicals.http://id.loc.gov/authorities/subjects/sh85123098Alternative comic books, strips, etc.Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Fan magazines.Appelgren, Christopher,designer,editor,writer.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/411679 02977cas a2200493 i 4500 RAPMMRoctober NyNyRILM20250624142915.3cr cn 950928c19929999iluar p o 0 a eng dsn 95044413 1534-98531534-98531(OCoLC)33216208NyNyRILMengrdapnNyNyRILMpccnsdpML3533.8.R66874113Rocktober(Chic. Ill.)The rocktober(Chicago, Ill.)The rocktober.RoctoberRocktober comics and musicwinter 1995Chicago, IL : Jake Austen, 1992-20231 online resource (53 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierNone published, 2014-2019.Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesRoctober, a zine edited by Jake Austen since 1992, spotlights Chicago's underground music scene. With more than 50 issues released, Roctober features in-depth interviews, often exceeding 10,000 words, capturing the unique stories of local musicians, usually accompanied by caricatures of the musicians themselves, cartoons, and photographs. The zine is available at record stores and independent bookstores such as Quimby's Bookstore, with a readership ranging from 3000 to 5000. Each issue is designed to resemble the aesthetic of magazines such as Maximum rocknroll and Highlights, presenting unknown stories from underground music and including profiles of rockabilly guitarist Cordell Jackson and the all-women band Corn Colly. Jake Austen is the creator of the children's dance show Chic-a-go-go, which has aired on television for 15 years. The classic Kiddie-a-go-go inspired Austen after interviewing The Mulqueens, the show's original creators, for Roctober.Online resource; title from RAPMM website (viewed 25 June 2025)Alternative comic books, strips, etc.Rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh2010109536Rock musicComic books, strips, etc.Periodicals.Rock musicCaricatures and cartoonsPeriodicals.Rock music.fast(OCoLC)fst01099204Caricatures and cartoons.fast(OCoLC)fst01423691Periodicals.fast(OCoLC)fst01411641Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Insertions (Provenance)rbmscvhttp://id.loc.gov/vocabulary/rbmscv/cv00243MiEMAusten, Jake,editor.http://id.loc.gov/authorities/names/no2001064639RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/395127 01976nas a2200289 i 4500 RAPMM60milesnorth NyNyRILM20250626161800.0cr cn 830000d19831985cau p o 0 a eng dNyNyRILMengrdapnNyNyRILM60 miles north.Ventura, CA :Roghart Productions, 1983-1985.1 online resource (16 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music Magazines60 miles north began life as a flier for a 1983 concert in Camarillo, Ventura County, California, which featured a line up of punk musicians from The Alley Cats, M.I.A., and The Desotos. Mike Rogers, a singer with The Desotos, came up with the idea for the flyer. After the concert, he and the bassist of the group, Jeff Hughart, decided to continue the publication as a zine entitled 60 miles north, so named because Ventura County lies 60 miles north of Los Angeles. Interviews demonstrate a range of coverage that included metal band Poison, the cast from the original Pee-wee Herman show, The Blasters, and Screamin’ Jay Hawkins (of I put a spell on you fame), but the local nardcore scene—a combination of hardcore punk, skateboarding, and surfing—was the zine’s biggest focus. Although it ceased publication in 1985, Hughart would go on to start the fanzine Half-truth (also featured in RAPMM) five years later.Online resource; title from RAPMM website (viewed 25 June 2025)ZinesCaliforniaVenturaZines.lcgftRogers, Mike,founder.Hughart, Jeff,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391602 01594nas a2200277 i 4500 RAPMMAbsolution NyNyRILM20250627140600.0cr bn 830000d20012001cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMAbsolutionLos Angeles, CA :Lucretia Tye Jasmine and Lucretia Baldwin Ward, 2001.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThis 16-page onezine, published in 2001 by the mother-daughter zinester duo Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, features newspaper and magazine clippings that explore the presence of women in fairy tales, the voices of storytellers, and the visibility of women in show business, especially in relation to their age. Other works by Jasmine include The groupie gospel mixtape zine, Ghost author, and Touché. Additionally, Ward and Jasmine have also published Some girls riot. All of these titles are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 27 June 2025)Zines.lcgftWard, Lucretia Baldwin,publisher.Jasmine, Lucretia Tye,publisher.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432230 01984nas a2200301 i 4500 RAPMMAreyouscared NyNyRILM20250627141400.0cr cn 830000d19851987enk p o 0 a eng dNyNyRILMengrdapnNyNyRILMAre you scared to get happyBristol, United Kingdom : Matt Haynes and Mark Carnell, 1985-1987.1 online resource (5 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFounded in Bristol, England, in 1985 by Matt Haynes and Mark Carnell, Are you scared to get happy released six issues over two years but greatly influenced musical and cultural conceptions of indie music. It was particularly influential on the subgenres of jangle pop and twee pop, which shaped expectations of how indie pop and rock should sound. Featured in Are you scared to get happy were British and Irish groups and artists such as Hurrah!, Jasmine Minks, Microdisney, Biff Bang Pow!, Julian Cope, Primal Scream, St. Christopher, and June Brides. Soon after the final issue of Are you scared to get happy, Matt Haynes cofounded the label Sarah Records with another fanzine veteran, Clare Wadd, in Bristol. Through the 100 recordings it released from 1987 to 1995, this label had an even greater and far-reaching impact on the meaning of indie music.Online resource; title from RAPMM website (viewed 27 June 2025)ZinesEnglandBristolAlternative rock musicEnglandZines.lcgftHaynes, Matt,founder.Carnell, Mark,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354910 00978nas a2200265 i 4500 RAPMMBlaze NyNyRILM20250627142400.0cr cn 830000d19831985enk p o 0 a eng dNyNyRILMengrdapnNyNyRILMBlazePeterborough, United Kingdom : Janine Booth, 1983-1985.1 online resource (5 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesOnline resource; title from RAPMM website (viewed 27 June 2025)ZinesEngland.Zines.lcgftBooth, Janine,publisher.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/409212 01585nas a2200289 i 4500 RAPMMCaught NyNyRILM20250627143600.0cr cn 830000d19941995ilu p o 0 a eng dNyNyRILMengrdapnNyNyRILMCaught in the middle.Chicago, IL : Kevin Beacham, Jason E. Cook, and Boom Design, 1994-1995.1 online resource (4 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesA Chicago-based rap zine that was published in only two issues (one in 1994 and another in 1995), Caught in the middle nonetheless set an important precedent for in-depth coverage of hip hop music and culture outside the well-known East Coast/West Coast scenes. Founded by Kevin Beacham, the first issue focused on mixtapes, the second issue on hip hop radio, while an unpublished third issue was set to look at hip hop magazines. Rapper Common was among the emerging artists profiled and interviewed in its pages.Online resource; title from RAPMM website (viewed 27 June 2025)ZinesIllinoisChicagoRap (Music)ZinesZines.lcgftBeacham, Kevin,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354937 01739nas a2200289 i 4500 RAPMMCelluloid NyNyRILM20250627144500.0cr cn 830000d20192022quc p o 0 a eng dNyNyRILMengrdapnNyNyRILMCelluloid lunch.Montreal : Joe Chamandy, 2019-2022.1 online resource (7 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesDuring the COVID-19 pandemic, Montreal-based editor Joe Chamandy launched his fanzine Celluloid lunch, dedicated to the “sub underground racket”. While issues one and two featured long-form interviews with underground rock artists and bands created using a typewriter and photocopy regimen, starting with issue three Celluloid lunch transformed into a publication that included interviews, reviews, comics, travel writing, and other “fuckery” contributed by talented writers. Each issue of Celluloid lunch reflects a labor of love. In the editorial of issue five, Chamandy shared that as part of the pandemic-driven creative boom, he started a record label and distro under the same name, Celluloid Lunch Records.Online resource; title from RAPMM website (viewed 27 June 2025)ZinesUnderground musicZinesZines.lcgftChamandy, Joe,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/400275 02879nas a2200313 i 4500 RAPMMCertainsubstances NyNyRILM20250627150000.0cr cn 830000d19811981enk p o 0 a eng dNyNyRILMengrdapnNyNyRILMRider, Alan,creator.Certain substances.Coventry, United Kingdom : Alan Rider, 1981.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesA one-off fanzine produced anonymously in the 1980s by Alan Rider—who also edited Adventures in reality, Not the job hunter, Sticky fingers, and Negative reaction—Certain substances spoofed the contemporaneous music scene of Coventry, England. In the author's own words: Certain substances was “the first of three A6 sized spoof fanzines that I produced in the same year (1981), not really as any sort of planned spin-off from Adventures in reality, but mainly to amuse myself. Because of their small size they were far easier to produce than Adventures in reality and much cheaper to print, with each magazine consisting of just two double-sided A4 photocopied sheets cut and folded to create an 8-page booklet. There were a few serious reviews included (a single review, a live review of The Wild Boys, plus a rather pathetic list of the local groups I liked) which in hindsight spoilt it a bit. I should have stuck to the satire. The cover was one of my favourites of all those I had designed, a line cartoon of a dinosaur sharing its thought bubble with two teenage boys. That probably made perfect (non)sense at the time! The back page featured a photograph I had taken of the sign next to the track at Coventry train station. It read: "Coventry, city of skills and opportunities.” Inspiring stuff. Or would have been if the sign hadn’t stood in the middle of an industrial wasteland of derelict factories and rusting metal! You just couldn’t make it up. Only 50 copies were produced, all of the covers were hand-coloured, and it was only sold through the left-wing Wedge bookshop in Coventry High Street. The posters advertising it deliberately made it sound like it was all about drugs. That must have worked, because it quickly sold out."Online resource; title from RAPMM website (viewed 27 June 2025)ZinesEngland.Popular musicEngland.SatirePeriodicals.Zines.lcgftRider, Alan,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/381305 01895nas a2200325 i 4500 RAPMMCOMISdePUN NyNyRILM20250630144900.0cr cn 830000d20152023ck p o 0 b spa dNyNyRILMengrdapnNyNyRILMCOMISdePUNMedellín, Colombia : Alexander Cuervo, 2015-2023.1 online resource (4 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesCreated in 2015 in Medellín, Colombia, under the slogan "Rechaza - reusa - reinterpreta," (Reject - reuse - reinterpret) COMISdePUN combines different styles of ballpoint ink comics and graphic art to spread the history and implications of punk as a youth and countercultural movement through graphics. Its editor, Alex Cuervo, uses humor and satire to introduce related concepts such as do-it-yourself (DIY), pogo dancing, and drug use, and contrasts them with mainstream culture. In issue 2, Cuervo designed a mock magazine cover imitating the aesthetics of cultural magazines with tips on how to be a good punk subject. COMISdePUN contains general references to punk culture and local references to being punk in Medellín.Online resource; title from RAPMM website (viewed 30 June 2025)ZinesColombia.Graphic novelsColombia.Comic books, strips, etc.Colombia.Punk cultureColombia.SatirePeriodicalsZines.lcgftCuervo, Alex,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391717 01631nas a2200301 i 4500 RAPMMCommonsense NyNyRILM20250630145500.0cr cn 830000d19891990nju p o 0 a eng dNyNyRILMengrdapnNyNyRILMCommon senseTrenton, NJ : Tim McMahon and Tony Rettman, 1989-1990.1 online resource (2 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe hardcore punk zine Common sense was the co-creation of New Jersey teenagers, Tony Rettman and Tim McMahon. Its two issues (1989–90) include interviews with bands such as Gorilla Biscuits, Youth of Today, Insted, and Chain of Strength. Rettman has continued to work as a music journalist and has published books on the history of the hardcore punk scenes in Detroit and New York City and on the straight-edge subculture. McMahon has performed as a vocalist for hardcore punk bands such as Mouthpiece, Control, Hands Tied, Face The Enemy, and Triple Threat.Online resource; title from RAPMM website (viewed 30 June 2025)Zines.Hardcore (Music).Zines.lcgftMcMahon, Tim,creator.Rettman, Tony,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/377130 01646nas a2200289 i 4500 RAPMMDescentAmbient NyNyRILM20250630154100.0cr cn 830000d19931994cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMDescent : Journal of dark and ambient underground.Long Beach, CA : Anji Bee, 1993-1994.1 online resource (2 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesDescent: Journal of dark and ambient underground is a punk fanzine created by Anji Lum, also known as Anji Bee, to celebrate the intersections of music, art, and culture. Descent emerged in 1993 as a short-lived project focused on artistic expression after the contributors to Substitution (also included in RAPMM), her previous fanzine, showed strong preferences for either sociopolitical articles and opinion pieces, or poetry and artistic endeavors. Anji Lum, a vocalist for the band Lovespirals since 1999, also wrote Positive influence, and Desperation, both part of the RAPMM collection.Online resource; title from RAPMM website (viewed 30 June 2025)Zines.Expression in art.Zines.lcgftBee, Anji,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/421719 01696nas a2200313 i 4500 RAPMMDesperation NyNyRILM20250630155000.0cr bn 830000d19911991cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMDesperationSan Pedro, CA : Sam Pederson and Anji Bee, 1991.1 online resource (2 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesDesperation was a mini-zine published in 1991 by Anji Lum, the vocalist for the band Lovespirals since 1999 and a prolific zinestress. It consisted of two issues that filled the gaps between the releases of her zine Substitution (1990-94). Its purpose was to share breaking news and highlight smaller stories, poetry, and art. It was a freebie zine fueled by the vibrant mail art scene and the connections fostered through pen pals in the context of the punk scene in California and beyond. Lum also edited Positive influence, Substitution, and Descent, which are included in the RAPMM collection.Online resource; title from RAPMM website (viewed 30 June 2025)ZinesCalifornia.Punk culture and artCalifornia.Mail art.Pen pals.Zines.lcgftBee, Anji,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/421732 02139nas a2200301 i 4500 RAPMMDukeofearl NyNyRILM20250630160500.0cr bn 830000d19701970cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMShaw, Greg, 1949-2004,creatorDuke of earlFairfax, CA : Greg Shaw, 1970.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe fanzine legend Greg Shaw wrote a onezine titled Duke of earl in 1970 for the REAP, the Rock & Roll Apa, which influenced his other publications. Duke of earl contained a manifesto on writing about rock music, including Shaw's dos and don'ts, and a rare self-description of his listening history and the development of his musical taste. Shaw views rock music as a nonverbal experience, believing that excessive verbalization or conceptualization might endanger this experience. Instead, he suggests asking helpful questions about individual reactions towards music and encourages writing music reviews of relatively obscure records, despite the challenges involved. He also emphasizes the importance of basing musical judgements on factual information. Duke of earl highlights the significance of amateur press associations (APAs) in popular music editing. This zine should be read alongside Shaw’s other titles: Metanoia, Mojo navigator, Mojo entmooter, Phonograph record magazine, Bomp!, and Rock, you sinners!, all included in the RAPMM collection.Online resource; title from RAPMM website (viewed 30 June 2025)Zines.Rock musicWriting and publishing.Rock musicHistory and criticism.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406160 02159nas a2200301 i 4500 RAPMMSótano NyNyRILM20250630162900.0cr cn 830000d20192024ck p o 0 b spa dNyNyRILMengrdapnNyNyRILMEl sótano : Memorias punk MedalloColombia : publisher not identified, 2019-2024.1 online resource (22 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesEl sótano: Memorias punk Medallo was a 20-issue fanzine in Spanish that documented the memories of the punk scene in Medallo, the nickname for the city of Medellín, Colombia. Between 1980 and 1995, the punk community faced significant challenges, particularly from structural violence, including violence perpetrated by narcotrafficking groups and public armed forces. Eberhar Cano, known as El “Flako” Porras and the editor of El sótano, collaborated with various individuals involved in the Medellín scene to capture these memories. He envisioned El sótano as a countercultural repository, deliberately avoiding the editorial and stylistic constraints of academic writing to preserve the underground experiences of punk youths who resisted structural violence, and defended public spaces for punk gatherings and for listening to punk music. Inspired by earlier local publications like Visión rockera and English-language zines, Cano launched El sótano with the urgency to memorialize the names and ideas of important figures within the movement.Online resource; title from RAPMM website (viewed 30 June 2025)ZinesColombia.Punk cultureColombia.CountercultureColombia.Zines.lcgftCano, Eberhar,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391763 01628nas a2200301 i 4500 RAPMMEstricnina NyNyRILM20250630163700.0cr bn 830000d19821983sp p o 0 a spa dNyNyRILMengrdapnNyNyRILMEstricninaSpain : Rafa Cervera, 1982-1983.1 online resource (3 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe three issues of Estricnina, published in Spain in the early 1980s by Rafa Cervera, covered the new Spanish sound aesthetic based on the exploration of pop music, including some of the most prominent groups such as the duo Alaska y Dinarama, the band Radio Futura and interviews with film director Pedro Almodóvar. All these artists were part of La Movida Madrileña, the countercultural movement that developed in Madrid during the transition to democracy in Spain. Some of the most prominent contributors included Diego A. Manrique, Ignacio Julià, and Jaime Gonzalo.Online resource; title from RAPMM website (viewed 30 June 2025)ZinesSpain.Popular musicSpain.CountercultureSpain.Zines.lcgftCervera, Rafa,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/361083 02671nas a2200373 i 4500 RAPMMFanzinotecadelrock NyNyRILM20250701131300.0cr cn 830000d20132023ck p o 0 a spa dNyNyRILMengrdapnNyNyRILMFanzinoteca del rockBogotá, Colombia : La Valija de Fuego, 2013-2023.1 online resource (5 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issues 2, 4, 7, 666, and The Smiths.Access limited to subscribers of RILM Archive of Popular Music MagazinesFanzinoteca del rock, a zine published in Spanish, is one of the latest creations by Marco Sosa at his publishing house, Valija de Fuego. The issues of Fanzinoteca del rock promote, through the zine format, a festive and less erudite version of music history. Each issue tells stories inspired by the history of a band, including The Smiths, The Clash, The Ramones, and The Cure, Parálisis Permanente, and Eskorbuto, presenting in a simple way stories inspired by these bands through drawings, graphics, games and cartoons. For example, the illustration A night of action for Ramones fans shows how The Ramones fans enjoy a night of fun in Bogotá, Colombia, and the playlist of songs that should accompany each moment of the night. Also, to celebrate the 40th anniversary of the Spanish punk band Escorbuto's first album, Mucha policía, the comic presents the recipe for a dish called La realidad en la que vivimos (the reality in which we live). Issue 4 broke from the standard format and offered coloring pages of iconic rock musicians from the U.S. and England, such as Morrisey, Mark Mothersbaugh, and Johnny Cash, accompanied by a short biography of each musician.Online resource; title from RAPMM website (viewed 1 July 2025)Ramones (Musical group)Comic books, strips, etc.Eskorbuto (Musical group)Comic books, strips, etc.Smiths (Musical group)Comic books, strips, etc.ZinesColombia.Graphic novelsColombia.Comic books, strips, etc.Colombia.Parálisis Permanente (Musical group)Comic books, strips, etc.Zines.lcgftColoring books.lcgftSosa, Marco,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391764 01793nas a2200301 i 4500 RAPMMGhostauthor NyNyRILM20250701142000.0cr cn 830000d20042004cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMJasmine, Lucretia Tye, creator.Ghost authorLos Angeles, CA : Lucretia Tye Jasmine, 2004.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesGhost author was a 53-page onezine edited in 2004 by the prolific writer, zinester, and artist Lucretia Tye Jasmine. This personal reflection explores the themes of growing up, women's bodies, and the intersection of feminism and rock music. In particular, it examines how the music and attitudes of bands like AC/DC, Kiss, and Van Halen influenced the upbringing of a generation of women. Other titles by Jasmine include The groupie gospel mixtape zine, Riot grrrl Los Angeles 1992–1995, The meat hook, and Touché, and titles edited by the mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 1 July 2025)ZinesCalifornia.Feminism and music.Rock music.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432279 02572nas a2200349 i 4500 RAPMMHelihuotongxun NyNyRILM20250701145200.0cr bn 830000d19941994cc p o 0 a chi dNyNyRILMengrdapnNyNyRILMchiangHelihuo tongxun = Hollywood disco bar communicationShenzhen, China : Hollywood Disco & Bar, 1994.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesAfter the 1990s, the entertainment lifestyle of the Chinese people underwent significant changes. Take Shenzhen, one of the youngest cities, as an example. Before 1994, most people enjoyed going to nightclubs and karaoke bars. However, after that, emerging discos and bars became the new favorites. Hollywood Disco & Bar, which opened in 1994, pioneered this trend in Shenzhen. Its free-spirited style attracted a large number of urban youth. To emphasize the new entertainment concept and urban culture, it published Helihuo tongxun (Hollywood disco bar communication), available at the venue for free browsing. Although only one issue was released, it was an interesting experiment. Masterminded by zinester, curator, and critic Ou Ning, the zine featured articles about the 25th anniversary of Woodstock in 1994, China's emerging graphic designers and avant-garde art, and Shenzhen's cultural identity under the theme “cultural anxiety in an immigrant city”. It aimed to convince readers that at Hollywood Disco & Bar there was no insincere socializing or the middle-aged dark fantasies typical of karaoke bars. Instead, there was a youthful crowd, a vibrant atmosphere, and cutting-edge culture.Text in Chinese and English.Online resource; title from RAPMM website (viewed 1 July 2025)ZinesChina.NightlifeChinaShenzhen (Guangdong Sheng : East).Group identityChinaShenzhen (Guangdong Sheng : East).Shenzhen (Guangdong Sheng, China : East)Group identity.Zines.lcgftOu, Ning, 1969-,creatorcritic.Au, Nededitor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/424710 02286nas a2200325 i 4500 RAPMMIncite NyNyRILM20250701150700.0cr cn 830000d19851998mau p o 0 a eng dNyNyRILMengrdapnNyNyRILMAlborn, Timothy L., 1964-,creator.Incite!Somerville, MA : Timothy Alborn, 1985-1986.Belmont, MA : Timothy Alborn, 1987-1988.Cambridge, MA : Timothy Alborn, 1987-1998.1 online resource (30 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesHarvard College student Tim Alborn started Incite! in 1985. In England, while carrying out research for his senior thesis at the time, Alborn was also embracing British punk, indie, and zine culture, particularly a Leeds-based publication entitled Raising hell. In its earlier issues, Incite! was a typical fanzine—featuring concert and record reviews, articles, interviews, and correspondence—that concentrated on indie pop. Taking inspiration from the English record label Sarah Records, Alborn launched his own indie rock label called Harriet Records in 1989, which recorded groups including The Magnetic Fields. Incite! subsequently became more focused on bands signed to Harriet Records, becoming a “perzine” or “personal fanzine” (the term is discussed in issue no. 19 of the zine). At the same time its scope expanded beyond music, including everything from poetry to snack reviews. Both Incite! and Harriet Records continued until 1998, when Alborn–who had become a history professor at Harvard in the meantime–left Cambridge, Massachusetts for New York City.Online resource; title from RAPMM website (viewed 1 July 2025)ZinesIndie pop music.Indie pop music.Alternative rock music.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/372260 02479nas a2200337 i 4500 RAPMMLibropunk NyNyRILM20250701153200.0cr cn 830000d20202022ck p o 0 a spa dNyNyRILMengrdapnNyNyRILMLibro punk para colorear.Bogotá, Colombia : La Valija de Fuego, 2020-2022.1 online resource (2 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issues Turning Japanese and Mononoke Pogo.Access limited to subscribers of RILM Archive of Popular Music MagazinesMarco Sosa, the creator and editor of La Valija de Fuego, a publisher based in Bogotá, Colombia, published two editions of Libro punk para colorear to educate new generations about punk music and culture through intricate illustrations meant for coloring. This zine featured illustrations by Catalina Fonseca (Malandrina), a punk tattoo artist who blended tattooing, Japanese ghosts, virulent punk rock, and other raw sounds. Inspired by the British band The Vapors' 1980 song Turning Japanese, the first issue showcased illustrations that portrayed women in Japanese contexts within the punk scene. The second issue, Mononoke pogo, centered around the Mononoke, a vengeful spirit from Japanese literature and folklore. Such creatures were often unjustly blamed for the diseases that plagued people. The first known encounter between punks and monks likely occurred in 1976 with the punk band Generation X. During a tour in Japan in 1979, members of Generation X visited a discotheque in Tokyo, where they were fascinated to see Japanese youth dancing alone, captivated by their reflections in mirrors. Perhaps Broad (Billy Idol) and Tommy James, who were present, perceived something spectral in this unique spectacle.Online resource; title from RAPMM website (viewed 1 July 2025)ZinesColombia.Punk rock music.Punk culture.Zines.lcgftColoring books.lcgftSosa, Marco,creator,editor.Fonseca, Catalina,(Malandrina),illustrator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391928 01673nas a2200301 i 4500 RAPMMMetanoia NyNyRILM20250701133900.0cr cn 830000d19701972cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMMetanoiaFairfax, CA : Greg and Suzy Shaw, 1970-1972.1 online resource (7 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issues 4, 5, 7-11.Access limited to subscribers of RILM Archive of Popular Music MagazinesMetanoia, which circulated from 1970 to 1972, is one of the least remembered, self-published zines of the musical journalist and record executive Greg Shaw. While it described itself as a fanzine for “anyone who likes science fiction”, some articles considered contemporaneous rock by groups such as The Kinks and The Grateful Dead. Metanoia is a valuable source of little-known writings by a highly celebrated music writer and thinker. Shaw's other titles, Mojo navigator, Mojo entmooter, Phonograph record magazine, Bomp!>, Rock, you sinner, and Duke of earl, are also included in the RAPMM collection.Online resource; title from RAPMM website (viewed 1 July 2025)Zines.Rock music.Zines.lcgftShaw, Greg, 1949-2004,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354934 02213nas a2200337 i 4500 RAPMMmiau NyNyRILM20250701162200.0cr bn 830000d19961999sp p o 0 a spa dNyNyRILMengrdapnNyNyRILMmiau![Murcia, Spain] : [publisher not identified], 1996-1999.1 online resource (6 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music Magazinesmiau! was a Spanish feminist punk fanzine from the 1990s, bound with staples and reproduced in black and white photocopies. It followed the line of riot grrrl fanzines, and discussed topics such as punk music, sexuality, and beauty. The creators of miau!, the sisters Lydia and Mabel Damunt Romero, stated in the manifesto published in the first issue (1996) that their goal was to provide readers with engaging material to counteract the boredom of existing publications. At the time, there were no fanzines in their city of Murcia, and the women’s magazines did not address the topics they identified with. Each issue contained articles and comics, although the editors avoided fixed sections as a feature of the zine. miau!, along with Fempunk, became a pioneering feminist punk publication and was one of the titles that helped launch the Ladyfest España festival. Lydia and Mabel also play in their 20-year-old band, Hello Cuca, which is an icon of the riot grrrl movement in Spain.Online resource; title from RAPMM website (viewed 1 July 2025)ZinesSpainMurcia.Feminism and musicSpain.Comic books, strips, etc.Spain.Punk cultureSpain.Punk cultureFeminism.Zines.lcgftDamunt Romero, Lydia,creator.Damunt Romero, Mabel,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/373750 01875nas a2200313 i 4500 RAPMMNegativeresponse NyNyRILM20250701164400.0cr cn 830000d19811981enk p o 0 a eng dNyNyRILMengrdapnNyNyRILMRider, Alan, creator.Negative response.Coventry, United Kingdom : Alan Rider, 1981.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesNegative response was the 1981 title by Alan Rider in the A6-sized onezine trilogy series, after he published Sticky fingers and Certain substances. Negative response spoofed the music scene of Coventry, England, at the time. Intriguingly, the cover featured a crying baby. It contained a mix of cartoons lampooning the Coventry music scene, album reviews, and a cash giveaway competition (comprising a UB40 signing-on card). As with the previous two fanzines in the series, there was no editorial address, and it was credited as Yet Another Bad Habits Production, named after the “tuneless school punk band” where Rider played. Alan Rider also edited Adventures in reality and Not the jobhunter. All Rider’s titles are included in RAPMM.Online resource; title from RAPMM website (viewed 1 July 2025)ZinesEngland.Popular musicEngland.SatirePeriodicals.Comic books, strips, etc.EnglandZines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/381308 01714nas a2200313 i 4500 RAPMMNotthejobhunter NyNyRILM20250701165000.0cr cn 830000d19821983enk p o 0 a eng dNyNyRILMengrdapnNyNyRILMRider, Alan, creator.Not the jobhunter.Coventry, United Kingdom : Alan Rider, 1982-1983.1 online resource (6 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesAvailable either for free or for ten pence an issue, Not the Jobhunter (1981) was an “agitzine” by Alan Rider of Coventry, England, that satirized a government-produced magazine entitled The job hunter and British political culture and politicians during the first term of Margaret Thatcher’s Conservative government. With a tagline of “Be more than a witness”, it featured political polemic as well as some music reviews. Rider’s other zines—also featured in RAPMM—include Adventures in reality, Sticky fingers, Certain substances, and Negative response.Online resource; title from RAPMM website (viewed 1 July 2025)ZinesEngland.Popular musicEngland.SatirePeriodicals.SatireEnglandPolitics and government.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/429405 02154nas a2200337 i 4500 RAPMMNuevafuerza NyNyRILM20250701170100.0cr cn 830000d19861993ck p o 0 b spa dNyNyRILMengrdapnNyNyRILMNueva fuerzaVisión rockeraColombia : Nueva fuerza, 1986-1988.Medellín, Colombia : Nueva fuerza, 1989-1993.1 online resource (21 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesCreated by Yaneth Alzate as the sequel of the fanzine Visión rockera, also included in the RAPMM collection, Nueva fuerza aimed to document the hardcore metal punk scene in Colombia during the 1990s. Alzate focused on independent bands such as La Pestilencia, I.R.A., Athanator, and Masacre, which originated from the suburbs and marginalized areas of Bogotá and Medellín. Their lyrics addressed harsh realities and rejected the mainstream music industry. Nueva fuerza was produced in a homemade style and duplicated through photocopying. It featured interviews with both Colombian and foreign underground bands, comic strips, and articles that condemned issues like bullfighting and compulsory military service. The publication also had correspondents in other countries, including Mexico and Venezuela. In the supplement of its final issue, number 11, Alzate chronicled the history of rock in Medellín since the late 1960s.Online resource; title from RAPMM website (viewed 1 July 2025)ZinesColombia.Hardcore (Music)Colombia.Heavy metal (Music)Colombia.Punk cultureColombia.Zines.lcgftAlzate, Yaneth,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/388341 02124nas a2200325 i 4500 RAPMMPhonographrecord NyNyRILM20250701171900.0cr cn 830000d19711973cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMPhonograph record magazine[Los Angeles] : United Artists Records, Inc., 1971-1973.1 online resource (5 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.RAPMM includes issues from February 1971, May 1972, September 1972, May 1973, and June 1973.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe rock magazine Phonograph record magazine was founded in Los Angeles, California, and issued between 1970 and 1978 with Marty Cerf, zine legend Greg Shaw, and renowned English rock critic Ken Barnes as editors. Originally owned by the record label United Artists Records, it enjoyed a circulation of over 100,000. Writers included Colman Andrews, Lester Bangs, Mitchell Cohen, Richard Cromelin, John Ingham, Mark Leviton, John Mendelsohn, Metal Mike Saunders, Bud Scoppa, and Jon Tiven. Stars who appeared in its pages included many of the era’s most well-known rockers: The Doors, Elton John, David Bowie, Frank Zappa, Suzi Quatro, Alice Cooper, New York Dolls, The Ramones, and Iggy Pop. Shaw's other titles, Metanoia, Mojo entmooter,Mojo navigator, Bomp!, Rock, you sinners, and Duke of earl, are also included in the RAPMM collection.Online resource; title from RAPMM website (viewed 1 July 2025)Zines.Rock musicPeriodicals.Zines.lcgftCerf, Marty,editor,founder.Shaw, Greg, 1949-2004,editor,founder.Barnes, Ken,editor,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354930 02229nas a2200301 i 4500 RAPMMPositiveinfluence NyNyRILM20250702114500.0cr cn 830000d19881989cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMPositive influence.San Pedro, California : Anji Lum and Buster Cates, 1988-1989.1 online resource (6 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPublished between 1988 and 1989, Positive influence was a dynamic hardcore publication founded by vocalist and zinestress Anji Lum (Anji Bee) and Buster Cates in San Pedro, California. Throughout six inspiring issues, this fanzine featured engaging interviews with various local bands, including Chain of Strength, Operation Ivy, and Uniform Choice, capturing the essence of the hardcore music scene. The publication reflected Anji Lum's deep roots in the punk music world and her experiences as one of the few women in the straight-edge hardcore scene of the late 1980s. Inspired by posicore (positive hardcore), Anji's vision for the zine served as a platform to empower others and foster a sense of community within the scene. In the first issue, Lum wrote an influential article, Girls in the scene, addressing the marginalization of women and reclaiming their presence in the hardcore culture. Positive influence was a heartfelt project aimed at sharing thoughts, nurturing connections, and bringing purpose to the readers' lives. Lum also published the zines Desperation, Descent, and Substitution, also included in the RAPMM collection.Online resource; title from RAPMM website (viewed 2 July 2025)Zines.Hardcore (Music).Zines.lcgftLum, Anji,creator.Cates, Buster,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/420207 02114nas a2200301 i 4500 RAPMMProntuario NyNyRILM20250702121100.0cr bn 830000d20212022ck p o 0 b spa dNyNyRILMengrdapnNyNyRILMProntuario Medellín.Colombia : [publisher not identified], 2021-2022.1 online resource (2 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesProntuario Medellín is a fanzine that captured the essence of Medellin's vibrant punk scene by exploring the diverse subgenres performed locally: hardcore, grindcore, and ultra. Just as the prontuario (criminal record) contains the judicial annotations of a person, the three issues of Prontuario Medellín brought together all the sound, culture, and politics of the time. According to the collective Prontuario Medellín, devoted to rescuing the musical memory of popular culture and underground, the three core values of this independent scene were autonomy, self-sufficiency, and a strident sound. Prontuario Medellín follows the city's zine tradition established by titles like Metal fuerza, Fragmento, Visión rockera, and Nueva fuerza (the last two are part of the RAPMM collection). This fanzine shows how the creativity of the musical scene challenged the traditional narrative that depicted the youth of the 1980s and 90s as criminals and emphasized their role in cultural resistance and critical thinking.Online resource; title from RAPMM website (viewed 2 July 2025)ZinesColombia.Hardcore (Music)Colombia.Grindcore (Music)Colombia.Punk cultureColombia.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/388429 01883nas a2200289 i 4500 RAPMMPunkzine NyNyRILM20250702122100.0cr cn 830000d20152015ck p o 0 a spa dNyNyRILMengrdapnNyNyRILMPunkzine.Bogotá, Colombia : La Valija de Fuego, 2015.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPublished by La Valija de Fuego in 2015, or the year 31 of the Orwell era, Punkzine was devoted to snippets of Colombian punk song lyrics that addressed its convoluted social times. As Vortice Rebel, the editor, explained, "In times of upheaval in France, there were the accursed poets; in times of war, inequity, and chaos in Colombia, there were punks. City rats, prophets of bad milk, suicidal pilots among cement sewers, children of the unpredictable future or no future, it all depends on the crystal that conquers the events. These elusive fragments are like phlegm thrown into the darkness that soilsthe made-up reality. Each stanza reminds us that something is not right and that, as Lautreamont said, poetry can be written by everyone”. Punkzine included lyrics from bands such as Bastardos Sin Nombre, I.R.A., Libra, Diarrea, and Aversión.Online resource; title from RAPMM website (viewed 2 July 2025)ZinesColombia.Punk cultureColombia.Zines.lcgftRebel, Vortice,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391931 01648nas a2200289 i 4500 RAPMMPussycat NyNyRILM20250702123700.0cr cn 830000d19892000sp p o 0 a spa dNyNyRILMengrdapnNyNyRILMPussycat.[Spain] : [publisher not identified], 1989-2000.1 online resource (13 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe Spanish fanzine Pussycat, published in the 1990s, was devoted to the 1960s mod culture. It was edited by Alex Cooper and his mod bandmate from Los Flechazos, Elena Iglesias Sastre. Cooper, an avid collector of mod–from records to magazines, press releases, music sheets, and postcards–used the materials he collected in his frequent trips to London to write some of the articles of Pussycat. Cooper published 13 issues of Pussycat between 1989 and 2000. Later on, he published two books about 1960s beat music in the United Kingdom, based on his extensive mod archive.Online resource; title from RAPMM website (viewed 2 July 2025)Mod culture (Subculture)Nineteen sixties.Zines.lcgftDíez, Alejandro,editor.Sastre, Elena Iglesias,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/371094 01939nas a2200289 i 4500 RAPMMQzine NyNyRILM20250702125000.0cr cn 830000d19981998ch p o 0 a chi dNyNyRILMengrdapnNyNyRILMQ-zine.Shenzhen, China : Q Discotheque, 1998.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesCombining Ray Gun-style graphic design, The Face and i-D-style photography, and a uniquely freewheeling Chinese textual style, Q-zine features abundant use of lines, ink-smudge effects, misprint aesthetics, endlessly varied fonts, decadent colors produced by processing positive film as negatives, and surreal, dream-like language. Together, these elements create a subculture publication that aligns with international trends. Some might criticize it for lacking national characteristics, but the privilege of the new generation lies in their ability to transcend the confines of ethnocentrism and directly engage with an international cultural context. The rock musicians and DJs featured in Q-zine are not the entertainment stars idolized by mainstream media, nor does the lifestyle it promotes align with the white-collar existence championed by so-called fashion magazines. Everything it discusses is filtered through a consciously intellectual lens.Online resource; title from RAPMM website (viewed 2 July 2025)Zines.Rock music.Rave culture.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/424703 02834cas a2200481 i 4500 RAPMMRazorcake NyNyRILM20250702131151.0cr cn 010207c20012013caubr p o 0 a eng d 20012143141533-74641533-74641(OCoLC)45867013NyNyRILMengrdapnNyNyRILMnsdppccML3533.8.R39Razorcake(Los Angel. Ca.)Razorcake(Los Angeles, Ca.)Razorcake.Los Angeles, CA : Gorsky Press, 2001-2013.1 online resource (76 issues)Bimonthlytexttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierIssue #1 (Mar./Apr. 2001)-Digitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesRazorcake is one of the only independent music magazines or fanzines to remain in print up to the present day. Like the earlier fanzine Slash, it sheds light on the underground punk scene of its hometown, Los Angeles. However, its coverage extends throughout the U.S. and beyond; interviews have featured artists such as Hasil Adkins and Kathleen Hanna and bands from Tenement to Martha alongside an array of thinkers and artists. Launched in March 2001 by Sean Carswell and Todd Taylor, Razorcake took inspiration from the punk zine Flipside, which was also edited by Taylor and ceased publication around the same time Razorcake started. The zine’s first issue was published in a newsprint format, including the cover, whereas all subsequent issues have featured a glossy, full-color cover but have retained a black-and-white newsprint style on the inside. Razorcake claims to be the only music magazine in the U.S. that is a 501(c)(3) non-profit organization, meaning that all profits are used to cover operational costs.Online resource; title from RAPMM website (viewed 2 July 2025)Punk rock musicPeriodicals.Punk rock musiciansPeriodicals.Punk culturePeriodicals.Punk culture.fast(OCoLC)fst01084152Punk rock music.fast(OCoLC)fst01084153Punk rock musicians.fast(OCoLC)fst01084156Zines.fast(OCoLC)fst01919987Periodicals.fast(OCoLC)fst01411641Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210Carswell, Sean, 1970-,creator.Taylor, Todd, 1972-,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/354926 01728nas a2200301 i 4500 RAPMMRefractarios NyNyRILM20250702133200.0cr cn 830000d20192019ck p o 0 a spa dNyNyRILMengrdapnNyNyRILMSosa, Marco,author,editor.Refractarios : Ruido y fotocopias.Bogotá, Colombia : La Valija de Fuego, 2019.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesIn Refractarios: Ruido y fotocopias, published in 2019, the author and editor Marco Sosa, who describes himself as a “third-world punk”, chronicles the birth and development of punk and fanzine-making in Bogotá and Medellín, Colombia, from 1983 to 1991—a convoluted period of Colombian history. Sosa is also the founder of La Valija de Fuego, an editorial house and independent bookstore dedicated to fanzines and various self-published and underground publications. Sosa published Refractarios: Ruido y fotocopias to mark the launch of the fanzine collection at the Biblioteca Nacional de Colombia.Online resource; title from RAPMM website (viewed 2 July 2025)ZinesColombia.Punk rock musicPublishingColombia.Punk cultureColombia.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/391934 02166nas a2200301 i 4500 RAPMMRiotgrrrl NyNyRILM20250702134500.0cr cn 830000d20252025cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMJasmine, Lucretia Tye, creator.Riot grrrl mixtape zineRiot grrrl Los Angeles 1992-1995 Mixtape zineLos Angeles, CA : Lucretia Tye Jasmine, 2025.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesRiot grrrl mixtape zine, published in 2025, is one of the most recent zines by the prolific writer, zinester, and artist Lucretia Tye Jasmine. This zine reflects on her journey as an artist and writer, and her involvement with the grrrl riot movement and how it influenced her publications. As Jasmine explained, "[The riot grrrls] words were words I longed to hear from someone besides me, all about the male-dominated music scene and patriarchy's exploitation of women and that girls and women can rock”. Riot grrrl mixtape aimed to represent the girls and women of the riot grrrl movement, particularly from the Los Angeles scene. It features 1970s sewing patterns that embody "that riot grrrl vibe of DIY exploration and the look and feel of tattered romance”. Other works by Jasmine include The groupie gospel mixtape zine, Ghost author, and Touché, and titles edited by the mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 2 July 2025)Zines.Riot grrrl movement.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432261 01936nas a2200301 i 4500 RAPMMRockyousinners NyNyRILM20250702142400.0cr cn 830000d19711971cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMShaw, Greg, 1949-2004,[relator term]Rock, you sinners!Fairfax, CA : Greg Shaw, 1971.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFanzine legend Greg Shaw wrote the piece titled Rock, you sinners! in 1971 for the second mailing of FRAK'S APA, borrowing the title from a 1956 song by Art Baxter. In Rock, you sinners!, Shaw comments on the work of other contributors from a previous issue of the apazine, suggests to exchange tapes through the APA given (since most of the people involved in it would have tapes of "obscure music, especially of local bands"), and reflects on the life of a rock critic, emphasizing his interest in writing only record reviews. Along with Duke of earl, Rock, you sinners! highlights the significance of publications from amateur press associations (APAs) in the realm of popular music. The zines Metanoia, Mojo navigator, Mojo entmooter, Phonograph record magazine, Bomp!, and Duke of earl are also included in the RAPMM collection.Online resource; title from RAPMM website (viewed 2 July 2025)Zines.Rock musicCriticsHistory and criticism.Underground press publications.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406162 01057nas a2200277 i 4500 RAPMMSomegirlsriot NyNyRILM20250702143300.0cr bn 830000d20152015cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMSome girls riotLos Angeles, CA : Lucretia Tye Jasmine and Lucretia Baldwin Ward, 2015.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesOnline resource; title from RAPMM website (viewed 2 July 2025)Zines.Zines.lcgftJasmine, Lucretia Tye,creator.Ward, Lucretia Baldwin,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432235 01860nas a2200313 i 4500 RAPMMStickyfingers NyNyRILM20250702144300.0cr cn 830000d19811981enk p o 0 a eng dNyNyRILMengrdapnNyNyRILMRider, Alan, author.Sticky fingers.Coventry, United Kingdom : Alan Rider, 1981.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesSticky fingers was the second of the anonymous spoof fanzines produced in the 1980s by Alan Rider—who also edited Adventures in reality, Not the job hunter, Certain substances, and Negative reaction (all also in RAPMM). This one-off fanzine, devoted to the local music scene of Coventry, England, included an article on how to be a fanzine editor, claiming you needed £2800, most of which was to be spent on private helicopters, personal secretaries, and bodyguards. There were also recipes for rat stew and a piece on how to be in a band (“Get Mummy to knit you some nice anarchy jumpers”), as well as cartoons and funny stories. The anonymity of the authorship was eventually revealed in an editorial of Adventures in reality.Online resource; title from RAPMM website (viewed 2 July 2025)ZinesEngland.Popular musicEngland.SatirePeriodicals.Comic books, strips, etc.England.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/381311 02593nas a2200313 i 4500 RAPMMStress NyNyRILM20250702154300.0cr cn 830000d19952000nyu p o 0 a eng dNyNyRILMengrdapnNyNyRILMStressNew York, NY : Stress Publishing Inc., 1995-2000.1 online resource (25 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.Online resource; title from RAPMM website (viewed 2 July 2025)Zines.Hip-hopNew York (State)New York.Rap (Music).Zines.lcgftKET (Graffiti artist),editor.Green, Jessica,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406165 01767nas a2200289 i 4500 RAPMMSubjam NyNyRILM20250702155800.0cr bn 830000d19981998ch p o 0 a chi dNyNyRILMengrdapnNyNyRILMSub jam.China : [publisher not identified], 1998.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesOriginally designed to be the house program for the Spring of New Music festival scheduled for April 1998 in Lanzhou, Gansu province, Sub jam turned out to be a one-issue zine in memory of the festival, which got canceled. Yan Jun, editor of the zine and organizer of the festival, planned to invite 15 bands from China’s provinces to showcase the development of rock music outside the epicenter, Beijing. Some of those bands who are better known today include PK14 (Nanjing), Shetou (Ürümchi), ZMZB (Wuhan), and Pangu (Nanchang). The zine provides not only information about these bands, but also writings on the general development of rock music in various regions of China, which makes it a must-read for researchers of Chinese rock music in the 1990s.Online resource; title from RAPMM website (viewed 2 July 2025)ZinesChina.Rock musicChina.Zines.lcgftJun, Yan,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406041 02170nas a2200337 i 4500 RAPMMSubstitution NyNyRILM20250702161800.0cr cn 830000d19901994cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMLum, Anji,creator.Substitution.San Pedro, CA : Sam Pederson and Anji Bee, 1990-1991.Long Beach, CA : Anji Bee, 1993-1994.1 online resource (4 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesLaunched by Anji Lum (Anji Bee)--vocalist for Lovespirals and passionate zinestress--Substitution emerged as a vibrant exploration of the underground music scene in Los Angeles and Orange County. After completing her six-issue zine Positive influence (also part of RAPMM), Lum sought to delve into new venues and connect with diverse musicians and audiences. This innovative four-issue zine embraced a clean, modern aesthetic, reflecting its partially computerized origins in the early 1990s. Featuring articles on influential bands like Sonic Youth, insightful opinion columns, and reviews of records and shows, Substitution offered a fresh perspective on industrial and alternative music. With contributions from writers who expressed a range of sociopolitical viewpoints and artistic endeavors, Substitution blended music with art and culture. Lum also wrote the zines Descent and Desperation, included in RAPMM.Online resource; title from RAPMM website (viewed 2 July 2025)ZinesCaliforniaUnderground musicCaliforniaOrange CountyUnderground musicCaliforniaLos AngelesIndustrial music.Alternative rock music.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/421507 02668nas a2200361 i 4500 RAPMMDeli NyNyRILM20250702165500.0cr cn 830000d20052019nyu p o 0 a eng dNyNyRILMengrdapnNyNyRILMThe deli.The deli (Austin)The deli (Los Angeles)New York, NY : Mother West LLC, 2005-2008.Brooklyn, NY : Deli Publications, 2008-2010.New York, NY : The Deli Magazine LLC/Mother West, NYC, 2010-2019.1 online resource (58 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThe Brooklyn-based zine The deli’s coverage centers on indie rock and pop by emerging artists, particularly from New York City. An offshoot of an earlier fanzine founded by the music producer, publisher, songwriter, multi-instrumentalist, and studio owner Charles Newman, it was launched as a quarterly publication in 2004 by Paolo De Gregorio, who stated that, “The name is playful and serious at the same time. We wanted to give everyone the idea that an indie band at the end of the day is nothing more than a commercial activity. We didn't want to be too serious or have a political approach, like most of the traditional fanzines”. At the height of its prominence as a print publication,The deli launched a series of local blogs with writers covering scenes in Chicago, Los Angeles, Nashville, San Francisco/The Bay Area, Austin, Philadelphia, Portland, Boston/New England, and even Toronto. While it ceased print publication in 2019, blogs covering the New York City and Chicago scenes are still active, run by Jason Lee and Jason Behrends, respectively. In 2011 the magazine's audio equipment reviews, formerly a partnership with the music production website sonicscoop.com, was spun off into its own dedicated blog Delicious audio.Online resource; title from RAPMM website (viewed 2 July 2025)ZinesNew York (State)New YorkIndie cultureNew York (State)New YorkIndie pop musicNew York (State)New YorkAlternative rock musicNew York (State)New YorkZines.lcgftDe Gregorio, Paul,editor,founder.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/358092 00987nas a2200265 i 4500 RAPMMGroupiegospels NyNyRILM20250707133800.0cr bn 830000d20062006cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMJasmine, Lucretia Tye,creator.The groupie gospels.Los Angeles, CA : Lucretia Tye Jasmine, 2006.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesOnline resource; title from RAPMM website (viewed 2 July 2025)Zines.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432272 02089nas a2200313 i 4500 RAPMMGroupiegospelsmixtape NyNyRILM20250707134700.0cr cn 830000d20252025cau p o 0 a eng dNyNyRILMengrdapnNyNyRILMJasmine, Lucretia Tye,creator.The groupie gospels mixtape zine.Los Angeles, CA : Lucretia Tye Jasmine, 2025.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesPublished in 2025, The groupie gospels mixtape zine is one of the most recent works by the prolific author, zinester, and artist Lucretia Tye Jasmine. This zine features interviews on cassette with notable women—and a few men—discussing their rock and roll experiences. Jasmine aimed to explore how these adventures reflect the evolution of women's roles during the second wave of feminism. The interviews, conducted from 2011 to 2025, include perspectives from groupies, writers, and photographers. The groupie gospels mixtape zine is a mixed-media publication (audio and print) inspired by her 2006 title The groupie gospels. Other titles by Jasmine include The meat hook, Ghost, Riot grrrl Los Angeles 1992–1995 mixtape zine, and Touché, and titles edited by mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 7 July 2025)Zines.Feminism and music.Rock musiciansInterviews.GoupiesInterviews.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432268 01777nas a2200289 i 4500 RAPMMTouche NyNyRILM20250707135400.0cr bn 830000d20142014cau p o 0 b eng dNyNyRILMengrdapnNyNyRILMJasmine, Lucretia Tye,creator.Touché.Los Angeles, CA : Lucretia Tye Jasmine, 2014.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesTouché, edited by the prolific writer, zinester, and artist Lucretia Tye Jasmine, was a photographic zine that told a romantic narrative through a series of staged photographs. The sequence begins in a serene outdoor setting, where a woman is seen gazing out reflectively. As the sequence progresses, a second figure, a guitar player, appears, and their interaction evolves into the story's emotional core. Other titles by Jasmine include The groupie gospel mixtape zine, Ghost, Riot grrrl Los Angeles 1992–1995 mixtape zine, and Touché, and titles edited by the mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.Online resource; title from RAPMM website (viewed 7 July 2025)Zines.Zines.lcgftComics (Graphic works).lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432243 01687nas a2200289 i 4500 RAPMMXiliyinyuejulebu NyNyRILM20250707140600.0cr bn 830000d19951995cc p o 0 a chi dNyNyRILMengrdapnNyNyRILMXili yinyue julebu = Heineken music club.Shenzhen : Xili pijiu : Heineken beer, 1995.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesThis is a fanzine edited by zinester Ou Ning in 1995, commissioned by Heineken to promote jazz music in Shenzhen, in southeastern China. The content, including Ou’s introductions to the Joe Rosenberg Quartet and Chet Baker, Feng Yu’s review of Bix Beiderbecke, and jazz singer Coco (Zhao Ke)’s written accounts of the jazz music scene in Shanghai, represents some of the earliest jazz writings in China. The graphic design was handled by Han Jiaying, using black-and-white printing on kraft paper, which made it stand out among the various promotional materials distributed for free in bars and other music venues.Online resource; title from RAPMM website (viewed 7 July 2025)ZinesChina.Jazz musicChina.Zines.lcgftOu, Ning, 1969-,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/424705 02438nas a2200289 i 4500 RAPMMXinqunzhong NyNyRILM20250707145700.0cr bn 830000d19941995ccu p o 0 a chi dNyNyRILMengrdapnNyNyRILMXin qunzhong = New masses.China : [publisher not identified], 1994-1995.1 online resource (2 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesAfter 1994, various bars began emerging across China, providing numerous opportunities for music performances. Xin Qunzhong/New Masses was a loosely organized collective that used bars as a platform to promote avant-garde music culture. It embodied an ideal: to foster a new persona through music as a powerful medium—one that would transform idol-worshiping crowds into independent thinkers and discerning individuals. Between 1994 and 1995, Xin Qunzhong published two issues of the Xin qunzhong zine and organized events such as the New Masses Musical Coevolution Movement concert and shows by the Australian experimental group Peril, and the China tour of John Zorn and Yamatsuka Eye. These activities spread the spirit of independent music across China. The organizational concept of "new masses" was influenced by the Neue Slowenische Kunst (NSK) art collective from Slovenia, while the philosophical spirit of the zine drew inspiration from Hong Kong's Heiniao tongxun (Blackbird communication). Much like Guo Danian (Lenny Kwok)'s radical anti-commercial, anti-establishment stance, Xin qunzhong advocated for anti-heroism and anti-idolization, emphasizing an independent spirit to counteract the banality of pop music. In its two issues, whether discussing local music or introducing international information, Xin qunzhong consistently reflected this clear and unwavering perspective.Online resource; title from RAPMM website (viewed 7 July 2025)ZinesChina.Popular musicChina.Indie musicChina.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/409789 01973nas a2200337 i 4500 RAPMMXinyinyuehuitekan NyNyRILM20250707171300.0cr bn 830000d19961996cc p o 0 a chi dNyNyRILMengrdapnNyNyRILMWe meet...: 1996 Xinyinyuehui tekan = We meet...: 1996 alternative music festival special issue.Shenzhen, China : Taiyang guangchang : Sun square, 1996.1 online resource (1 issue)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesFrom 31 December 1995 to 2 January 1996, Ou Ning organized a three-night New Year music festival at the Taiyang Guangchang (Sun Plaza) in Shenzhen. The invited bands included Tangchao (Tang Dynasty) from Beijing; Liu Yida (Tats Lau) and his Guanli Xiaoxue (Government Primary School), ...Huh?!, Virus, and Black & Blue (with Candy Lo as lead singer) from Hong Kong; Song Xiaojun from Guangzhou; and Yijiao from Shenzhen. In the special publication edited for this festival, in addition to introducing the participating bands, Ou also reflected on independent music events that took place in Guangzhou and Shenzhen between 1993 and 1995 through articles and a timeline.Online resource; title from RAPMM website (viewed 7 July 2025)Liu, Yida, 1963-Tang chao (Musical group).ZinesChina.Alternative rock musicChina.Indie pop musicChina.Music festivalsChina.Zines.lcgftOu, Ning, 1969-,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/424712 02125nas a2200289 i 4500 RAPMMXixianyinyuezazhi NyNyRILM20250707172300.0cr cn 830000d20112022cc p o 0 a chi dNyNyRILMengrdapnNyNyRILMXi Zhi Zi,editor,author.Xixian yinyue zazhi = Xi country music zine.China : [publisher not identified], 2011-2022.1 online resource (3 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesXixian yinyue zazhi is a zine written and edited by Xi Zhi Zi (“Son of Xi”), a music lover living in Xi, a little-known county subordinate to Xinyang, central China’s Henan province. Three issues have been published between 2011 and 2022. The original purpose of the zine’s creation was to document the editor's personal impressions of music magazines he had read, as well as to collect information on various Chinese music magazines. This project has continued until now, with 63 reviews of music magazines written and over 400 entries on Chinese music magazines collected. Starting from the third issue, the zine ventured into a new domain—music media research. It focuses on introducing rare sound storage media (such as shaped vinyl records, shaped thin-film records, shaped CDs, open reel tapes, MD discs, disk records, USB records, and MP3 Buddha chanting machines) collected by the editor over the years, along with accompanying images and textual information. This is a one-person zine, a one-person nostalgia and celebration.Online resource; title from RAPMM website (viewed 7 July 2025)ZinesChina.MusicPeriodicalsChina.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406897 01882nas a2200289 i 4500 RAPMMYaogunhenan NyNyRILM20250707172900.0cr cn 830000d20112014cc p o 0 a chi dNyNyRILMengrdapnNyNyRILMYaogun henan = Rock henan.China : [publisher not identified], 2011-2014.1 online resource (4 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesYaogun Henan belongs to the top layer of the trilogy of zines edited by Xi Zhi Zi, dedicated to the rock scene of central China’s Henan province. The two other zines edited by Xi Zhi Zi, Yaogun Xinyang and Xixian yinyue zazhi (also included in RAPMM), are dedicated to Xinyang, a city in southern Henan, and the Xi county, which is subordinate to Xinyang. Yaogun Henan is a pocket-sized 64-page publication. Published between 2011 and 2014, the three issues of the zine contain useful information about bands, shows, albums, music venues, festivals, and instrument shops in Henan, most of which are little known outside the province. As the editor put it, Yaogun Henan is “a zine dedicated to Henan rock music…Past, present, and future. Your youthful scenes will be captured in this small fanzine, forever preserved in time!”Online resource; title from RAPMM website (viewed 7 July 2025)ZinesChina.Rock musicChina.Zines.lcgftXi Zhi Zi,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406892 01984nas a2200301 i 4500 RAPMMYaogunxinyang NyNyRILM20250707174300.0cr cn 830000d20112015cc p o 0 a chi dNyNyRILMengrdapnNyNyRILMYaogun xinyang = Rock xinyang.China : [publisher not identified], 2011-2015.1 online resource (5 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesYaogun Xinyang is a pocket-sized 64-page zine dedicated to the rock scene of Xinyang, a city in central China’s Henan province. The editors, Xi Zhi Zi and Yang Mu, aim to document the development of rock music in this city from a personal perspective, saying, “as an independent cultural magazine from a small city, it is truly remarkable that it has persevered for five years despite the scarcity of information. From the unfamiliarity and alienation when we first arrived in this city, to the gradual integration into it today, whether acknowledged or not, we have, in fact, become a part of it”. Five issues were published between 2011 and 2015, with articles about bands, shows, and music venues in the city, as well as musicians who have moved out of Xinyang. There are also a series of articles about bands in local colleges and universities, whose information can be hardly found elsewhere.Online resource; title from RAPMM website (viewed 7 July 2025)ZinesChina.Rock musicChina.Zines.lcgftXi Zhi Zi,editor.Mu, Yang,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/406894 01919nas a2200301 i 4500 RAPMMYinanlangchao NyNyRILM20250707175700.0cr cn 830000d19831985cc p o 0 a chi dNyNyRILMengrdapnNyNyRILMYin'an langchao = China dark wave music fanzine.China : [publisher not identified], 2011-2015.1 online resource (5 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesYin’an langchao is a a pocket-sized 64-page Chinese zine dedicated to pan-dark music, edited by Xi Zhi Zi, who summarized it by the sentence "I wander in the noisy mundane world, lost in a state of speechlessness and meditation, hoping to quietly depart at the moment of waking from the midnight dream”. Yin’an langchao is the predecessor of Yinyue diyu (Music hell), a blog edited by Xi Zhi Zi. The purpose of this zine is to document the development of Chinese dark music from a fan's perspective. Five issues were published between 2011 and 2015. Yin’an langchao focused on recommendations of bands, albums, labels, and magazines, in the hope that more people will notice this music genre, “for beyond your rock 'n' roll sky, there exists an even deeper and more expansive starry night”.Online resource; title from RAPMM website (viewed 7 July 2025)ZinesChina.Darkwave (Music)China.Dark ambient (Music)China.Zines.lcgftXi Zhi Zi,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/issue/28312?page=26 01923nas a2200313 i 4500 RAPMMChapess NyNyRILM20250707180500.0cr bn 830000d20112015enk p o 0 a eng dNyNyRILMengrdapnNyNyRILMThe chapess.United Kingdom : Zara Gardner, 2011.Manchester, United Kingdom : Zara Gardner and Cherry Styles, 2013.Manchester, United Kingdom : Synchronise witches press, 2014-2016.1 online resource (9 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesArtist and community gardener Cherry Styles edited the quarterly-printed feminist zine The chapess from 2011 to 2016. This "zine of new writing and art by women" quickly evolved from a photocopied format to a full-fledged literary publication, which also facilitated educational sessions and workshops. It featured the work of women writers, artists, and punks of all ages from around the world, some of which she connected with through her zine distro Synchronise Witches. The chapess was originally launched by Zara Gardner, a colleague of Styles, as part of a pedagogical initiative to engage students in the art department of a rural college. The first issue of The chapess included contributions from people affiliated with that college.Online resource; title from RAPMM website (viewed 7 July 2025)Zines.Feminism and art.Zines.lcgftStyles, Cherry,editor.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/432584 01760cas a2200421 i 4500 RAPMMSecondsmagazine OCoLC20250707182620.0cr bn 900919d19872000nyubr p o 0 a eng d1052-50251052-50251(OCoLC)22408751NyNyRILMengrdapnNyNyRILMnsdppccML3533.8.S43781.6620Seconds(N.Y.N.Y.)Seconds(New York, N.Y.)Seconds.Seconds magazineNew York, NY : Seconds Magazine, 1986-2000.1 online resource (49 issues)Bimonthly,<1996->Quarterly,<-1990>texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesMusiciansInterviewsPeriodicals.http://id.loc.gov/authorities/subjects/sh2008108144CelebritiesInterviewsPeriodicals.http://id.loc.gov/authorities/subjects/sh2008100236Rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh2010109536Interviews.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026115Periodicals.fast(OCoLC)fst01411641Blush, Steven,editor.http://id.loc.gov/authorities/names/no2002003178Petros, George,editor.http://id.loc.gov/authorities/names/n95037990RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/437938 01961cas a2200409 i 4500 RAPMMBananafish OCoLC20250707183725.0cr cn 070125d19872004cauuu p o 0 a eng dNyNyRILMengrdapnNyNyRILMBananafish.Bananafish magazineOakland, CA : Seymour Glass, 1987-1989.San Francisco, CA : Seymour Glass, 1989-1990.San Francisco, CA : Tedium House, 1991-2004.1 online resource (18 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesOnline resource; title from RAPMM website (viewed 7 July 2025)Alternative rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh96004375Noise musicPeriodicals.http://id.loc.gov/authorities/subjects/sh2001009873Punk rock musicPeriodicals.http://id.loc.gov/authorities/subjects/sh85109128Punk culturePeriodicals.http://id.loc.gov/authorities/subjects/sh85109126Avant-garde (Music)Periodicals.http://id.loc.gov/authorities/subjects/sh90001254Alternative rock music.fast(OCoLC)fst00806181Avant-garde (Music)fast(OCoLC)fst00824287Noise music.fast(OCoLC)fst01038410Punk culture.fast(OCoLC)fst01084152Punk rock music.fast(OCoLC)fst01084153Periodicals.fast(OCoLC)fst01411641Zines.lcgfthttp://id.loc.gov/authorities/genreForms/gf2014026210RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/437975 01441nas a2200397 i 4500 RAPMMWinduptoy NyNyRILM20250709114900.0cr cn 830000d19931996miu p o 0 a eng dNyNyRILMengrdapnNyNyRILMWind-up toy.Wind-up toy magazineWind-up frozen entreeWind-up toaster pastryWind-up industrial burnoffWind-up butter cowChicago, IL : Liz Clayton, 1993.Ann Arbor, MI : Liz Clayton, 1993.Chicago, IL : Liz Clayton, 1994-1995.Ann Arbor, MI : Liz Clayton, 1996.1 online resource (5 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Access limited to subscribers of RILM Archive of Popular Music MagazinesOnline resource; title from RAPMM website (viewed 9 July 2025)Zines.Rock musicPeriodicals.Popular culturePeriodicals.Rock groupsInterviews.Zines.lcgftClayton, Liz,creator.RILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/437715 01599nas a2200325 i 4500 RAPMMRockoco NyNyRILM20250709124700.0cr bn 830000d19801985sp p o 0 b spa dNyNyRILMengrdapnNyNyRILMTrillo, Miguel, 1953-,photographer.Rockocó : imágenes del pop-rock madrileñoMadrid : [publisher not identified], 1980-1985.1 online resource (6 issues)texttxtrdacontentstill imagestirdacontent computercrdamediaonline resourcecrrdacarrierDigitized version of a print zine.Número zero. Especial movidas 1980 -- Nú́mero uno. Especial Mods -- Número dos. Especial Punkis -- Número tres. Especial, Tecno, Modernos, Siniestros -- Número cuatro. Especial Rockers y Teddys -- Número cinco. Especial Heavys y Rockeros -- Número seis. Imágenes de la juventad española 2000-2016.Access limited to subscribers of RILM Archive of Popular Music MagazinesOnline resource; title from RAPMM website (viewed 7 July 2025)ZinesSpainMadrid.Rock musicSpainMadrid1981-1990Periodicals.Rock musicSpain1981-1990Periodicals.Rock musiciansSpainMadridPortraits.Rock musiciansSpainPortraits.Zines.lcgftRILM Archive of Popular Music Magazines linkhttps://rapmm.rilm.org/en/pages/collection/433772