01969nas a2200289 i 4500001001800000003000900018005001700027007001500044008004100059040003700100245002000137264005400157300003400211336002600245336003400271337002600305338003600331500003900367506007700406520092200483588006801405650003101473655001801504700002801522700002901550856010001579RAPMM60milesnorthNyNyRILM20250626161800.0cr cn         830000d19831985cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00a60 miles north. 1aVentura, CA : bRoghart Productions, c1983-1985.  a1 online resource (16 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  a60 miles north began life as a flier for a 1983 concert in Camarillo, Ventura County, California, which featured a line up of punk musicians from The Alley Cats, M.I.A., and The Desotos. Mike Rogers, a singer with The Desotos, came up with the idea for the flyer. After the concert, he and the bassist of the group, Jeff Hughart, decided to continue the publication as a zine entitled 60 miles north, so named because Ventura County lies 60 miles north of Los Angeles. Interviews demonstrate a range of coverage that included metal band Poison, the cast from the original Pee-wee Herman show, The Blasters, and Screamin' Jay Hawkins (of I put a spell on you fame), but the local nardcore scene-a combination of hardcore punk, skateboarding, and surfing-was the zine's biggest focus. Although it ceased publication in 1985, Hughart would go on to start the fanzine Half-truth (also featured in RAPMM) five years later.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aZineszCaliforniazVentura 7aZines.2lcgft1 aRogers, Mike,efounder.1 aHughart, Jeff,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39160201595nas a2200277 i 4500001001600000003000900016005001700025007001500042008004100057040003700098245001500135264008000150300003200230336002600262336003400288337002600322338003600348500003900384506007700423520055200500588006801052655001801120700004001138700003901178856010001217RAPMMAbsolutionNyNyRILM20250627140600.0cr bn         830000d20012001cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aAbsolution 1aLos Angeles, CA : bLucretia Tye Jasmine and Lucretia Baldwin Ward, c2001.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThis 16-page onezine, published in 2001 by the mother-daughter zinester duo Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, features newspaper and magazine clippings that explore the presence of women in fairy tales, the voices of storytellers, and the visibility of women in show business, especially in relation to their age. Other works by Jasmine include The groupie gospel mixtape zine, Ghost author, and Touché. Additionally, Ward and Jasmine have also published Some girls riot. All of these titles are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 27 June 2025) 7aZines.2lcgft1 aWard, Lucretia Baldwin,epublisher.1 aJasmine, Lucretia Tye,epublisher.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43223002704cas a2200373 i 4500001001600000003000900016005001700025007001500042008004100057035002100098040003700119043001200156090002100168245002700189264005800216300003400274336002600308336003400334337002600368338003600394362008100430500003900511506007700550520103200627588006901659650008201728650008501810650010101895650010401996655001902100655007302119700003802192856010002230RAPMMAdventuresNyNyRILM20250620134539.0cr cn         081003d19802012enk|| i o     0   a eng d  a(OCoLC)260069819  aNyNyRILMbengerdaepncNyNyRILM  ae-uk-en  aML3534.6.G7bA3800aAdventures in reality. 1aCoventry, United Kingdom : bAlan Rider, c1984-2012.  a1 online resource (13 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 a12 issues from 1980-1984, with an additional special issue released in 2012.  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aOperated by art school graduate Alan Rider out of Coventry in the British Midlands, Adventures in reality was published in 12 issues (labeled A to L) from 1980 to 1984 with a special edition released as issue "M" in 2012. The zine highlighted the local alternative music scene, and its associated cassette label, Adventures in Reality Recordings, released many of the earliest recordings of Coventary's industrial, proto-goth band, Attrition. British indie and experimental groups from further afield--Flux of Pink Indians, Bauhaus, and Eyeless in Gaza-were also featured, while the zine and its sound recordings circulated widely; for example, the compilation recording The last supper was distributed internationally by the independent label Rough Trade Records. Individual issues of the zine came with gifts that ranged from tea bags to flexi disc sound recordings. Rider later established several other zines, which are also available on RAPMM: Sticky fingers, Certain substances, Negative reaction, and Not the job hunter.0 aOnline resource; title from RAPMM website (viewed 20 June 2025)  0aRock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2010109536 0aPunk rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aRock musiczEnglandzCoventryvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2010111363 0aPunk rock musiczEnglandzCoventryvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aFan magazines. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aRider, Alan,eeditor,epublisher.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38063202034nas a2200313 i 4500001001800000003000900018005001700027007001500044008004100059040003700100245003200137264007500169300003300244336002600277336003400303337002600337338003600363500003900399500003800438506007700476520086000553588006801413650002801481650003601509655001801545700002801563700002901591856010001620RAPMMAreyouscaredNyNyRILM20260702142718.0cr cn         830000d19851987enk   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aAre you scared to get happy 1aBristol, United Kingdom : bMatt Haynes and Mark Carnell, c1985-1987.  a1 online resource (4 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues: 1-2, 4, 6.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFounded in Bristol, England, in 1985 by Matt Haynes and Mark Carnell, Are you scared to get happy released six issues over two years but greatly influenced musical and cultural conceptions of indie music. It was particularly influential on the subgenres of jangle pop and twee pop, which shaped expectations of how indie pop and rock should sound. Featured in Are you scared to get happy were British and Irish groups and artists such as Hurrah!, Jasmine Minks, Microdisney, Biff Bang Pow!, Julian Cope, Primal Scream, St. Christopher, and June Brides. Soon after the final issue of Are you scared to get happy, Matt Haynes cofounded the label Sarah Records with another fanzine veteran, Clare Wadd, in Bristol. Through the 100 recordings it released from 1987 to 1995, this label had an even greater and far-reaching impact on the meaning of indie music.0 aOnline resource; title from RAPMM website (viewed 27 June 2025) 0aZineszEnglandzBristol 0aAlternative rock musiczEngland 7aZines.2lcgft1 aHaynes, Matt,efounder.1 aCarnell, Mark,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35491003200cas a2200529 i 4500001001200000003000900012005001700021007001500038008004100053010001700094019002500111035001300136035002300149037007100172040003700243042000800280043001200288079001300300130002800313245001200341246002000353264006200373264005900435264005900494264005400553264005700607300003400664310002100698336002600719336003400745337002600779338003600805500003900841506007700880515010000957515006101057520101101118588006802129650006202197650003702259650010202296650004702398651004502445655004302490700003702533856010002570RAPMMArthurNyNyRILM20260702104818.0cr cn         160802d20022013nyubr i o     0   a0eng d  a  2003248302  a590378819a957511956  a12883336  a(OCoLC)ocm51576815  bLime Pub. & Projects, 195 Chrystie Street #503, New York, NY 10002  aNyNyRILMbengerdaepncNyNyRILM  apcc  an-us---  a515768150 aArthur (New York, N.Y.)10aArthur.1 aArthur magazine 1aNew York, NY : bLime Publishing & Projects, c2002-2003.21aGaithersburg, MD : bLime Publishing Inc, c2003-2006.21aGlendale, CA : bArthur Publishing Corp., c2007-2008.21aBrooklyn, NY : bArthur Publishing Corp., c2008.31a[Joshua Tree, CA] : bFloating World Comics, c2013.  a1 online resource (34 issues)  aSix times a year  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aIssue for May 2005 incorrectly called vol. 1, number 15 in masthead, but constitutes number 16.  aNone published in print from late 2008 to December 2012.  aFounded by editor Jay Babcock and publisher Laris Kreslins in 2002, Arthur magazine combined musical coverage with highly opinionated writings on art, politics, and alternative lifestyles from a progressive perspective, until its demise in 2014. Indicative of the zine's range, the first issue featured an interview with Daniel Pinchbeck, the author of Breaking open the head: A psychedelic journey into the heart of contemporary shamanism; artwork by Alan Moore, author of the Watchmen comic book series; and an interview with the science-fiction author and futurist Arthur C. Clarke. Arthur magazine played a critical role in establishing the underground credibility and popularity of various musical styles from stoner metal to psychedelic noise to a genre known as "freak folk", maintaining a sensibility distinct both from more commercially-oriented publications and from other alternative- and subculture-associated titles. The spirit of Arthur magazine lives on in Jay Babcock's newsletter Landline.0 aOnline resource; title from RAPMM website (viewed 2 June 2025)  0aCounterculturezUnited Statesy21st centuryvPeriodicals. 0aArtsy21st centuryvPeriodicals. 0aPopular culturezUnited StatesvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2010107534 7aPopular culture.2fast0(OCoLC)fst01071344 7aUnited States.2fast0(OCoLC)fst01204155 7aPeriodicals.2fast0(OCoLC)fst014116411 aBabcock, Jay,efounder,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35483602424cam a2200385 i 4500001001900000003000900019005001700028007001500045008004100060035002200101035002500123040003700148050002700185050002400212100009300236245003600329264003900365300003300404336002600437336003400463337002600497338003600523500003900559506007700598520079200675588006801467650002201535650008701557650004701644655007301691655005401764655003701818600008301855856010001938RAPMMAwesomethingsNyNyRILM20250624162342.6cr bn         171211s20172021ilua  i o     0   a eng d  a(OCoLC)1015201159  a(OCoLC)in00005929872  aNyNyRILMbengerdaepncNyNyRILM 4aPS3613.A8175bA94 2017 4aPN4836.M37bA9 20171 aMason, Lizc(Zine publisher),eauthor.0http://id.loc.gov/authorities/names/no201203225110aAwesome things /cby Liz Mason. 1aChicago : bLiz Mason, c2017-2021  a1 online resource (4 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe prolific zinester Liz Mason is dedicated to finding awesomeness in every small detail of life. With her passion for music and dance, many items on her list of awesome things include songs, dance battles, memories evoked by music, karaoke bars, fictitious album names, lyrics, musical instruments, and dance movements. Additionally, she draws from popular culture and bright moments from her time as the manager of Quimby's Bookstore in Chicago, where she has developed an impressive collection of fanzines. As a founding member of Zine Club Chicago, Mason has produced several zines in addition to Awesome things, including Caboose, Dance dance party party zine zine, Here's a zine template, Most unwanted zine, and Punk rock glee club, all of which are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 24 June 2025) 0aJoyvMiscellanea. 0aConduct of lifevMiscellanea.0http://id.loc.gov/authorities/subjects/sh2008100240 7aConduct of life.2fast0(OCoLC)fst00874563 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210 7aTrivia and miscellanea.2fast0(OCoLC)fst01921748 7aZines.2fast0(OCoLC)fst0191998710aMason, Lizc(Zine publisher)0http://id.loc.gov/authorities/names/no2012032251403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38748801896cas a2200337 i 4500001001300000003000900013005001800022007001500040008004100055040003700096245001400133264004900147300003400196310001500230336002600245336003400271337002600305338003600331362002400367500003900391506007700430520074800507588006901255650001901324650002901343650002901372650001101401655001901412700002701431856010001458RAPMMBadtripNyNyRILM20250617135808.0 cr cn         050107c19921998gauqr i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aBad trip  1aDallas, GA : bBruce M. Ciero, c1992-1998.   a1 online resource (13 issues)  aQuarterly   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan in the 1990s   aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aBad trip was an Atlanta-based punk, indie, and grunge zine active in the 1990s and early 2000s under the leadership of Bruce Ciero. The editor's column in the first issue reads: "A lot of bands have more guts than 'talent'. This little rag is about those bands, the ones that have the nerve and lack of vision to think they can make a difference in an indifferent world". Combining passion for the music it covered with an iconoclastic attitude and edgy sense of humor, the zine also featured sex-industry advertisements and imagery that recalled the pin-up culture of the 1950s and 1960s. Bad trip is notable for its striking art, design, and illustrations, combining high contrast, black-and-white inked images with typewriter-produced text.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aFan magazines  0aRock musicvPeriodicals  0aRock groupsvInterviews  0aZines  7aZines.2lcgft 1 aCiero, Bruce,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35492802069cas a2200325 a 4500001000900000003000900009005001700018007001500035008004100050040003700091245001500128264005600143300003400199310001500233336002600248336003400274337002600308338003600334500003900370500003800409506007700447520094500524588006901469650001901538650002901557650001101586655001901597700002701616856010001643RAPMMBamNyNyRILM20250620152613.0cr bn         050110c19751982stkuu i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aBam balam  1aDunbar, United Kingdom : bBrian Hogg, c1975-1982   a1 online resource (13 issues)  aIrregular   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 1-9, 11-14.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aBam balam was a 1970s zine covering 1960s garage rock, power pop, and psychedelia. Lenny Kaye's Nuggets: Original artyfacts from the first psychedelic era, a compilation album of 1960s psychedelic and garage rock released in 1972, was an inspiration for the publication, while the title was derived from a song by Flamin' Groovies, a Californian rock band much influenced by the British invasion. Bam balam's Scottish founder, Brian Hogg, championed groups like The Misunderstood, The Birds, The Droogs, The Kinks, The Yardbirds, The Seeds, and The Creation. Profiles of these groups and others include extensive discographies. Many of the groups featured in the zine were also highly regarded in punk circles and the editor of the seminal punk zine Sniffin' Glue, Mark Perry, cited Bam Balam as an inspiration. Hogg subsequently published the monograph The history of Scottish rock and pop: All that ever mattered (Enfield: Guiness, 1993).0 aOnline resource; title from RAPMM website (viewed 20 June 2025)  0aFan magazines  0aRock musicvPeriodicals  0aZines  7aZines.2lcgft 1 aHogg, Brian,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35492703013cas a2200421 i 4500001001600000003000600016005001700022007001500039008004100054040003700095245001600132246002400148264004800172264005400220264005300274300003400327336002600361336003400387337002600421338003600447500003900483506007700522520104000599588006701639650009201706650008301798650008501881650008201966650008902048650005402137650005002191650004302241650004402284650004702328655004302375655007302418856010002491RAPMMBananafishOCoLC20250707183725.0cr cn         070125d19872004cauuu i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aBananafish.30aBananafish magazine 1aOakland, CA : bSeymour Glass, c1987-1989.21aSan Francisco, CA : bSeymour Glass, c1989-1990.31aSan Francisco, CA : bTedium House, c1991-2004.  a1 online resource (18 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aDistinctions between reality and imagination are obscured in Bananafish, a witty and perplexing San Franciscan magazine that covered avant-garde, noise, experimental, and generally obscure music over 18 issues. In each issue’s letters section and elsewhere, fabrication and truth intermingle while aliases proliferate, leaving readers to figure out for themselves who is writing and what can and cannot be taken at face value. At the same time, the magazine covers a wide range of music, from interviews with Lee Ronaldo of Sonic Youth, Australian noise musician Lucas Abela, and Japanese noise rockers Melt-Banana to reviews of The New Blockaders’ Gesamtnichtswerk: 20th antiversary antiology, Tiny Time live! At the Royal Albert Hall, and Blowhole’s Killing noise. The final issue opens with the news that publisher “I. Vern Beezer” has died and ends with a sprawlingly diverse reviews section by Bananafish founder “Seymour Glass”, a conclusion befitting the publication’s musical and fantabulist proclivities alike.0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aAlternative rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh96004375 0aNoise musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2001009873 0aPunk rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aPunk culturevPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109126 0aAvant-garde (Music)vPeriodicals.0http://id.loc.gov/authorities/subjects/sh90001254 7aAlternative rock music.2fast0(OCoLC)fst00806181 7aAvant-garde (Music)2fast0(OCoLC)fst00824287 7aNoise music.2fast0(OCoLC)fst01038410 7aPunk culture.2fast0(OCoLC)fst01084152 7aPunk rock music.2fast0(OCoLC)fst01084153 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43797502150cas a2200349 i 4500001001600000003000900016005001700025007001500042008004100057035002200098040003700120100002200157245002600179264005000205264005600255264004800311300003400359336002600393336003400419337002600453338003600479500003900515500003900554506007700593520085100670588006901521650002701590650002601617655001901643655003801662856010001700RAPMMBasicpaperNyNyRILM20250620151821.0cr cn         160819c20059999oruuu i o     0   a eng d  a(OCoLC)956995169   aNyNyRILMbengerdaepncNyNyRILM1 aAmberson, Joshua 10aBasic paper airplane  1aOlympia, WA : bS.S.O. Press Box, c2005-201031aPortland, OR : bJoshua James Amberson, c2010-202332aPortland, OR : bAntiquated future, c2020-  a1 online resource (13 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 1-10, 12-14.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aJoshua James Amberson founded Basic paper airplane with the idea of "launching something small and simple into the world and seeing where it lands". This project served as a distraction from running a small poetry press for four years. Initially launched in Olympia, Washington, and later produced in Portland, Oregon, Basic paper airplane was a 13-issue fanzine featuring personal essays, interviews, reviews, and reflections on themes such as family, Americana, and the evolution of print media. Each issue focused on specific themes: Issue 1 included a mix CD and a "fully functional paper airplane"; Issue 5 explored odd Americana; and Issue 13, titled The cassette issue, examined the art of the mixtape, the importance of the boombox, and the intimacy of the Walkman. Every issue of Basic paper airplane offered a unique reading experience.0 aOnline resource; title from RAPMM website (viewed 20 June 2025)  0aFamiliesvPeriodicals  0aHistoryvPeriodicals  7aZines.2lcgft  7aZines.2fast0(OCoLC)fst01919987 403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39170401867cas a22003857i 4500001001900000003000900019005001700028007001500045008004100060035002100101035002500122040003700147245002500184246004600209264005000255300003300305336002600338336003400364337002600398338003600424500003900460506007700499520052300576588006901099650002001168650003101188650003401219650001201253650002101265655002401286655002501310655001801335700002801353856010001381RAPMMBeyondcontrolNyNyRILM20250623143219.0cr cn         921210d19731974inuuu i o     0   a eng d  a(OCoLC)27097362   a(OCoLC)ocm27097362    aNyNyRILMbengerdaepncNyNyRILM00aBeyond our control. 03a(Due to circumstances) Beyond our control 1aBloomington, IN : bBear Print, c1973-1974.   a1 online resource (4 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aBob Richert's fanzine (Due to circumstances) Beyond our control from Bloomington, Indiana was published in three issues in 1973 and 1974. Eddie Flowers and Ken Highland, future members of the punk group The Gizmos, both wrote for it, but the zine covered a range of styles, including popular acts like John Denver and The Eagles alongside the prog rock of Jade Warrior. Richert subsequently founded Gulcher, a fanzine more focused on punk rock, and an associated record label, Gulcher Records, also available in RAPMM.0 aOnline resource; title from RAPMM website (viewed 23 June 2025)  0aFan magazines.  0aRock music vPeriodicals.  0aPopular music vPeriodicals.  0aZines.  7afanzines. 2aat  7aperiodicals. 2aat  7aPeriodicals. 2lcgft 7aZines.2lcgft1 aRichert, Bob,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39170603217cas a2200457 i 4500001002100000003000900021005001700030007001500047008004100062035002400103035002100127040003700148050002000185082001100205130002700216245005300243246006000296246003700356246005100393264004000444300005400484300003300538336002600571336003400597337002600631338003600657362001900693500008500712500003900797506007700836520126000913588006902173520026002242650003402502650003102536655001902567655001802586700002502604700003002629856010002659RAPMMBlankGenerationNyNyRILM20250623145238.0cr bn         060313d197719uucauuu i o o   0   a eng d  a(OCoLC)ocn479900332  a(OCoLC)479900332  aNyNyRILMbengerdaepncNyNyRILM14aML3533.8b.S53704a709.050 aSlash (Tustin, Calif.)10a[Slash] :bthe fanzine for the blank generation.13a[Forward slash] :bthe fanzine for the blank generation13aFanzine for the blank generation1 iIssue 5 also has title:aAlex goes to London!! 1aTustin, CA : bSusan Compo, c1977.  avolumes :bblack and white illustrations ;c29 cm  a1 online resource (5 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan in 1977.  aTitle consists of a forward slash symbol, intended to be referred to as "Slash".  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe fanzine for the blank generation, one of the earliest punk zines in the U.S., offered an immersive glimpse into the vibrant early punk scene of the late 1970s in California and London. Spanning six issues, this essential publication was edited by Susan Compo, who also contributed to major music publications like Spin and Mojo (the latter is part of the RAPMM collection). The fanzine featured record reviews, concert critiques, and candid interviews with iconic bands such as the New York punk groups Blondie and The Ramones, as well as London-based bands like The Damned and the Sex Pistols. Compo and her fellow writers Sue, Alex, Peter Urban, and Les Bilian, conducted these interviews, many of which were obtained through long-distance phone calls with the musicians. The zine also provided fans with information on how to contact their favorite bands through fan clubs worldwide. In the last published issue, Compo wrote about the Sex Pistols concert in Tulsa, California, in January of 1978. Fanzine for the blank generation, which derived its title from Blank generation, the seminal album by Richard Hell and the Voidoids, had an early classic black and white Xerox aesthetic that combined handwritten and typewritten fonts with photographs.0 aOnline resource; title from RAPMM website (viewed 23 June 2025)   aPunk fanzine by Alex Rude, Sue Starstruck and others with coverage of the girls' favorite punk bands, especially the Sex Pistols, and punk fashion. Issue #5 includes an essay on Alex's trip to London where she visits punk clothing boutique, Seditionaires. 0aPunk rock musicvPeriodicals. 0aPunk culturevPeriodicals. 0aFan magazines. 7aZines.2lcgft1 aRude, Alex,eeditor.1 aStarstruck, Sue,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35490301722nas a2200277 i 4500001001100000003000900011005001700020007001500037008004100052040003700093245001000130264006400140300003300204336002600237336003400263337002600297338003600323500003900359506007700398520073200475588006801207650002001275655001801295700003101313856010001344RAPMMBlazeNyNyRILM20250627142400.0cr cn         830000d19831985enk   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aBlaze 1aPeterborough, United Kingdom : bJanine Booth, c1983-1985.  a1 online resource (5 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aEdited by Janine Booth, known as "The Big J,” Blaze was a vibrant fanzine that emerged as a unique blend of left-wing activist politics and rock music journalism. It tracked down favorite performers throughout its five issues, reviewing their gigs and engaging them with often light-hearted questions. The fanzine also featured Peterborough, in an attempt to make it more appealing to audiences. Rooted in the ranting poetry scene of 1980s London, Booth brought a style characterized by strong emotions and unrestrained expression, which permeated Blaze's voice. Featured within its pages were interviews with notable bands such as Apocalypse, The Style Council, and The Damned, alongside insightful notes on local musicians.0 aOnline resource; title from RAPMM website (viewed 27 June 2025) 0aZineszEngland. 7aZines.2lcgft1 aBooth, Janine,epublisher.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40921201879cas a2200349 i 4500001001100000003000900011005001700020007001500037008004100052035002200093040003700115130003200152245001100184264006500195300003300260310001500293336002600308336003400334337002600368338003600394500003900430500005400469506007700523520059700600588006901197650003301266650003001299650003901329650003001368700003101398856010001429RAPMMBlurtNyNyRILM20250618154122.0cr cn         130828c20092013mduuu i o     0   a eng d  a(OCoLC)857194315   aNyNyRILMbengerdaepncNyNyRILM0 aBlurt (Silver Spring, Md.) 10aBlurt  1aSilver Spring, Maryland : bCCO Creative, LLC, c2009-2013.   a1 online resource (3 issues)  aIrregular   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes first three issues from 2009-2011.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aAfter Harp magazine declared bankruptcy in 2008, its founder Scott Crawford set up a new magazine in Silver Spring, Maryland, with many of Harp's writers on board. Originally an online, downloadable magazine, Blurt also published print issues from 2009 to 2013. RAPMM contains the first three of these issues. At around 100 pages each, they combined in-depth features on artists like The Avett Brothers, David Bazan, Janelle Monaé, Otep Shamaya, Antony and the Johnsons, and PJ Harvey with extensive review sections that included newly issued music, rereleases, video games, books, and DVDs.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aRock musiciansvPeriodicals  0aRock groupsvPeriodicals  0aRock music x ReviewsvPeriodicals  0aRock musicvPeriodicals  1 aCrawford, Scott,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38755302634cas a2200433 i 4500001001000000003000900010005001700019007001500036008004100051010001400092022002800106035002400134040003700158042001400195050001500209082000800224210001700232222002100249245002200270246001000292264004400302264004400346300003400390310001400424336002600438336003400464337002600498338003600524500003900560500003700599506007700636520111200713588006901825650002901894650004201923655004301965700009202008856010002100RAPMMBompNyNyRILM20260701144825.0cr cn         760918d19701979cauqr i o     0   a eng d  a76645513   a0039-7873l0039-787321  a(OCoLC)ocm02439003   aNyNyRILMbengerdaepncNyNyRILM  apccansdp00aML1b.W4150 a7840 aWho put bomp 0aWho put the bomp00aWho put the bomp!1 aBomp! 1aFairfax, CA : bGreg Shaw, c1970-1972.31aBurbank, CA : bGreg Shaw, c1973-1979.  a1 online resource (17 issues)  aQuarterly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 3-4, 6-21.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aNamed for the 1961 Barry Mann doo-wop hit, Who put the bomp! was published by writer and record executive Greg Shaw from 1970 to 1979. The rock zine played a substantial role in shaping and championing what later came to be known as "proto-punk", promoting a musical aesthetic that went against the grain of mid- and late-1960s rock era (primarily associated with hippie culture) and helping lay the foundation for the birth of punk rock itself. Who put the bomp! started as a five-page mimeograph and evolved into a magazine with contributions by well-known authors such as Lester Bangs and Greil Marcus. The magazine eventually spawned Bomp! Records (established in 1974), a label that released records by proto-punk and early punk rock figureheads such as Iggy and the Stooges, The Modern Lovers, Devo, Germs, Stiv Bators and the Dead Boys, The Sonics, The Pandoras, The Weirdos, and The Zeros. Together with his wife Suzy, Greg Shaw edited other punk zines included in RAPMM: Duke of earl, Metanoia, Mojo navigator, Rock you sinners, and Phonograph record magazine, all included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 17 June 2025)  0aRock musicvPeriodicals. 7aRock music.2fast0(OCoLC)fst01099204 7aPeriodicals.2fast0(OCoLC)fst014116411 aShaw, Greg,d1949-2004.1https://id.oclc.org/worldcat/entity/E39PBJr7WFvf97w9TjPxbF384q403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35492901684nas a2200349 i 4500001001600000003000900016005001700025007001500042008004100057035002100098040003700119043001200156090002100168245001700189246002700206264007000233300003200303336002600335336003400361337002600395338003600421500003900457500002800496506007700524520034700601588006800948650009401016655001901110655007301129700003201202856010001234RAPMMBoredstiffNyNyRILM20250625123351.0cr bn         081010d19771977enk|| i o     0   a eng d  a(OCoLC)261504208  aNyNyRILMbengerdaepncNyNyRILM  ae-uk-en  aML3534.6.G7bB6700aBored stiff.03aBored stiff till '77!. 1aNewcastle upon Tyne, United Kingdom : bTerry Macalister, c1977.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issue 2.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aOriginating in Newcastle upon Tyne in the north of England, Bored stiff appeared in two issues in 1977, edited by future Guardian journalist Terry Macalister. Concerts and record reviews accompanied extensive coverage of favorites such as Iggy Pop and the Sex Pistols and an interview with Pauline Murray of the English punk band Penetration.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aPunk rock musiczEnglandvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aFan magazines. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aMacalister, Terry,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39170702248cas a2200361 i 4500001001400000003000900014005001700023007001500040008004100055035002300096035002800119035004100147040003700188245002400225264006800249300003400317310002300351336002600374336003400400337002600434338003600460500003900496500003700535506007700572520093700649588006901586650003401655650002301689655001801712700002701730700002901757856010001786RAPMMBoricuasNyNyRILM20260702150055.0cr cn         001129c19962001pr qx i o     0   a spa d  a(OCoLC)ocm47105771  a(WU)5118289-uwmadisondb  a(EXLNZ-01UWI_NETWORK)999902016602121  aNyNyRILMbengerdaepncNyNyRILM00aBoricuas bestiales. 1aSan Juan, Puerto Rico : bBoricuas Bestiales Inc., c1996-2001.  a1 online resource (11 issues)  aFour issues yearly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 1-3, 5-12.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aBoricuas bestiales was a groundbreaking Puerto Rican fanzine edited by Javier Tous and Omar Dauharje, starting in 1996. Initially launched as a modest fotocopia limpia, a half-sized Xerox pages publication, it evolved into a 32-page newsprint edition, with print runs reaching up to 2000 copies. Published quarterly until 2000, Boricuas bestiales captured Puerto Rico's music culture, focusing primarily on ska while delving into punk, hardcore, and oi. Javier Tous and Omar Dauhajre, known for their involvement with the punk bands Da' Pingaz and Al Raz, published classic interviews with influential bands such as Blind Pigs, Los Crudos, and Pleasure Fuckers, alongside articles and album reviews. Local fans could get copies of Boricuas bestiales at the visual arts comic shop in the neighborhood of Condado and punk and hardcore concerts in San Juan. This fanzine remains a cherished part of Puerto Rico's rich musical heritage.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aPunk rock musicvPeriodicals. 0aZineszPuerto Rico 7aZines.2lcgft1 aTous, Javier,eeditor.1 aDauharje, Omar,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39170802019cas a2200409 i 4500001001300000003000900013005001700022007001500039008004100054010001500095022003100110035002100141037004800162040003700210042001600247050002000263082001400283222001300297245001400310264004600324264004700370300003400417310001300451336002600464336003400490337002600524338003600550500003900586506007700625520063700702588006901339650003001408650003201438655001901470700002001489856010001509RAPMMBravEarNyNyRILM20250617131738.0cr cn         830303c19821987caumr i o     0   a eng d  a83641638  1 a0737-0768 l0737-0768 21   a(OCoLC)09273822   bBravEar, \703, Box 4158, Hayward, CA 94540   aNyNyRILMbengerdaepncNyNyRILM  apcc ansdp  0aAP2 b.B842243 0 a051 219  0aBravEar 00aBravEar.  1aHayward, CA : bMichael Miro, c1982-198331aBerkeley, CA : bMichael Miro, c1983-1987  a1 online resource (16 issues)  aMonthly   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aA 16-issue zine published between 1981 and 1988 in Hayward, California, BravEar was edited first by Lorry Flemming and later by Rory Cox, and published with attractive design by Mike Miro. In addition to coverage of the local alternative music scene, which included punk bands like Dead Kennedys and Camper Van Beethoven, it featured interviews with prominent musicians from further afield, such as U.S. bands Soul Asylum and Violet Femmes, the English singer Billy Bragg, and Scotland's Cocteau Twins. Other articles considered Richard Wagner's Der Ring des Nibelungen and decried U.S. militarization and the threat of nuclear war.0 aOnline resource; title from RAPMM website (viewed 17 June 2025)  0aRock musicvPeriodicals.  0aPunk culturevPeriodicals.  7aZines.2lcgft 1 aMiro, Michael. 403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38604102473cas a2200373 i 4500001001300000003000900013005001700022007001500039008004100054040003700095100002600132245001300158264004000171300003400211310001400245336002600259336003400285337002600319338003600345362002300381500003900404500003800443506007700481520093800558588006901496520022001565650011701785650001701902650003801919650001401957655001101971700001701982856010001999RAPMMCabooseNyNyRILM20260702150455.0cr cn         060214c20029999iluuu i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aMason, Liz,ecreator.10aCaboose. 1aChicago, IL : bLiz Saidel, c2002-  a1 online resource (11 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aNo. 1 (Jan. 2002)-  aDigitized version of a print zine.  aRAPMM includes issues 3, 5, 7-15.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aCaboose is the longest-running zine by the prolific zinester Liz Mason, who began publishing it in 2002. The zine offers readers an in-depth look at popular music, with a focus on the vibrant local scene in Chicago, including its lively karaoke culture. In issue seven, 101 Britney Spears, Mason dives deep into the world of the iconic pop star, exploring everything from her music to her captivating Femme fatale album. The special issue began as a fun CD exchange among friends, after which Mason chose Spears as the topic of the issue. Each edition of Caboose is dedicated to a singular topic, like the heartwarming My Canadian boyfriend, which reflects Mason's teenage obsession with Canadian pop sensation Corey Hart. Mason has produced several zines, including Awesome things, Dance dance party party zine zine, Here's a zine template, Most unwanted zine, and Punk rock glee club, all of which are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 23 June 2025)   aEach issue of this personal zine has a specific theme (e.g. improvement, music, ridiculousness). Liz Mason, of Quimby's bookstore in Chicago fame, reminisces about events in her life with regard to her chosen topic. 0aFan magazines0(uri) http://id.loc.gov/authorities/subjects/sh850471762LCSH041-LIBRARY_OF_CONGRESS-sh 85047176 0aPeriodicals. 0aPopular musiczIllinoiszChicago. 0aFanzines. 0aZines.1 aSaidel, Liz.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38749001585nas a2200289 i 4500001001200000003000900012005001700021007001500038008004100053040003700094245002600131264008000157300003300237336002600270336003400296337002600330338003600356500003900392506007700431520051900508588006801027650002901095650002301124655001801147700003001165856010001195RAPMMCaughtNyNyRILM20250627143600.0cr cn         830000d19941995ilu   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aCaught in the middle. 1aChicago, IL : bKevin Beacham, Jason E. Cook, and Boom Design, c1994-1995.  a1 online resource (4 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aA Chicago-based rap zine that was published in only two issues (one in 1994 and another in 1995), Caught in the middle nonetheless set an important precedent for in-depth coverage of hip hop music and culture outside the well-known East Coast/West Coast scenes. Founded by Kevin Beacham, the first issue focused on mixtapes, the second issue on hip hop radio, while an unpublished third issue was set to look at hip hop magazines. Rapper Common was among the emerging artists profiled and interviewed in its pages.0 aOnline resource; title from RAPMM website (viewed 27 June 2025) 0aZineszIllinoiszChicago 0aRap (Music)xZines 7aZines.2lcgft1 aBeacham, Kevin,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35493701731nas a2200289 i 4500001001500000003000900015005001700024007001500041008004100056040003700097245002100134264004400155300003300199336002600232336003400258337002600292338003600318500003900354506007700393520071800470588006801188650001001256650002901266655001801295700002801313856010001341RAPMMCelluloidNyNyRILM20250627144500.0cr cn         830000d20192022quc   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aCelluloid lunch. 1aMontreal : bJoe Chamandy, c2019-2022.  a1 online resource (7 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aDuring the COVID-19 pandemic, Montreal-based editor Joe Chamandy launched his fanzine Celluloid lunch, dedicated to the "sub underground racket". While issues one and two featured long-form interviews with underground rock artists and bands created using a typewriter and photocopy regimen, starting with issue three Celluloid lunch transformed into a publication that included interviews, reviews, comics, travel writing, and other "fuckery" contributed by talented writers. Each issue of Celluloid lunch reflects a labor of love. In the editorial of issue five, Chamandy shared that as part of the pandemic-driven creative boom, he started a record label and distro under the same name, Celluloid Lunch Records.0 aOnline resource; title from RAPMM website (viewed 27 June 2025) 0aZines 0aUnderground musicxZines 7aZines.2lcgft1 aChamandy, Joe,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40027502867nas a2200313 i 4500001002300000003000900023005001700032007001500049008004100064040003700105100002700142245002400169264005300193300003200246336002600278336003400304337002600338338003600364500003900400506007700439520175100516588006802267650002002335650002802355650002502383655001802408700002702426856010002453RAPMMCertainsubstancesNyNyRILM20250627150000.0cr cn         830000d19811981enk   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aRider, Alan,ecreator.10aCertain substances. 1aCoventry, United Kingdom : bAlan Rider, c1981.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aA one-off fanzine produced anonymously in the 1980s by Alan Rider-who also edited Adventures in reality, Not the job hunter, Sticky fingers, and Negative reaction-Certain substances spoofed the contemporaneous music scene of Coventry, England. In the author's own words: Certain substances was "the first of three A6 sized spoof fanzines that I produced in the same year (1981), not really as any sort of planned spin-off from Adventures in reality, but mainly to amuse myself. Because of their small size they were far easier to produce than Adventures in reality and much cheaper to print, with each magazine consisting of just two double-sided A4 photocopied sheets cut and folded to create an 8-page booklet. There were a few serious reviews included (a single review, a live review of The Wild Boys, plus a rather pathetic list of the local groups I liked) which in hindsight spoilt it a bit. I should have stuck to the satire. The cover was one of my favourites of all those I had designed, a line cartoon of a dinosaur sharing its thought bubble with two teenage boys. That probably made perfect (non)sense at the time! The back page featured a photograph I had taken of the sign next to the track at Coventry train station. It read: "Coventry, city of skills and opportunities." Inspiring stuff. Or would have been if the sign hadn't stood in the middle of an industrial wasteland of derelict factories and rusting metal! You just couldn't make it up. Only 50 copies were produced, all of the covers were hand-coloured, and it was only sold through the left-wing Wedge bookshop in Coventry High Street. The posters advertising it deliberately made it sound like it was all about drugs. That must have worked, because it quickly sold out."0 aOnline resource; title from RAPMM website (viewed 27 June 2025) 0aZineszEngland. 0aPopular musiczEngland. 0aSatirexPeriodicals. 7aZines.2lcgft1 aRider, Alan,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38130501923nas a2200313 i 4500001001300000003000900013005001700022007001500039008004100054040003700095245001700132264004500149264007500194264007500269300003300344336002600377336003400403337002600437338003600463500003900499506007700538520074700615588006701362650001101429650002201440655001801462700002901480856010001509RAPMMChapessNyNyRILM20250707180500.0cr bn         830000d20112015enk   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM04aThe chapess. 1aUnited Kingdom : bZara Gardner, c2011.21aManchester, United Kingdom : bZara Gardner and Cherry Styles, c2013.31aManchester, United Kingdom : bSynchronise witches press, c2014-2016.  a1 online resource (9 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aArtist and community gardener Cherry Styles edited the quarterly-printed feminist zine The chapess from 2011 to 2016. This "zine of new writing and art by women" quickly evolved from a photocopied format to a full-fledged literary publication, which also facilitated educational sessions and workshops. It featured the work of women writers, artists, and punks of all ages from around the world, some of which she connected with through her zine distro Synchronise Witches. The chapess was originally launched by Zara Gardner, a colleague of Styles, as part of a pedagogical initiative to engage students in the art department of a rural college. The first issue of The chapess included contributions from people affiliated with that college.0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZines. 0aFeminism and art. 7aZines.2lcgft1 aStyles, Cherry,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43258402475cas a2200469 i 4500001001000000003000900010005001700019007001500036008004100051035002300092035001300115040003700128050001600165245001600181264006000197300003300257310001900290321002600309321002100335336002600356336003400382337002600416338003600442362002600478500003900504506007700543520076000620588006901380650002701449650003701476650003401513650003701547650004001584650004801624650005001672650005101722655004201773655004301815655001801858700002901876856010001905RAPMMChinNyNyRILM20250618154914.0cr cn         050119c19972004cauar i o     0   a eng d  a(OCoLC)ocm57448191  a13020053  aNyNyRILMbengerdaepncNyNyRILM 4aGV862b.C4500aChinMusic!. 1aSan Francisco, CA : bIncommunicado Press, c1997-2004.  a1 online resource (7 issues)  aAnnual,b2004-  aIrregular,b1998-2003  aQuarterly,b1997  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aVol. 1, no. 1 (1997)-  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aBetween 1997 and 2004, Kevin Chanel published ChinMusic!, devoted to a crossover of punk rock and baseball. To the people who did not believe in the connection between these two topics, Chanel cited, on the editorial of the first issue, the case of Scott Radisnky, ex-singer for Scared Straight and Ten Foot Pole, who signed a 1.2 million contract with the Dodgers. And on issue 5, Chanel interviewed "Black" Jack McDowell, an ex-Yankee and rock star-in-waiting. Characterized by "hard-hitting, smash-mouth journalism", ChinMusic! was also distinguished by a direct style that emerged from baseball and punk rock as non-artsy forms. Kevin Chanel has his own indie press, which has published a wide range of quirky and eclectic topics in the last 20 years.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aBaseballvPeriodicals. 0aMusic and baseballvPeriodicals. 0aBaseball playersvInterviews. 0aPunk rock musiciansvInterviews. 7aBaseball.2fast0(OCoLC)fst00827904 7aBaseball players.2fast0(OCoLC)fst00828007 7aMusic and baseball.2fast0(OCoLC)fst01200150 7aPunk rock musicians.2fast0(OCoLC)fst01084156 7aInterviews.2fast0(OCoLC)fst01423832 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2lcgft1 aChanel, Kevin,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42327503089cas a2200541 i 4500001000900000003000900009005001700018007001500035008004100050022002800091035002400119037008100143040003700224042001400261050001800275082002300293210001800316222001800334245001900352246003600371246002600407246002600433246003300459264005200492264004500544300003400589310001200623336002600635336003400661337002600695338003600721500003900757500004500796506007700841520105700918588006801975650004402043650004502087650004502132650004802177655004502225655004302270655003902313730002702352730001502379776005302394856010002447RAPMMCMJNyNyRILM20260702133518.0cr cn         940210d19791994nyumr i o     0   a0eng d0 a1074-6978l1074-697821  a(OCoLC)ocm29780650   bCollege Media, Inc., 11 Middle Neck Rd., Ste. 400, Great Neck, NY 11021-2301  aNyNyRILMbengerdaepncNyNyRILM  ansdpapcc00aML156.9b.C5900a781.64/026/6052200 aCMJ new music 0aCMJ new music00aCMJ new music.3 aCollege media journal new music3 aCMJ progressive media13aCMJ new music monthly17aNew musicf<no. 122 (2004)-> 1aRoslyn, NY : bCollege Media Inc., c1978-1992.31aGreat Neck, NY :bCollege Media, c1993.  a1 online resource (34 issues)  aMonthly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes 34 issues from 1979-1994.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aCMJ began in 1979 as the College media journal, a bi-weekly trade magazine intended for college radio programmers and DJs. College radio often provided the only media exposure for underground and alternative artists, serving as a conduit for new and emerging acts. In its decades-long duration as a print magazine, CMJ published detailed charts listing the most-played new tracks on college radio broken down by region and by college. Under the name CMJ New music report, CMJ became a well-known newsstand magazine in the late 1980s and 1990s that covered indie and alternative music, including artist profiles, interviews, and record reviews. CMJ also organized and hosted the annual CMJ Music Marathon festival in New York City as well as other live events. CMJ New music monthly and its sister publication CMJ new music report had ceased publication by 2010, and the CMJ Music Marathon festival stopped in 2016. The festival has subsequently been relaunched as an online event under the management of British musician and entrepreneur Paul Campbell.0 aOnline resource; title from RAPMM website (viewed 3 June 2025)  0aSound recordingsvReviewsvPeriodicals. 0aPopular musicvDiscographyvPeriodicals. 7aPopular music.2fast0(OCoLC)fst01071422 7aSound recordings.2fast0(OCoLC)fst01127034 7aDiscographies.2fast0(OCoLC)fst01423883 7aPeriodicals.2fast0(OCoLC)fst01411641 7aReviews.2fast0(OCoLC)fst014237600 aCollege media journal.02aCMJ alert.08iOnline version:tCMJ new musicw(OCoLC)989721971403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39044501895nas a2200325 i 4500001001600000003000900016005001700025007001500042008004100057040003700098245001500135264005900150300003300209336002600242336003400268337002600302338003600328500003900364506007700403520073200480588006801212650002101280650003001301650004101331650002801372650002401400655001801424700002701442856010001469RAPMMCOMISdePUNNyNyRILM20250630144900.0cr cn         830000d20152023ck    i o     0   b spa d  aNyNyRILMbengerdaepncNyNyRILM00aCOMISdePUN 1aMedellín, Colombia : bAlexander Cuervo, c2015-2023.  a1 online resource (4 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aCreated in 2015 in Medellín, Colombia, under the slogan "Rechaza - reusa - reinterpreta," (Reject - reuse - reinterpret) COMISdePUN combines different styles of ballpoint ink comics and graphic art to spread the history and implications of punk as a youth and countercultural movement through graphics. Its editor, Alex Cuervo, uses humor and satire to introduce related concepts such as do-it-yourself (DIY), pogo dancing, and drug use, and contrasts them with mainstream culture. In issue 2, Cuervo designed a mock magazine cover imitating the aesthetics of cultural magazines with tips on how to be a good punk subject. COMISdePUN contains general references to punk culture and local references to being punk in Medellín.0 aOnline resource; title from RAPMM website (viewed 30 June 2025) 0aZineszColombia. 0aGraphic novelszColombia. 0aComic books, strips, etc.zColombia. 0aPunk culturezColombia. 0aSatirexPeriodicals 7aZines.2lcgft1 aCuervo, Alex,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39171701629nas a2200301 i 4500001001700000003000900017005001700026007001500043008004100058040003700099245001700136264006300153300003300216336002600249336003400275337002600309338003600335500003900371506007700410520056400487588006801051650001101119650002201130655001801152700002801170700002901198856010001227RAPMMCommonsenseNyNyRILM20250630145500.0cr cn         830000d19891990nju   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aCommon sense 1aTrenton, NJ : bTim McMahon and Tony Rettman, c1989-1990.  a1 online resource (2 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe hardcore punk zine Common sense was the co-creation of New Jersey teenagers, Tony Rettman and Tim McMahon. Its two issues (1989-90) include interviews with bands such as Gorilla Biscuits, Youth of Today, Insted, and Chain of Strength. Rettman has continued to work as a music journalist and has published books on the history of the hardcore punk scenes in Detroit and New York City and on the straight-edge subculture. McMahon has performed as a vocalist for hardcore punk bands such as Mouthpiece, Control, Hands Tied, Face The Enemy, and Triple Threat.0 aOnline resource; title from RAPMM website (viewed 30 June 2025) 0aZines. 0aHardcore (Music). 7aZines.2lcgft1 aMcMahon, Tim,ecreator.1 aRettman, Tony,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/37713002246cas a2200373 i 4500001001500000003000900015005001700024007001500041008004100056035002600097035002100123040003700144090001900181245001700200246003900217264005100256300003400307336002600341336003400367337002600401338003600427362001900463500003900482500003200521506007700553520066800630588006901298650009201367650008501459650008201544655007301626700007301699856010001772RAPMMCoolbeansNyNyRILM20260702151455.0cr cn         990629d19932003cauuu i o     0   a eng d  a(CaEvSKY)sky117916316  a(OCoLC)931802783  aNyNyRILMbengerdaepncNyNyRILM  aML3533.8b.C6700aCool beans!.1 iIssue #9 has title:aUnCool beans! 1aSan Francisco, CA : bMatt Kelly, c1994-2003.  a1 online resource (12 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan in 1993.  aDigitized version of a print zine.  aRAPMM includes issues 4-15.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe West Coast-based (San Francisco and later Portland) indie, punk, and alternative rock zine Cool beans was launched in 1993 by the zine editor and producer Matt Kelly. Cool beans spawned an eponymous label that released records by less known avant-rock bands like Deerhoof, Danny & the Nightmares, and Rhythm Pigs. Each issue revolved around a pre-selected theme for its feature articles, such as drinking and driving in the United States, food and cooking, and bikes in San Francisco, in addition to pieces adhering to more standard music publication formats centered around band profiles, interviews, and record reviews. Each issue included a compilation CD.0 aOnline resource; title from RAPMM website (viewed 16 June 2025)  0aAlternative rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh96004375 0aPunk rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aRock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2010109536 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aKelly, Matt,eeditor.0http://id.loc.gov/authorities/names/n95116719403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/37436605449cam a2200361 i 4500001001600000003000900016005001700025007001500042008004100057035002200098040003700120043001200157050002400169245010500193246010000298264003500398300003200433336002600465336003400491337002600525338003600551500003900587505171100626506007702337520064402414520150203058588006804560650009304628650009104721655007304812700010204885856010004987RAPMMDancedanceNyNyRILM20250624145856.0cr cn         181127s2017    ilua  i o     0   a eng d  a(OCoLC)1076359354  aNyNyRILMbengerdaepncNyNyRILM  an-us-il 4aGV1799.4b.D36 201700aDance dance party party zine zine : bappreciating 10 years of DDPP Chicago / cedited by Liz Mason.13aDance dance party party zine zine : bappreciating ten years of Dance Dance Party Party Chicago 1aChicago : bLiz Mason, c2017.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.0 aA dance party I can rely on / by Liz Mason (aka MC Escher), DDPP Chicago Den Mother, zine editor -- DDPP Chicago origins / by Jenn Brandel, DDPP Chicago co-founder, Den Mother Emeritus -- DDPP memories / by DJ Tanner, Jenny Bear, Jennifer Gillingham formerly known as Jennifer Martin, DDPP Chicago co-founder, Den Mother Emeritus -- Beautify the mess in front of you / by DJ Hotdish, DDPP Chicago Den Mother -- Dance! Dance! Party! Party! No boys, no booze, no judgement / by Allison Wolcott/DJ AWOL, DDPP Chicago Den Mother Emeritus -- A survival guide to Outkast's "B.O.B. (Bombs over Baghdad)" / brought to you by DJ Disco Biscuit, DDPP Chicago Den Mother -- Liberal use / by DJ Clank! aka Kelley Clink, DDPP Chicago Den Mother Emeritus -- #1 fan / by DJ Bell Biv deHo, DDPP Chicago Den Mother Emeritus -- Whiplash every time / by Amy Kelley AKA DJ Muzak & DJ Sex Frosting, DDPP Chicago Den Mother Emeritus -- Room on the dance floor / by Kristen Studard, DJ CAPS LOCK, current DDPP LA Den Mother, DDPP Chicago Den Mother Emeritus -- A place to flail about without knocking over any furniture / by Mega Krejny/DJ Reaction, Den Mother DDPP Twin Cities Emeritus -- DJ Devil Bunny testimonial / DDPP Chicago Den Mother -- Dance Dance Party Party Kelly Kelley Chicago Chicago Pensacola Pensacola / by Kelly Peraino aka DJ Baby maker DDPP Pensacola Den Mother, DDPP Chicago Den Mother Emeritus -- Dance Dance Party Party revolution / by Claire Zulkey/DJ Incredible Zulk -- Dancing my face off / by Toni AKA DJtunerkin -- A spark of hope / by Izabela Gluszak -- Mini interview with DJ Foxxy K! -- Notes from DDPP Toronto / Den Mothers DJ Soozapalooza, DJ McWiggles, and DJ Hanna Bananahammock -- Testimonials!1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThis zine, produced by Liz Mason, serves as a heartfelt tribute to the 10th anniversary of Dance Dance Party Party Chicago, a vibrant chapter of the Dance Dance Party Party, an initiative started to provide a safe dance space for people of marginalized genders. Hosted at the Perceptual Motion Dance Studio, the Dance Dance Party Party dance collective created a judgment-free sanctuary where dancers could let loose and express themselves freely. Mason has produced several zines, including Awesome things, Caboose, Here's a zine template, Most unwanted zine, and Punk rock glee club, all of which are part of the RAPMM collection.  a"Remember jumping up and down on the bed to your favorite music, or dancing with your friends when you were a kid to your favorite song? That's what Dance Dance Party Party is. It's a one hour dance party workout that originated in New York, then made its way to Chicago in 2007. DDPP Chicago has provided a refuge for dancing where female-identified folks can dance, a "class" that operates with the motto: 'no boys, no booze, no judgement.' There's no instructor, so you can do whatever you want once the music starts and the disco lights go on, whether it's poppin' and lockin' or doing yoga in the corner. A different dancer makes the playlist for each session, and everybody wears workout clothes. DDPP has chapters all over the world now, but Chicago currently serves as the lead chapter, where it happens twice a week. This zine celebrates DDPP Chicago in all of its glory: the story of its humble beginnings with a tiny sound system up through the volunteer "den mothers" that run it now, as well as its effect on those who have experienced this cult phenomenon; many DDPP participants have cited it as being instrumental in their own personal growth. This oral history of sorts includes contributions from Chicago founders Jenn Brandel and Jennifer Martin as well as many others. DDPP Zine Zine is an artifact that's part cultural preservation of a culture, part description of a successful autonomous zone, and ALL DANCE PARTY."--Quimby's description.uhttps://www.quimbys.com/store/82950 aOnline resource; title from RAPMM website (viewed 24 June 2025) 0aDance for womenzIllinoiszChicago.0http://id.loc.gov/authorities/subjects/sh2005003858 0aAerobic dancingzIllinoiszChicago.0http://id.loc.gov/authorities/subjects/sh85001289 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aMason, Lizc(Zine publisher),eeditor,eauthor.0http://id.loc.gov/authorities/names/no2012032251403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38826602662nas a2200361 i 4500001001000000003000900010005001700019007001500036008004100051040003700092245001400129246002200143246002700165264005100192264005300243264007400296300003400370336002600404336003400430337002600464338003600490500003900526506007700565520124400642588006701886650003801953650004601991650004802037650005502085655001802140700004202158856010002200RAPMMDeliNyNyRILM20250702165500.0cr cn         830000d20052019nyu   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM04aThe deli.0 aThe deli (Austin)0 aThe deli (Los Angeles) 1aNew York, NY : bMother West LLC, c2005-2008.21aBrooklyn, NY : bDeli Publications, c2008-2010.31aNew York, NY : bThe Deli Magazine LLC/Mother West, NYC, c2010-2019.  a1 online resource (58 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe Brooklyn-based zine The deli's coverage centers on indie rock and pop by emerging artists, particularly from New York City. An offshoot of an earlier fanzine founded by the music producer, publisher, songwriter, multi-instrumentalist, and studio owner Charles Newman, it was launched as a quarterly publication in 2004 by Paolo De Gregorio, who stated that, "The name is playful and serious at the same time. We wanted to give everyone the idea that an indie band at the end of the day is nothing more than a commercial activity. We didn't want to be too serious or have a political approach, like most of the traditional fanzines". At the height of its prominence as a print publication,The deli launched a series of local blogs with writers covering scenes in Chicago, Los Angeles, Nashville, San Francisco/The Bay Area, Austin, Philadelphia, Portland, Boston/New England, and even Toronto. While it ceased print publication in 2019, blogs covering the New York City and Chicago scenes are still active, run by Jason Lee and Jason Behrends, respectively. In 2011 the magazine's audio equipment reviews, formerly a partnership with the music production website sonicscoop.com, was spun off into its own dedicated blog Delicious audio.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZineszNew York (State)zNew York 0aIndie culturezNew York (State)zNew York 0aIndie pop musiczNew York (State)zNew York 0aAlternative rock musiczNew York (State)zNew York 7aZines.2lcgft1 aDe Gregorio, Paul,eeditor,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35809201646nas a2200289 i 4500001002000000003000900020005001700029007001500046008004100061040003700102245005700139264004600196300003300242336002600275336003400301337002600335338003600361500003900397506007700436520059800513588006801111650001101179650002301190655001801213700002501231856010001256RAPMMDescentAmbientNyNyRILM20250630154100.0cr cn         830000d19931994cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aDescent : bJournal of dark and ambient underground. 1aLong Beach, CA : bAnji Bee, c1993-1994.  a1 online resource (2 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aDescent: Journal of dark and ambient underground is a punk fanzine created by Anji Lum, also known as Anji Bee, to celebrate the intersections of music, art, and culture. Descent emerged in 1993 as a short-lived project focused on artistic expression after the contributors to Substitution (also included in RAPMM), her previous fanzine, showed strong preferences for either sociopolitical articles and opinion pieces, or poetry and artistic endeavors. Anji Lum, a vocalist for the band Lovespirals since 1999, also wrote Positive influence, and Desperation, both part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 30 June 2025) 0aZines. 0aExpression in art. 7aZines.2lcgft1 aBee, Anji,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42171901696nas a2200313 i 4500001001700000003000900017005001700026007001500043008004100058040003700099245001600136264005700152300003300209336002600242336003400268337002600302338003600328500003900364506007700403520060200480588006801082650002301150650003801173650001401211650001401225655001801239700002501257856010001282RAPMMDesperationNyNyRILM20250630155000.0cr bn         830000d19911991cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aDesperation 1aSan Pedro, CA : bSam Pederson and Anji Bee, c1991.  a1 online resource (2 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aDesperation was a mini-zine published in 1991 by Anji Lum, the vocalist for the band Lovespirals since 1999 and a prolific zinestress. It consisted of two issues that filled the gaps between the releases of her zine Substitution (1990-94). Its purpose was to share breaking news and highlight smaller stories, poetry, and art. It was a freebie zine fueled by the vibrant mail art scene and the connections fostered through pen pals in the context of the punk scene in California and beyond. Lum also edited Positive influence, Substitution, and Descent, which are included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 30 June 2025) 0aZineszCalifornia. 0aPunk culture and artzCalifornia. 0aMail art. 0aPen pals. 7aZines.2lcgft1 aBee, Anji,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42173202392cas a2200433 i 4500001000900000003000900009005001700018007001500035008004100050035002200091035002800113035001300141035003600154040003700190043001300227082002400240130003300264245001100297246000800308246004400316246009800360264004800458300003400506336002600540336003400566337002600600338003600626362002400662500003900686500012600725515003700851520071700888588006801605650005401673650005001727650005301777700002801830856010001858RAPMMDNANyNyRILM20260702132318.0cr bn         890913d19792019xramx i o     0   a0eng d  a(OCoLC)220837393   a(AuCNLKIN)000006423440   a3649747   a(Voyager)3649747-slvdb-Voyager   aNyNyRILMbengerdaepncNyNyRILM  au-at-sa 04a784.54/009423 219 0 aD.N.A. (Adelaide, S. Aust.) 10aD.N.A.3 aDNA33aMusic fan's shopping guide to Adelaide 33aPublications about Australian music, covering the period 1856 to 1998, December 1998 edition 31aAdelaide : bE.C. Productions, c1979-2019.  a1 online resource (99 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aNo. 1 (Oct. 1979)-   aDigitized version of a print zine.  aHas occasional supplement: Publications about Australian music, covering the period 1856 to 1998, December 1998 edition.   aSome issues are combined issues.  aDNA is the longest lasting music fanzine in Australia, with 111 issues published over 40 years (1979-2019). The zine has consistently documented the alternative music scene of the city of Adelaide, which produced groups like King Snake Roost and JAB, but it also looks further afield; for example, issue 7 (1980) chronicles the punk scene of Perth, Western Australia. Prominent Australian punk groups like The Saints and The Scientists were featured in early issues, and interviews with hardcore bands from Melbourne, including Civil Dissident and Depression, are present in issues from the 1980s. Although few images are included, there are many extensive profiles and interviews written by editor Harry Butler.0 aOnline resource; title from RAPMM website (viewed 2 June 2025)  0aPunk rock music zSouth Australia xPeriodicals.  0aRock groups zSouth Australia xPeriodicals.  0aNew wave music zSouth Australia xPeriodicals. 1 aButler, Harry, eeditor403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39172002137nas a2200301 i 4500001001600000003000900016005001700025007001500042008004100057040003700098100003800135245001700173264003900190300003200229336002600261336003400287337002600321338003600347500003900383506007700422520106000499588006801559650001101627650004001638650003901678655001801717856010001735RAPMMDukeofearlNyNyRILM20250630160500.0cr bn         830000d19701970cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aShaw, Greg, d1949-2004,ecreator10aDuke of earl 1aFairfax, CA : bGreg Shaw, c1970.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe fanzine legend Greg Shaw wrote a onezine titled Duke of earl in 1970 for the REAP, the Rock & Roll Apa, which influenced his other publications. Duke of earl contained a manifesto on writing about rock music, including Shaw's dos and don'ts, and a rare self-description of his listening history and the development of his musical taste. Shaw views rock music as a nonverbal experience, believing that excessive verbalization or conceptualization might endanger this experience. Instead, he suggests asking helpful questions about individual reactions towards music and encourages writing music reviews of relatively obscure records, despite the challenges involved. He also emphasizes the importance of basing musical judgements on factual information. Duke of earl highlights the significance of amateur press associations (APAs) in popular music editing. This zine should be read alongside Shaw's other titles: Metanoia, Mojo navigator, Mojo entmooter, Phonograph record magazine, Bomp!, and Rock, you sinners!, all included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 30 June 2025) 0aZines. 0aRock musicxWriting and publishing. 0aRock musicxHistory and criticism. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40616002619cas a2200385 i 4500001001500000005001700015007001500032008004100047035002400088035002200112040003700134050001900171245002500190264005600215300003400271336002600305336003400331337002600365338003600391500003900427506007700466520103600543588006901579650005001648650005401698650004501752650004301797650005401840650005801894655003901952655004301991655007302034700002602107856010002133RAPMMDynamiteH20250620143618.0cr cn         230123d20132022cau|| i o     0   a eng d  a(OCoLC)on1363833121  a(OCoLC)1363833121  aNyNyRILMbengerdaepncNyNyRILM 4aML3533.8b.D9600aDynamite hemorrhage. 1aSan Francisco : bDynamite Hemorrhage, c2013-2022.  a1 online resource (10 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aDynamite hemorrhage, a fanzine crafted by Jay Hinman, captivated music enthusiasts since its debut in 2013. With approximately 68 pages per issue, this publication delved deep into underground music, blending Hinman's extensive historical knowledge of rock with a discerning perspective on contemporary bands. Based in San Francisco, Hinman, a college radio DJ and seasoned music writer, continued the legacy of his earlier fanzine, Superdope, which ran until 1998 (and is also part of the RAPMM collection). Each issue featured a varied content, including album reviews, discographies, in-depth articles, book reviews, and interviews with notable figures such as Chris D, the legendary frontman of the Los Angeles punk band The Flesh Eaters. In issue 8, Hinman shared an in-depth review of the early punk fanzine Slash, which covered the Los Angeles punk scene, and is also included in RAPMM. Hinman also produces the homonym podcast, later renamed Radio dies screaming, focusing on the sub-underground music of the last 60 years.0 aOnline resource; title from RAPMM website (viewed 20 June 2025)  0aAlternative rock musicxHistoryvPeriodicals. 0aAlternative rock musiciansxHistoryvPeriodicals. 0aGarage rock musicxHistoryvPeriodicals. 0aPunk rock musicxHistoryvPeriodicals. 7aAlternative rock music.2fast0(OCoLC)fst00806181 7aAlternative rock musicians.2fast0(OCoLC)fst00806183 7aHistory.2fast0(OCoLC)fst01411628 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aHinman, Jay,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40674002188cas a2200313 i 4500001002400000003000900024005001700033007001500050008004100065035002600106035002200132040003700154245003400191264007600225300003300301310001500334336002600349336003400375337002600409338003600435500003900471506007700510520103900587588006901626650002601695650003501721655001801756856010001774RAPMMEditorialdelfuturoNyNyRILM20250623124358.0cr bn         950517d19821982sp    i o     0   a spa d  a(ES-BaCBU).b12799026   a(OCoLC)802471613   aNyNyRILMbengerdaepncNyNyRILM00aEditorial del Futuro Método  1aMadrid ; València : bEditorial del Futuro Método, c[1982?]-[1984?]   a1 online resource (8 issues)  aIrregular   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aEditorial del futuro método, which started in 1982, was one of the earliest Spanish fanzines to emerge after the explosion of comic zines, alongside with other early fanzine publications such as Estricnina (also part of the RAPMM collection).Written by the multifaceted Juan Vitoria Valle-a writer, music critic, DJ, and radio host, who also owns the iconic record store Amsterdam-this fanzine was a cornerstone of La Movida Valenciana, the cultural and musical phenomenon that emerged in the early 1980s in Valencia, Spain. It was a time of artistic explosion at the national level after the end of the Franco era, and in Valencia it led to the birth of iconic pop rock bands across diverse styles. Editorial del futuro método always opposed mainstream media, amplifying the voices and sounds of the underground. Its pages celebrated the pioneering bands of La Movida Valenciana, such as Glamour, Esgrima, Fanzine, Europa, Última Emoción, and Ceremonia, while also exploring the British and Madrid-based bands that inspired them.0 aOnline resource; title from RAPMM website (viewed 23 June 2025)  0aPopular musicxZines  0aAlternative rock musicxZines  7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/36108502143nas a2200301 i 4500001001300000003000900013005001700022007001500039008004100054040003700095245004100132264004400173300003400217336002600251336003400277337002600311338003600337500003900373506007700412520105900489588006801548650002101616650002801637650003001665655001801695700002801713856010001741RAPMMSótanoNyNyRILM20260706123900.0cr cn         830000d20192024ck    i o     0   b spa d  aNyNyRILMbengerdaepncNyNyRILM03aEl sótano : bMemorias punk Medallo 1aColombia : bEberhar Cano, c2019-2024.  a1 online resource (22 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aEl sótano: Memorias punk Medallo was a 20-issue fanzine in Spanish that documented the memories of the punk scene in Medallo, the nickname for the city of Medellín, Colombia. Between 1980 and 1995, the punk community faced significant challenges, particularly from structural violence, including violence perpetrated by narcotrafficking groups and public armed forces. Eberhar Cano, known as El "Flako" Porras and the editor of El sótano, collaborated with various individuals involved in the Medellín scene to capture these memories. He envisioned El sótano as a countercultural repository, deliberately avoiding the editorial and stylistic constraints of academic writing to preserve the underground experiences of punk youths who resisted structural violence, and defended public spaces for punk gatherings and for listening to punk music. Inspired by earlier local publications like Visión rockera and English-language zines, Cano launched El sótano with the urgency to memorialize the names and ideas of important figures within the movement.0 aOnline resource; title from RAPMM website (viewed 30 June 2025) 0aZineszColombia. 0aPunk culturezColombia. 0aCounterculturezColombia. 7aZines.2lcgft1 aCano, Eberhar,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39176302079cas a2200421 i 4500001001200000003000900012005001800021007001500039008004100054010001500095035002400110035002000134040003700154042000800191043001200199050002000211130003500231245002000266264003800286300003400324310002400358336002600382336003400408337002600442338003600468362002700504500003900531506007700570515009000647520048200737588006901219650004101288650005101329655007901380655007301459700002501532856010001557RAPMMEmpireNyNyRILM202607061240001.0cr cn         900828d19871994ilumx i o     0   a eng d  a2023227104  a(OCoLC)ocm22288988   a(OCoLC)22288988  aNyNyRILMbengerdaepncNyNyRILM  apcc  an-us-il 4aML3533.8b.E4750 aEmpire monthly (Chicago, Ill.)10aEmpire monthly. 1aChicago : bPat Daly, c1987-1994  a1 online resource (18 issues)  aMonthly (Irregular)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan with: June 1987.  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aVolume numbering and chronological designations cease with Vol. 1, no. 2 (July 1987).  aEmpire monthly grew out of Pat Daly's Empire Records Store on Chicago's Northwest Side. It covered the indie rock scene in Chicago from 1987 to 1994, including punk bands like Barbie Army and Friends of Betty, noise group Rapeman, the alternative rock of God's Acre and The Smashing Pumpkins, and the power pop of Material Issue. In spite of its name it was issued sporadically in 18 issues. Although freely available, it featured high quality photographs and lengthy articles.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aAlternative rock musicvPeriodicals. 0aPopular musiczIllinoiszChicagovPeriodicals. 7aPeriodicals.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026139 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aDaly, Pat,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39193701628nas a2200301 i 4500001001600000003000900016005001700025007001500042008004100057040003700098245001500135264004100150300003300191336002600224336003400250337002600284338003600310500003900346506007700385520057800462588006801040650001801108650002601126650002701152655001801179700002901197856010001226RAPMMEstricninaNyNyRILM20250630163700.0cr bn         830000d19821983sp    i o     0   a spa d  aNyNyRILMbengerdaepncNyNyRILM00aEstricnina 1aSpain : bRafa Cervera, c1982-1983.  a1 online resource (3 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe three issues of Estricnina, published in Spain in the early 1980s by Rafa Cervera, covered the new Spanish sound aesthetic based on the exploration of pop music, including some of the most prominent groups such as the duo Alaska y Dinarama, the band Radio Futura and interviews with film director Pedro Almodóvar. All these artists were part of La Movida Madrileña, the countercultural movement that developed in Madrid during the transition to democracy in Spain. Some of the most prominent contributors included Diego A. Manrique, Ignacio Julià, and Jaime Gonzalo.0 aOnline resource; title from RAPMM website (viewed 30 June 2025) 0aZineszSpain. 0aPopular musiczSpain. 0aCounterculturezSpain. 7aZines.2lcgft1 aCervera, Rafa,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/36108301943cas a2200337 i 4500001001200000003000900012005001700021007001500038008004100053010001800094035002100112035003300133040003700166050002200203245001200225264004700237264005500284300003400339336002600373336003400399337002600433338003600459500003900495506007700534520071000611588006901321650006401390655001801454700003301472856010001505RAPMMEurockNyNyRILM20250617134903.0cr cn         900328u19731993oruuu i o     0   a eng d  asn 94017978    a(OCoLC)21278941   a(CLU)3821197-ucladb-Voyager   aNyNyRILMbengerdaepncNyNyRILM14aML3533.8 b.E976 00aEurock. 1aFresno, CA : Archie Patterson, c1973-197631aPortland, Oregon : bArchie Patterson, c1976-1993  a1 online resource (36 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aA young DJ named Archie Patterson started a weekly radio show dedicated to European psychedelic rock in Fresno, California in 1971, calling it Eurock. Taking inspiration from famed fanzine editor Greg Shaw, Patterson transformed Eurock into a zine in 1973. In 36 issues over the next 20 years, Eurock's focus changed: it initially centered on progressive and kraut-rock, including Can, Faust, and Amon Düül II; in the 1980s, it turned to more do-it-yourself (DIY) and experimental styles, including artists like Metabolist, Pascal Comelade, and DDAA; and in the early 1990s, new age and electronic music dominated its pages. Patterson also founded a music distribution service, likewise entitled Eurock.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aRock music zEurope xHistory and criticism vPeriodicals.  7aZines.2lcgft1 aPatterson, Archie,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/37927202377cas a2200349 i 4500001002300000003000900023005001700032007001500049008004100064035002600105035002300131040003700154082001400191245003100205264007400236300003300310336002600343336003400369337002600403338003600429500003900465506007700504520109400581588006901675650001201744650002601756650003401782650004001816650003101856700004001887856010001927RAPMMEvolutionraceriotNyNyRILM20250623142556.0cr bn         120912d19972002cau   i o     0   a eng d  a(UkLSE)1389158-lsedb   a(OCoLC)1435968226   aNyNyRILMbengerdaepncNyNyRILM04a052 223 00aEvolution of a race riot.  1aBerkeley, CA : bIndependent Publishing Resource Centre, c1997-2002.  a1 online resource (3 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aIn August 1995, Mimi Thi Nguyen started her "multisubcultural revolution" by posting the first flyer for submissions to her punk rock zine Evolution of a race riot. By 1997, she published the inaugural issue, a substantial 100-page "compilation zine written exclusively by people of color in and around punk and grrrl" aimed at fostering "dialogues with each other" and providing a nuanced critique of racism in punk rock while moving away from tokenism and exceptionalism. The first issue of Evolution of a race riot featured around 50 contributors, primarily Asian American and biracial from the U.S. and Canada who were active in punk scenes, the riot grrrl movement, and zine creation. Some articles had been previously published in other fanzines such as Bamboo girl, Exedra, and Hey Mexican!, and subsequently collected in the Evolution of a race riot. It was not until 2002 that Nguyen released two equally significant follow-up issues, one of which was the Race riot project directory, containing a complete list of zines and contact information to help connect zinesters and fans.0 aOnline resource; title from RAPMM website (viewed 23 June 2025)  0aZines.  0aWomen vPeriodicals.  0aPopular music vPeriodicals.  0aRiot grrrl movement vPeriodicals.  0aRace xPolitical aspects. 1 aNguyen, Mimi Thi,d1974-,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43317802671nas a2200373 i 4500001002400000003000900024005001700033007001500050008004100065040003700106245002500143264005900168300003300227336002600260336003400286337002600320338003600346500003900382500005600421506007700477520117700554588006701731610005501798610005701853610005401910650002101964650003001985650004102015653006902056655001802125655002702143700002702170856010002197RAPMMFanzinotecadelrockNyNyRILM20250701131300.0cr cn         830000d20132023ck    i o     0   a spa d  aNyNyRILMbengerdaepncNyNyRILM00aFanzinoteca del rock 1aBogotá, Colombia : bLa Valija de Fuego, c2013-2023.  a1 online resource (5 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 2, 4, 7, 666, and The Smiths.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFanzinoteca del rock, a zine published in Spanish, is one of the latest creations by Marco Sosa at his publishing house, Valija de Fuego. The issues of Fanzinoteca del rock promote, through the zine format, a festive and less erudite version of music history. Each issue tells stories inspired by the history of a band, including The Smiths, The Clash, The Ramones, and The Cure, Parálisis Permanente, and Eskorbuto, presenting in a simple way stories inspired by these bands through drawings, graphics, games and cartoons. For example, the illustration A night of action for Ramones fans shows how The Ramones fans enjoy a night of fun in Bogotá, Colombia, and the playlist of songs that should accompany each moment of the night. Also, to celebrate the 40th anniversary of the Spanish punk band Escorbuto's first album, Mucha policía, the comic presents the recipe for a dish called La realidad en la que vivimos (the reality in which we live). Issue 4 broke from the standard format and offered coloring pages of iconic rock musicians from the U.S. and England, such as Morrisey, Mark Mothersbaugh, and Johnny Cash, accompanied by a short biography of each musician.0 aOnline resource; title from RAPMM website (viewed 1 July 2025)20aRamones (Musical group)xComic books, strips, etc.20aEskorbuto (Musical group)xComic books, strips, etc.20aSmiths (Musical group)xComic books, strips, etc. 0aZineszColombia. 0aGraphic novelszColombia. 0aComic books, strips, etc.zColombia.12aParálisis Permanente (Musical group)aComic books, strips, etc. 7aZines.2lcgft 7aColoring books.2lcgft1 aSosa, Marco,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39176402403cas a2200385 i 4500001001200000003000900012005001700021007001500038008004100053035002400094035002100118035002400139040003700163043001200200245001200212264005600224300003300280310001400313336002600327336003400353337002600387338003600413500003900449506007700488520077700565588006901342650009401411650009301505650008001598650006501678650007001743650007401813700003001887856010001917RAPMMFembotNyNyRILM20250623144648.0cr cn         091009d19921995cau x i o     0   a eng d  a(MiU)009613978MIU01  a(OCoLC)455512776  a(OCoLC)ocn455512776  aNyNyRILMbengerdaepncNyNyRILM  an-us-ca00aFembot. 1aSan Francisco, Calif. : bGary Fembot, c1992-1995.  a1 online resource (6 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aIn the editorial to the first issue of Fembot, Gary Gregerson, better known as Gary Fembot, wrote: "Hi this is Fembot and it's about digging girls who are in bands or bands with girls in them and this is from a queer point of view if ya need to know". Profiles were written on both contemporary artists and paradigm-shifting women in rock bands from the past, including the Pleasure Seekers, Fizzbombs, Rosehips, Cavegurls, Vultures, Heavenly, Marzipan, Naked Aggression, Bratmobile, Bikini Kill, and Huggy Bear. The zine was only published for five issues in the 1990s as a photocopied, cut-and-paste style classic fanzine, the last two issues under the title of Fembot presents jam while you cram. Gregerson later became a director of low-budget independent films.0 aOnline resource; title from RAPMM website (viewed 23 June 2025)  0aZinesz Californiaz San Francisco.0 http://id.loc.gov/authorities/subjects/sh2005003810 0aRiot grrrl movementv Periodicals.0 http://id.loc.gov/authorities/subjects/sh2001002388 0aLesbiansv Periodicals.0 http://id.loc.gov/authorities/subjects/sh85076160 0aZines.0 http://id.loc.gov/authorities/subjects/sh2005003810 7aLGBTQ+ people.2 homoit0 https://homosaurus.org/v3/homoit0000915 7aSexual minorities.2 homoit0 https://homosaurus.org/v3/homoit00012971 aGregerson, Gary,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39176502155cas a2200385 a 4500001001400000003000900014005001700023007001500040008004100055035002500096035002100121040003700142245001500179264005700194300003400251310004000285321002400325336002600349336003400375337002600409338003600435500003900471506007700510520071500587588006901302655002301371650003601394650005301430650003801483650003401521650004301555650004301598700002801641856010001669RAPMMFfanzeenNyNyRILM20250617144111.0cr cn         111107d19771988nyuqr i o     0   a eng d  a(NNU)003525837NYU01   a(OCoLC)61098037   aNyNyRILMbengerdaepncNyNyRILM00aFfanzeen.  1aBrooklyn, NY : bRobert Barry Francos, c1977-1988.   a1 online resource (15 issues)  aQuarterly (irregular), b1980-1988   aFrequency varies.    atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFFanzeen: Rock 'n' roll attitude with integrity captured the vibrant spirit of the independent New York music scene from 1977 to 1988, as seen through the photographs and words of Robert Barry Francos. This fanzine showcased diverse genres such as punk, rock' n' roll, folk, blues, and jazz, reflecting Francos' eclectic tastes and countless hours in the Village. He distributed FFanzeen to record stores, cafés, and clubs such as the Bottom Line and Bitter End. Among many performances, he covered the rare 1997's AC/DC's metal performance at CBGB, the iconic punk venue in New York. After the print era, Francos continued his writing with the FFanzeen blog from 2007 to 2024: https://ffanzeen.blogspot.com/.0 aOnline resource; title from RAPMM website (viewed 17 June 2025)  7aFanzines. 2local  0aPunk rock music vPeriodicals.  0aPunk rock musicians vInterviews vPeriodicals.  0aGarage rock music vPeriodicals.  0aRock musicians vInterviews.  0aRock music y1971-1980 vPeriodicals.  0aRock music y1981-1990 vPeriodicals. 1 aFrancos, Robert Barry. 403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40030802174cam a2200373 i 4500001001100000003000900011005001700020007001500037008004100052035002300093035002500116040003700141043001200178100002300190245001200213264004400225264005000269264004700319264004600366264004300412300003400455336002600489336003400515337002600549338003600575500003900611506007700650520063900727588006901366650010501435650008701540655007301627856010001700RAPMMFlukeNyNyRILM20250617155031.0cr cn         190211s19912022azuac i o     0   a eng d  a(OCoLC)1274227384   a(OCoLC)on1274227384   aNyNyRILMbengerdaepncNyNyRILM  an-us---1 aThompson, Matthew 00aFluke.  1aLittle Rock, AK : bFluke, c1991-1993.21aSeattle, WA : bFluke magazines, c1995-1998.21aTucson, AZ : bFluke fanzine, c2005-2010.21aTempe, AZ : bFluke fanzine, c2011-2012.31aPhoenix, AZ : bFluke fanzine, c2013-  a1 online resource (20 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe punk fanzine Fluke started in 1991 in North Little Rock, Arkansas, cofounded by Steve Schmidt, Jason White, and Matthew Thompson. Schmidt later played guitar in the Chicago-based indie group Acquaintances, while White has played guitar for Greenday since 1999. Matthew Thompson, meanwhile, continues to edit the magazine. In a 2016 interview, he explained that Fluke mostly covered punk but reviewed hip hop albums: "We saw hip hop as punk rock, totally. Only the beat and demographic were different. Both were honest, in your face, youthful rebellion". Recent issues have also thematized topics such as outsider art and mail art.0 aOnline resource; title from RAPMM website (viewed 17 June 2025)  0aPunk rock musicianszUnited StatesvInterviews.0http://id.loc.gov/authorities/subjects/sh2005008654 0aPunk rock musiczUnited States.0http://id.loc.gov/authorities/subjects/sh85109128 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39146601791nas a2200301 i 4500001001700000003000900017005001700026007001500043008004100058040003700099100003800136245001700174264005400191300003200245336002600277336003400303337002600337338003600363500003900399506007700438520072600515588006701241650002301308650002401331650001601355655001801371856010001389RAPMMGhostauthorNyNyRILM20250701142000.0cr cn         830000d20042004cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aJasmine, Lucretia Tye, ecreator.10aGhost author 1aLos Angeles, CA : bLucretia Tye Jasmine, c2004.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aGhost author was a 53-page onezine edited in 2004 by the prolific writer, zinester, and artist Lucretia Tye Jasmine. This personal reflection explores the themes of growing up, women's bodies, and the intersection of feminism and rock music. In particular, it examines how the music and attitudes of bands like AC/DC, Kiss, and Van Halen influenced the upbringing of a generation of women. Other titles by Jasmine include The groupie gospel mixtape zine, Riot grrrl Los Angeles 1992-1995, The meat hook, and Touché, and titles edited by the mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZineszCalifornia. 0aFeminism and music. 0aRock music. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43227902624nas a2200361 i 4500001001500000003000900015005001700024007001500041008004100056035002000097040003700117245001500154264006100169300003300230310001400263336002600277336003400303337002600337338003600363500003900399500003100438506007700469520107200546588006901618650004601687650010401733650007401837651012901911655003402040655005802074700003002132856010002162RAPMMGirlyheadNyNyRILM20250618161203.0cr cn         050908c19962004cauuu i o     0   a eng d  a(OCoLC)61456161  aNyNyRILMbengerdaepncNyNyRILM00aGirlyhead. 1aSan Francisco, CA : bGirlyhead Productions, c1996-2004  a1 online resource (5 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aEditor: Sunny M. Andersen.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  a"We are only reviewing stuff we like", explained editor Sunny Andersen (later Sunny Chanel) in the first issue of Girlyhead, which was published in five issues in San Francisco from 1996 to 2004. The zine demonstrates a fascination with the pin-up models of an older generation-the first issue features a cut-out doll of Brigitte Bardot and a later issue a lengthy profile of Liz Renay-and its visual style is reminiscent of the sexploitation movies of Russ Meyer. The name itself was a reference to fellow publication Gearhead, a title concentrating on a mixture of punk rock and automobile culture. However, Girlyhead, as its name suggests, was written primarily for and by women. Musically eclectic, the zine profiled or interviewed Japanese rock band Guitar Wolf, the French-born singer Claudine Longet, the French prog rock band Magma, as well as U.S. punk groups The Camps and Scared of Chaka. The fourth issue-a special issue on the theme of romance-juxtaposed profiles of the new wave rock band Adam and Ants and bestselling romance novelist Barbara Cartland.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aWomenvPeriodicals.0_aWomen_vPeriodicals 0aFashionzCaliforniazSan FranciscovPeriodicals.0_aFashion_zCalifornia_zSan_Francisco_vPeriodicals 0aZineszCaliforniazSan Francisco.0_aZines_zCalifornia_zSan_Francisco 0aSan Francisco (Calif.)xSocial life and customsvPeriodicals.0_aSan_Francisco_(Calif)_xSocial_life_and_customs_vPeriodicals 7aZines.2lcgft0_aZines_2lcgft 4aCompilation zines.2local0_aCompilation_zines_2local1 aAndersen, Sunny,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42051700987nas a2200265 i 4500001002000000003000900020005001700029007001500046008004100061040003700102100003700139245002500176264005400201300003200255336002600287336003400313337002600347338003600373500003900409506007700448588006700525650001100592655001800603856010000621RAPMMGroupiegospelsNyNyRILM20250707133800.0cr bn         830000d20062006cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aJasmine, Lucretia Tye,ecreator.14aThe groupie gospels. 1aLos Angeles, CA : bLucretia Tye Jasmine, c2006.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZines. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43227202083nas a2200313 i 4500001002700000003000900027005001700036007001500053008004100068040003700109100003700146245003800183264005400221300003200275336002600307336003400333337002600367338003600393500003900429506007700468520094700545588006701492650001101559650002401570650003201594650002501626655001801651856010001669RAPMMGroupiegospelsmixtapeNyNyRILM20250707134700.0cr cn         830000d20252025cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aJasmine, Lucretia Tye,ecreator.14aThe groupie gospels mixtape zine. 1aLos Angeles, CA : bLucretia Tye Jasmine, c2025.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPublished in 2025, The groupie gospels mixtape zine is one of the most recent works by the prolific author, zinester, and artist Lucretia Tye Jasmine. This zine features interviews on cassette with notable women-and a few men-discussing their rock and roll experiences. Jasmine aimed to explore how these adventures reflect the evolution of women's roles during the second wave of feminism. The interviews, conducted from 2011 to 2025, include perspectives from groupies, writers, and photographers. The groupie gospels mixtape zine is a mixed-media publication (audio and print) inspired by her 2006 title The groupie gospels. Other titles by Jasmine include The meat hook, Ghost, Riot grrrl Los Angeles 1992-1995 mixtape zine, and Touché, and titles edited by mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZines. 0aFeminism and music. 0aRock musiciansvInterviews. 0aGoupiesvInterviews. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43226802014cas a2200337 i 4500001001300000003000900013005001700022007001500039008004100054035003300095035002700128040003700155245001300192264005000205300003300255336002600288336003400314337002600348338003600374500003900410506007700449520081600526588006901342520003201411650003301443650004301476650001101519655001801530700002801548856010001576RAPMMGulcherNyNyRILM20250623140743.0cr cn         240328d19751977inu|| i o     0   a eng d  a(UkMbAM-D)1980-AMD-00006630   a(CKB)5490000000573557   aNyNyRILMbengerdaepncNyNyRILM00aGulcher. 1aBloomington, IN : bB. Richert, c1975-1977.   a1 online resource (7 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFollowing the rock fanzine Beyond our control, Bob Richert started another title in 1975 with more of a punk ethos: Gulcher. Seven issues were published-the first numbered "0"--in Bloomington, Indiana until 1977. Punk groups like Kiss and The Dictators were featured, as did The Gizmos, a local group founded by fanzine writers Eddie Flowers and Ken Highland. Other styles were also given space, including the psychedelia of The Crazy World of Arthur Brown, and reggae, the subject of the seventh and final issue. Longer lasting than the fanzine, Gulcher Records, also founded by Richert, released a number of The Gizmos' early recordings and continues to exist. Beyond our control, Gulcher, and Vulcher testify to U.S. fanzine and musical cultures outside the well-known scenes of California and New York City.0 aOnline resource; title from RAPMM website (viewed 23 June 2025)   aBloomington's music paper.  0aReggae music vPeriodicals.  0aRock music y1971-1980 vPeriodicals.  0aZines. 7aZines.2lcgft1 aRichert, Bob,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38023802189cas a2200385 i 4500001001500000003000900015005001700024007001500041008004100056035002100097040003700118043001200155245001600167264005500183264005100238300003400289336002600323336003400349337002600383338003600409500004500445500003900490506007700529520060600606588006801212650008701280650004701367650004801414650004701462651005501509655004301564655001801607700007801625856010001703RAPMMHalftruthNyNyRILM20250625124250.0cr cn         091204c19901997cauuu i o     0   a eng d  a(OCoLC)472656187  aNyNyRILMbengerdaepncNyNyRILM  an-us-ca00aHalf-truth. 1aLos Angeles, CA : bB.A. Productions, c1990-1994.31aHermosa Beach, CA : bHalf-truth, c1995-1997.  a1 online resource (24 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  a"Only half the lies of other magazines."  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aJeff Hughart, previously the co-creator of 60 miles north, returned to the world of fanzines with the publication Half-truth in 1990, which described itself as having "only half the lies of other magazines". Over the next seven years and 25 issues, it featured luminaries of the U.S. and British punk and alternative rock worlds: Joey Ramone, Robyn Hitchcock, NOFX, Toy Dolls, Sublime, and Suede were all interviewed. Humorous photo collages were placed on the covers of early issues, but later issues included elaborately drawn cover art. Contributors included the novelist and poet Charles Bukowski.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aPopular culturevPeriodicals.0http://id.loc.gov/authorities/subjects/sh2008109790 0aLittle magazineszCaliforniazLos Angeles. 7aLittle magazines.2fast0(OCoLC)fst01000529 7aPopular culture.2fast0(OCoLC)fst01071344 7aCaliforniazLos Angeles.2fast0(OCoLC)fst01204540 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2lcgft1 aHughart, Jeff,eeditor.0http://id.loc.gov/authorities/names/no2009142850403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39189502239cas a2200361 i 4500001002600000003000900026005001700035007001500052008004100067035002200108040003700130245007900167264004800246300003300294336002600327336003400353337002600387338003600413500003900449500007600488506007700564520087600641588006801517650001101585650003601596650002901632650003301661650002301694650002101717650001101738700002801749856010001777RAPMMHardcorearchitectureNyNyRILM20260706125013.0cr cn         160502d20152018ilu   i o     0   a eng d  a(OCoLC)948510994   aNyNyRILMbengerdaepncNyNyRILM00aHardcore architecture : ba project of Marc Fischer and Public Collectors  1aChicago : bPublic Collectors, c2015-2018.  a1 online resource (7 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues PC0015-PC0016, PC0018-PC0020, PC0029, and PC0034.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aHardcore architecture explored the intersection between living spaces and the vibrant history of underground U.S. hardcore bands from the 1980s. Launched in June 2014, this project began as a blog showcasing images of homes associated with iconic bands of the era published on Maximum rocknroll. Each issue delved into a specific topic, from tracking the addresses listed in Maximum rocknroll and utilizing Google Street View to visualize these key locations, to highlighting influential figures associated with the publication, such as Les Evans and Grace Ambrose, one of the latest coordinators of the magazine. Edited by Marc Fischer, the last issue of Hardcore Architecture featured a retrospective on the zines and paper ephemera that shaped the punk scene. The printed issues were a supplement of Marc Fischer's website https://www.tumblr.com/ hardcorearchitecture.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aZines  0aHardcore musiciansvInterviews  0aMusical groupsxHousing  0aHardcore musiciansxHousing  0a Hardcore (Music)  0aPunk rock music  0aZines 1 aFischer, Marc,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39193802177cas a2200361 i 4500001001500000003000900015005001700024007001500041008004100056035002600097035002000123040003700143090001900180245001600199264005400215300003300269310001200302336002600314336003400340337002600374338003600400500003900436506007700475520076100552588006901313650008501382650009201467655001901559655007301578700002901651700003501680856010001715RAPMMHardtimesNyNyRILM20250620144725.0cr bn         100427u19841985nju|| i o     0   a eng d  a(CaEvSKY)sky136268230  a(OCoLC)61156279  aNyNyRILMbengerdaepncNyNyRILM  aML3533.8b.H3700aHard times. 1aMaywood, NJ : bHard Times Magazine, c1984-1985.  a1 online resource (8 issues)  aMonthly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aHard times covered 1980s punk rock-particularly hardcore punk-as well as other "hard" or "heavy" forms of rock. Founded by Ron Gregorio and also edited by Amy Yates Wuelfing, the coverage centered on bands from the zine's home state of New Jersey but also included major national and international acts. The bands profiled, interviewed, and reviewed in its pages included New Jersey-based death rockers the Misfits, singer Glenn Danzig (of the Misfits, Samhain, and Danzig), Suicidal Tendencies, seminal DC-based hardcore band Minor Threat, and other well known groups such as the Meatmen, Black Flag, Dead Kennedys, Circle Jerks, and the Replacements. Gregorio and Wuefling typed and pasted the zine together, including many of Gregorio's own photographs.0 aOnline resource; title from RAPMM website (viewed 20 June 2025)  0aPunk rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aAlternative rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh96004375 0aFan magazines. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aGregorio, Ron,efounder.1 aYates Wuelfing, Amy,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/36266502331cas a2200469 i 4500001001000000003000900010005001700019007001500036008004100051010001700092022002800109035002400137037005500161040003700216042001400253050001900267082001200286130002800298210002800326222002900354245001000383246001800393264005400411264005400465300003400519336002600553336003400579337002600613338003600639362001900675500003900694506007700733520066300810588006801473650002901541650003201570650004501602650004201647655004301689700003101732856009801763RAPMMHarpNyNyRILM20260702100818.0cr cn         010718d20012008mdubx i o     0   a0eng d  a  20012117470 a1536-1438l1536-143821  a(OCoLC)ocm47365391   bHarp, P.O. box 5780, Takoma Park, MD 20913c$14.95  aNyNyRILMbengerdaepncNyNyRILM  apccansdp00aML3533.8b.H3710a8082130 aHarp (Takoma Park, Md.)0 aHarpb(Takoma Park Md.) 0aHarpb(Takoma Park, Md.)10aHarp.1 aHarp magazine 1a[Takoma Park, MD] : bGuthrie, Inc., c2001-2002.31aSilver Spring, MD : bGuthrie, Inc., c2002-2008.  a1 online resource (30 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan in 2001.  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPublished in 30 issues between 2001 and 2008 from Silver Spring in Maryland, Harp covered adult alternative music, rock, and indie. Founded by Scott Crawford, the magazine was purchased by Guthrie Inc., owners of JazzTimes, in 2003. Interview subjects included some of the biggest rock names of the time, such as Flight of the Conchords, The White Stripes, Beck, and Kings of Leon. After a final issue featuring a mock presidential campaign announcement by Foo Fighters frontman Dave Grohl, Harp ceased publication during a period in which several similar publications closed down. In 2009, however, Crawford started Blurt, a magazine also featured in RAPMM.0 aOnline resource; title from RAPMM website (viewed 2 June 2025)  0aRock musicvPeriodicals. 0aPopular musicvPeriodicals. 7aPopular music.2fast0(OCoLC)fst01071422 7aRock music.2fast0(OCoLC)fst01099204 7aPeriodicals.2fast0(OCoLC)fst014116411 aCrawford, Scott,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/662902568nas a2200349 i 4500001002000000003000900020005001700029007001500046008004100061040003700102041001300139245005800152264005500210300003200265336002600297336003400323337002600357338003600383500003900419506007700458520120400535546003301739588006701772650001801839650005701857650006201914651006201976655001802038700004102056700002102097856010002118RAPMMHelihuotongxunNyNyRILM20250701145200.0cr bn         830000d19941994cc    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM0 achiaeng00aHelihuo tongxun = bHollywood disco bar communication 1aShenzhen, China : bHollywood Disco & Bar, c1994.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aAfter the 1990s, the entertainment lifestyle of the Chinese people underwent significant changes. Take Shenzhen, one of the youngest cities, as an example. Before 1994, most people enjoyed going to nightclubs and karaoke bars. However, after that, emerging discos and bars became the new favorites. Hollywood Disco & Bar, which opened in 1994, pioneered this trend in Shenzhen. Its free-spirited style attracted a large number of urban youth. To emphasize the new entertainment concept and urban culture, it published Helihuo tongxun (Hollywood disco bar communication), available at the venue for free browsing. Although only one issue was released, it was an interesting experiment. Masterminded by zinester, curator, and critic Ou Ning, the zine featured articles about the 25th anniversary of Woodstock in 1994, China's emerging graphic designers and avant-garde art, and Shenzhen's cultural identity under the theme "cultural anxiety in an immigrant city". It aimed to convince readers that at Hollywood Disco & Bar there was no insincere socializing or the middle-aged dark fantasies typical of karaoke bars. Instead, there was a youthful crowd, a vibrant atmosphere, and cutting-edge culture.  aText in Chinese and English.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZineszChina. 0aNightlifezChinazShenzhen (Guangdong Sheng : East). 0aGroup identityzChinazShenzhen (Guangdong Sheng : East). 0aShenzhen (Guangdong Sheng, China : East)xGroup identity. 7aZines.2lcgft1 aOu, Ning, d1969-,ecreatorecritic.1 aAu, Nedeeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42471002125cam a2200433 i 4500001002400000003000900024005001700033007001500050008004100065035002300106035001500129040003700144100004600181245005200227246002800279264004000307300003200347336002600379336003400405337002600439338003600465500003900501506007700540520059000617588006801207650002501275650003801300650002501338650002201363650002901385650001901414650002401433650002401457655002001481655003601501655003501537655001901572856010001591RAPMMHeresaZinetemplateNyNyRILM20260706125013.0cr bn         220310s2019    ilu   i o     0   a eng d  a(OCoLC)1302758667   ab64914306   aNyNyRILMbengerdaepncNyNyRILM1 aMason, Liz c(Zine publisher), eauthor. 10aWanna make a zine? : bhere's a zine template. 30aHere's a zine template  1aChicago : bLizMasonZines, c2019.   a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aDive into the world of zine making with Here's a zine template, a must-have guide from renowned zinester Liz Mason, manager of Quimby's Bookstore. With a wealth of experience and a passion for creativity, Mason broke down the barriers that often intimidate newcomers. She debunked several myths, including the belief that advanced writing skills or expensive design software are necessary. Mason has produced several zines, including Awesome things, Caboose, Dance dance party party zine zine, Most unwanted zine, and Punk rock glee club, all of which are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 24 June 2025) 0aZines xPublishing.  0aZines vHandbooks, manuals, etc.  0aZines xAuthorship.  0aSelf-publishing.  7aSelf-publishing. 2fast  7aZines. 2fast  7aAuthorship. 2fast  7aPublishing. 2fast  7aZines. 2lcgft  7aHandbooks and manuals. 2lcgft  7aHandbooks and manuals. 2fast  7aZines. 2fast 403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38849704374cas a2200733 i 4500001001700000003000900017005001700026007001500043008004100058010001800099020001900117020001600136035002200152035002500174040003700199043001300236100004100249245004100290264004300331264001200374300003200386336002600418336003400444337002600478338003600504500001700540500003900557504003000596500006900626500052000695506007701215520066601292520052201958505006102480588006802541650003302609650002602642650004702668650004402715650004702759650004802806650003902854650001202893650002702905650002102932650004402953650004802997650002103045600002003066600002103086600002203107600002303129655002403152655002303176655004703199655005203246655004303298655005403341655002803395655003303423655003503456710004903491856010003540RAPMMIfthisbesinNyNyRILM20250625122311.0cr cn         150313d20142014nyu   i o     0   a eng d  a  2019218732   a9781630687069   a1630687065   a(OCoLC)904821251   a(OCoLC)ocn904821251   aNyNyRILMbengerdaepncNyNyRILM  an-us-ny 1 aNewlevant, Hazel,eartist,eauthor. 10aIf this be sin / cHazel Newlevant.  1aNew York : bHazel Newlevant, c2014.  4c©2014   a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aCover title.  aDigitized version of a print zine.  aBibliography : page [43]   aPublished with funding from the Prism Comics Queer Press Grant.   a"Gladys Bentley was a blues singer, piano player, and drag king who performed bawdy tunes in Harlem nightclubs throughout the 1920s and '30s. Despite the social obstacles she faced as a black, openly queer woman, her outrageous and energetic act became a mainstay of the Harlem cabaret. In 1952, under the oppressive social conditions of the McCarthy era, Bentley publicly renounced her previous identity and claimed to have found happiness as a feminine housewife."--Hazel Newlevant's website, viewed May 1, 2014. 1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aWinner of the 2013 Prism Comics Queer Press Grant! 'If This Be Sin' is a collection of comics about queer women expressing themselves through music. It tells the stories of Gladys Bentley, the Harlem Renaissance blues singer and drag king, and Wendy and Lisa, the lesbian rockstars of Prince and the Revolution. "Hazel Newlevant draws like a dream and weaves a mesmerizing story. 'If This Be Sin' is a stunning achievement." -Alison Bechdel, author of 'Fun Home' "The stories are super sweet and hopeful, but also have a touching gloominess to them. I loved it!" -Ross Campbell, author of 'Wet Moon' 8.25" x 11", 44 pages, perfect-bound, full color throughout.   aThree stories are told in comics format in this collection from cartoonist Hazel Newlevant. Each depicts queer women who express themselves through music: one concerns Gladys Bentley, the blues singer of the Harlem Renaissance; a second tells the story of Wendy & Lisa, i.e., rock musicians Wendy Melvoin and Lisa Coleman who made vital contributions to Prince and the Revolution's music during the Purple Rain period and who subsequently released their own music; a final story depicts a fictional dance competition.00tIf this be sin -- tNo it U lover -- tDance the blues. 0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 7aartists' books (books)2aat  7agraphic novels.2aat  7aArtists' books.2fast0(OCoLC)fst00817660  7aGay culture.2fast0(OCoLC)fst01201219  7aGraphic novels.2fast0(OCoLC)fst00946656  7aLesbian culture.2fast0(OCoLC)fst01201220  7aZines.2fast 0(OCoLC)fst01896158  0aZines.  0aZineszUnited States.  0aArtists' books.  0aGay culturevComic books, strips, etc.  0aLesbian culturevComic books, strips, etc.  0aGraphic novels. 10aColeman, Lisa. 10aMelvoin, Wendy. 10aBentley, Gladys. 10aNewlevant, Hazel.  7acomic strips.2aat  7acomic books.2aat  7aLesbian comics.2fast0(OCoLC)fst02000485  7aBiographical comics.2fast0(OCoLC)fst01921595  7aGay comics.2fast0(OCoLC)fst02000486  7aComics (Graphic works)2fast0(OCoLC)fst01921613  7aLesbian comics.2lcgft  7aBiographical comics.2lcgft  7aComics (Graphic works)2lcgft 2 aPrism Comics Queer Press, esponsoring body 403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35492402270nas a2200325 i 4500001001200000003000900012005001700021007001500038008004100053040003700094100004300131245001200174264005200186264004900238264005100287300003400338336002600372336003400398337002600432338003600458500003900494506007700533520107200610588006701682650002801749650002101777650002801798655001801826856010001844RAPMMInciteNyNyRILM20250701150700.0cr cn         830000d19851998mau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aAlborn, Timothy L., d1964-,ecreator.10aIncite! 1aSomerville, MA : bTimothy Alborn, c1985-1986.21aBelmont, MA : bTimothy Alborn, c1987-1988.31aCambridge, MA : bTimothy Alborn, c1987-1998.  a1 online resource (30 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aHarvard College student Tim Alborn started Incite! in 1985. In England, while carrying out research for his senior thesis at the time, Alborn was also embracing British punk, indie, and zine culture, particularly a Leeds-based publication entitled Raising hell. In its earlier issues, Incite! was a typical fanzine-featuring concert and record reviews, articles, interviews, and correspondence-that concentrated on indie pop. Taking inspiration from the English record label Sarah Records, Alborn launched his own indie rock label called Harriet Records in 1989, which recorded groups including The Magnetic Fields. Incite! subsequently became more focused on bands signed to Harriet Records, becoming a "perzine" or "personal fanzine" (the term is discussed in issue no. 19 of the zine). At the same time its scope expanded beyond music, including everything from poetry to snack reviews. Both Incite! and Harriet Records continued until 1998, when Alborn-who had become a history professor at Harvard in the meantime-left Cambridge, Massachusetts for New York City.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZinesxIndie pop music. 0aIndie pop music. 0aAlternative rock music. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/37226002549cas a2200385 i 4500001001400000003000900014005001700023007001500040008004100055040003700096245001500133264005200148300003400200310001500234336002600249336003400275337002600309338003600335362001900371500003900390506007700429520122700506588006901733650001901802650001101821650003401832650006301866650003601929650002901965655001901994690001602013690001702029700001702046856010002063RAPMMIneffectNyNyRILM20260706125513.0cr cn         050728c19871999nyuuu i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aIn effect  1aQueens, NY : bChristopher Wynne, c1988-1999.   a1 online resource (12 issues)  aIrregular   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aNo. 1 (1987)-   aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aIn 1988, a group of young friends passionate about hardcore and punk started a fanzine called In effect in College Point, Queens, New York, as a way to dive deeper into their newly found community and support smaller bands. By the time the third issue was released, the New York hardcore scene had experienced increased violence, leading to clubs banning shows, which delayed the subsequent issue of the zine. In effect embodied the DIY style, which editor Chris Whyne defines as an approach centered around trust and community involvement. Creators would send their merchandise to labels, distros, and stores ahead of time, putting faith in them to fulfill their promises, often resulting in a relentless pursuit to collect payment. In effect moved from printing 50 issues to a final issue with 10,000 copies and 132 pages. By issue 9, which featured Madball's vocalist Roger Miret on the cover, producing the fanzine began to feel overwhelming, given the amount of work involved. For the final issue-issue 12-Whyne sold In effect at various outlets, including Jamie Jasta's label Stillborn Records, Generation Records, Bleeker Bob's, and Slipped Disc Records, ending an over a decade-long coverage of the New York scene.0 aOnline resource; title from RAPMM website (viewed 17 June 2025)  0aFan magazines  0aZines  0aPunk rock musicvPeriodicals  0aHardcore (Music)zNew York (State)zNew YorkvPeriodicals  0aHardcore musiciansvInterviews  0aRock musicvPeriodicals  7aZines.2lcgft   aMusiczines   aReviewzines 1 aWynne, Chris403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/41060003325cas a2200505 i 4500001001700000003000900017005001700026007001500043008004100058010001500099022002800114035002300142035001300165037006300178040003700241042001400278222001800292245001900310264006100329264005100390300003300441310001400474336002600488336003400514337002600548338003600574500003900610500003400649506007700683520136400760588006802124650003402192650003902226650004502265650004702310650005202357655003702409655004302446655002902489655001902518655007302537700007802610856003102688856010002719RAPMMInterrobangNyNyRILM20260706125613.0cr bn         050801c19892014cau x i o     0   a eng d  a20082122881 a1943-3751l1943-375121  a(OCoLC)ocm61183438  a16079890  bDecomposition, 3288 21st St., #33, San Francisco, CA 94110  aNyNyRILMbengerdaepncNyNyRILM  ansdpapcc 0aInterrobang?!00aInterrobang?!.213<winter '96/'97-> :aSan Francisco, CA : bInterrobang?!313<2008-> :aSan Francisco, CA : bDecomposition  a1 online resource (7 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 2-4, 6.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aCreated by Sharon Cheslow, a pioneering figure in the punk scene and an accomplished multi-disciplinary artist, Interrobang?! was a groundbreaking fanzine that explored the diverse realms of punk and sound art. The inaugural issue featured an insightful interview with the Washington, D.C. punk band Nation of Ulysses. In the second issue, Cheslow presented a comprehensive list of women in punk from 1975 to 1980, aiming to highlight the often underrecognized contributions of women during the early punk era, just before the more male-dominated hardcore scene of the 1980s emerged. Cheslow designed issues 4 and 5 as anthologies, featuring contributions from notable figures such as Cynthia Connolly, a photographer of punk culture; Marc Kate, a musician and electronic artist from I Am Spoonbender; Ian MacKaye, a punk rock pioneer and co-founder of Dischord Records; Pauline Oliveros, an experimental composer; Maggi Payne, a composer and sound artist; Niko Wenner, the guitarist for Oxbow; and Allison Wolfe, a punk musician from Bratmobile and feminist activist. In issue 4, the authors delved into sound as a transcendent art form, focusing on the mental state induced by how listeners perceive music and the transformative experience they undergo when engaging with sound. In issue 5, they explored the intricate relationship between music and family.0 aOnline resource; title from RAPMM website (viewed 24 June 2025) 0aPunk rock musicvPeriodicals. 0aWomen rock musiciansvPeriodicals. 7aFan magazines.2fast0(OCoLC)fst01728966 7aPunk rock music.2fast0(OCoLC)fst01084153 7aWomen rock musicians.2fast0(OCoLC)fst01178475 7aZines.2fast0(OCoLC)fst01919987 7aPeriodicals.2fast0(OCoLC)fst01411641 0aUnderground periodicals. 0aFan magazines. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aCheslow, Sharon,ecreator.0http://id.loc.gov/authorities/names/n9202990441uhttp://www.banginterro.com403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39137802273nas a2200385 i 4500001001300000003000900013005001700022007001500039008004100054035002100095040003700116043001200153049000900165090002100174245001300195246001600208264003500224300003400259336002600293336003400319337002600353338003600379362003500415500003900450506007700489520072200566588006801288650008201356650009501438650008401533655001901617655007301636700007801709856010001787RAPMMJammingNyNyRILM20260702133718.0cr cn         090319d19771986enk|| i o     0   a eng d  a(OCoLC)316340862  aNyNyRILMbengerdaepncNyNyRILM  ae-uk---  aEEMJ  aML3534.6.G7bJ3600aJamming.13aIn the city 1aLondon :bJamming,c1977-1986.  a1 online resource (37 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan in 1977; ceased in 1986.  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aBritish music journalist Tony Fletcher started Jamming! in 1977 as a 13-year-old, printing the first issues at school. It gradually transformed from a DIY fanzine with hand-drawn illustrations to a glossy magazine with professional photographs that were issued monthly. An extensive list of artists-including Pete Townshend, Paul McCartney, Dead Kennedys, Adam and the Ants, the Smiths, U2, Billy Bragg, the Cocteau Twins, R.E.M., and Madness-were interviewed in its pages, which provide a valuable account of post-punk musical life in the U.K. Fletcher, only 21 when Jamming! ceased publication after 36 issues in January 1986, has gone on to write a number of books on popular music and produce The Fanzine Podcast.0 aOnline resource; title from RAPMM website (viewed 3 June 2025)  0aRock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2010109536 0aRock musiczGreat BritainvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85114675 0aRock musiciansvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85114680 0aFan magazines. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aFletcher, Tony, efounder.0http://id.loc.gov/authorities/names/n88283589403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38755902122cas a2200361 i 4500001001700000003000900017005001700026007001500043008004100058029002300099035002800122035002100150040003700171082003700208245002600245264005000271300003300321336002600354336003400380337002600414338003600440500003900476500003900515506007700554520080000631588006801431650002701499650004101526655004601567655001801613700002901631856010001660RAPMMKillyourpetNyNyRILM20260706125813.0cr cn         950408d19791983enkuu i o     0   a eng d0 aNLGGC b116881240   a(NL-AmU)000896440UVA01   a(OCoLC)73215748   aNyNyRILMbengerdaepncNyNyRILM04a741.5 qOCoLC 223/eng/20230216 00aKill your pet puppy.  1aLondon : bThe Puppy Collective, c1979-1982   a1 online resource (3 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 1, 3, and 5.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe British punk fanzine Kill your pet puppy continued Tony Drayton's narrative that he started with the fanzine Ripped and torn (1976-79). Born in the aftermath of Margaret Thatcher's rise to power, when Drayton moved to Europe, this publication emerged as a fierce response to the commercialization of the punk movement, capturing the details of an era marked by squatting, subversion, and an unwavering spirit of resistance. Kill your pet puppy invited readers to peel back layers of societal expectations and confront the oppressive forces within it. The fanzine, created at the Fire Station on Tabernacle Street squat building and printed with vibrant colors, was launched at the Adam and the Ants New Year's Eve concert at the Electric Ballroom in 1979. The 500 copies sold out that night.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aSatire xPeriodicals.  7aSatire. 2fast 0(OCoLC)fst01105668  7aPeriodicals. 2fast 0(OCoLC)fst01411641  7aZines.2lcgft1 aDrayton, Tony,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42482402479nas a2200337 i 4500001001500000003000900015005001700024007001500041008004100056040003700097245003000134264005900164300003300223336002600256336003400282337002600316338003600342500003900378500006200417506007700479520122500556588006701781650002101848650002101869650001801890655001801908655002701926700003601953700005201989856010002041RAPMMLibropunkNyNyRILM20250701153200.0cr cn         830000d20202022ck    i o     0   a spa d  aNyNyRILMbengerdaepncNyNyRILM00aLibro punk para colorear. 1aBogotá, Colombia : bLa Valija de Fuego, c2020-2022.  a1 online resource (2 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues Turning Japanese and Mononoke Pogo.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aMarco Sosa, the creator and editor of La Valija de Fuego, a publisher based in Bogotá, Colombia, published two editions of Libro punk para colorear to educate new generations about punk music and culture through intricate illustrations meant for coloring. This zine featured illustrations by Catalina Fonseca (Malandrina), a punk tattoo artist who blended tattooing, Japanese ghosts, virulent punk rock, and other raw sounds. Inspired by the British band The Vapors' 1980 song Turning Japanese, the first issue showcased illustrations that portrayed women in Japanese contexts within the punk scene. The second issue, Mononoke pogo, centered around the Mononoke, a vengeful spirit from Japanese literature and folklore. Such creatures were often unjustly blamed for the diseases that plagued people. The first known encounter between punks and monks likely occurred in 1976 with the punk band Generation X. During a tour in Japan in 1979, members of Generation X visited a discotheque in Tokyo, where they were fascinated to see Japanese youth dancing alone, captivated by their reflections in mirrors. Perhaps Broad (Billy Idol) and Tommy James, who were present, perceived something spectral in this unique spectacle.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZineszColombia. 0aPunk rock music. 0aPunk culture. 7aZines.2lcgft 7aColoring books.2lcgft1 aSosa, Marco,ecreator,eeditor.1 aFonseca, Catalina,c(Malandrina),eillustrator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39192802157nas a2200313 i 4500001001100000003000900011005001700020007001500037008004100052040003700093100002700130245003500157264004600192300003300238336002600271336003400297337002600331338003600357500003900393506007700432515004100509520102700550588006701577650001801644650003501662650002801697655001801725856010001743RAPMMLineaNyNyRILM20260701102600.0cr cn         260630d19911992sp || i o     0   b0spa d  aNyNyRILMbengerdaepncNyNyRILM1 aCalvo, Luis, ecreator00aLa línea del arco :bfanzine. 1aLeón, Spain : bLuis Calvo, c1991-1992.  a1 online resource (3 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aRAPMM includes issues 2, 2-3, and 3.  aLuis Calvo, who founded the Madrid-based independent record label Elefant Records in 1989, published this densely collaged, saddle-stitched zine from 1990 to 1992. Across its three issues, La línea del arco covered indie pop, rock, and shoegaze, including articles on Strawberry Story, Home and Abroad, Talulah Gosh, My Bloody Valentine, and Elefant’s own Le Mans. Calvo devoted space to fellow indie pop labels as well through coverage, for example, of Lust Recordings of County Durham, Glasgow’s Egg Records, Bristol's Sarah Records, and an article on indie records in Greece. Venturing into fiction, La línea also published Lourdes Bermejo’s short story The Imelda Marcos syndrome as supplements to issues 2 and 3 (included in RAPMM as issue 2–3). Believing that readers should be able to listen to and evaluate the music discussed in the zine themselves, Calvo released a compilation cassette or flexi disc alongside each issue, which contributed to the dissemination of late-1980s and early-1990s indie pop.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aZineszSpain. 0aAlternative rock musiczSpain. 0aIndie pop musiczSpain. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/44356502560cas a2200373 i 4500001001300000003000900013005001700022007001500039008004100054035002600095035002100121040003700142043001200179245001400191246002100205264006000226264005700286300003400343336002600377336003400403337002600437338003600463500003900499506007700538520099400615588006801609650008201677651011201759650008501871655001901956655007301975700003802048856010002086RAPMMLookoutNyNyRILM20250625140145.0cr cn         100802d19841999cau|| i o     0   a eng d  a(CaEvSKY)sky232018785  a(OCoLC)931812190  aNyNyRILMbengerdaepncNyNyRILM  an-us-ca00aLookout!.1 aLookout magazine 1aLaytonville, CA : bLawrence D. Livermore, c1984-1990.31aBerkeley, CA : bLawrence D. Livermore, c1991-1999.  a1 online resource (42 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aLookout magazine started in 1984 as a xeroxed community newsletter when the musician, record producer, and author Lawrence Livermore lived in Spyrock, Mendocino County, California. Spyrock was part of a constellation of locales across Mendocino and Humboldt County that, since the late 1960s, had become increasingly popular among artists and hippies. Lookout magazine, named after the Iron Peak Lookout Tower in the Mendocino National Forest, included content on local politics and tackled issues as diverse as environmental topics and countercultural philosophy. Over the years, following Livermore's involvement with the Gilman Street Project and the punk-rock scene, the publication's focus shifted to music, which resulted in finding a whole new audience in the Bay Area and across the United States, especially among Maximum rocknroll readers. While publishing Lookout magazine, Livermore co-founded Lookout Records. The scans have been provided by the East Bay Digital Punk Archive.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aPunk culturevPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109126 0aEast Bay (Calif.)xPolitics and governmentvPeriodicals.0http://id.loc.gov/authorities/subjects/sh95004168 0aPunk rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aFan magazines. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aLivermore, Lawrence D.,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/41168403806cas a2200517 i 4500001002200000003000900022005001700031007001500048008004100063035002400104035002200128040003700150043001200187050002400199100008100223245008800304264004600392300003200438336002600470336003400496337002600530338003600556500003900592506007700631520088500708520023401593520042701827588006802254600004502322610007402367650003502441650009502476650002202571600004102593610005302634650003702687650005302724650004602777651010902823655004102932655006202973655003703035655007303072655004303145856010003188RAPMMLouderthanbombasNyNyRILM20250625120918.0cr cn         180823s2017    cau   i o     0   a eng d  a(OCoLC)on1049699137  a(OCoLC)1049699137  aNyNyRILMbengerdaepncNyNyRILM  an-us--- 4aML3917.U6bM66 20171 aMontaño, Brenda,eauthor.0http://id.loc.gov/authorities/names/no202110407010aLouder than bombas :ba Zines Rasquache creation on Raza, Morrissey and the Smiths. 1aOakland, CA : bMontaño, Brenda, c2016.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aIn 2016, the zinester, editor, and activist Brenda Montaño published the onezine Louder than bombas: On raza, Morrissey, and The Smiths as a way to "further understand the obvious relationship we Brown Folks, Xicanas y Xicanos, have to both the man and the music". Montaño highlights how the vocalist Morrissey and The Smiths have played a significant role in shaping the lives of many adolescents growing up in Southern California, who found comfort in the melancholy words of the British vocalist. The zine's title cleverly plays with the 1987 The Smiths album title Louder than bombs, reflecting the critical decolonial perspective on the iconic British band. Montaño draws on the distinctive aesthetic of rasquachismo within DIY punk culture. Before Louder than bombas, Montaño published in 2013 Xicanistas & punkeristas say it loud, also included in the RAPMM collection.  a"Louder Than Bombas by Brenda Montaño is a personal examination of the author's relationship with race, white supremacy and The Smiths/Morrissey."--These Days description.uhttps://www.thesedaysla.com/products/louder-than-bombas  a"I made this Zine in order to further understand the obvious relationship we Brown Folks, Raza, Xicanas y Xicanos, have to both the man and the music. I'm writing to place the music that's saved so many lives into context with the reality of white supremacy, of cultural hegemony and unrelenting patriarchy. Because if you don't already know, these things are alive and well! "--Author's Etsy page, viewed August 23, 2018.0 aOnline resource; title from RAPMM website (viewed 25 June 2025)10aMorrisseyxCriticism and interpretation.20aSmiths (Musical group)0http://id.loc.gov/authorities/names/n91079106 0aMusic and racezUnited States. 0aMusicxSocial aspectszUnited States.0http://id.loc.gov/authorities/subjects/sh2010102902 0aZinesvSpecimens.17aMorrissey.2fast0(OCoLC)fst0029501927aSmiths (Musical group)2fast0(OCoLC)fst00669682 7aZines.2fast0(OCoLC)fst01896158 7aMusicxSocial aspects.2fast0(OCoLC)fst01030444 7aMusic and race.2fast0(OCoLC)fst01030486 7aUnited States.2fast0(OCoLC)fst012041551https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 7aSpecimens.2fast0(OCoLC)fst01423861 7aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635 7aZines.2fast0(OCoLC)fst01919987 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210 7aZines.2rvmgf0(CaQQLa)RVMGF-000001179403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42891002769cas a2200457 i 4500001001400000003000900014005001700023007001500040008004100055035002100096040003700117245001900154264006300173300003300236310001500269336002600284336003400310337002600344338003600370500003900406506007700445520116500522588006901687650002601756650004201782650002301824650003001847650003001877650003701907650003101944650003101975650003802006650003102044650001902075650001802094650001202112650001702124650001502141700005502156856010002211RAPMMMeathookNyNyRILM20250624123625.0cr bn         070911c19901994cauux i o     0   a eng d  a(OCoLC)232009587  aNyNyRILMbengerdaepncNyNyRILM04aThe meat hook. 1aLos Angeles, Calif. : bEqualist Productions, c1990-1994.  a1 online resource (4 issues)  aIrregular.  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe meat hook was a 4-issue zine created by the writer, zinester, and artist Lucretia Tye Jasmine who, after graduating from New York University in 1988, moved to Los Angeles. In this city, the artist turned to zine-making as a means to process her experiences and perceptions. By engaging in writing, drawing, and collage, Jasmine examined her emotional and mental challenges. The meat hook reflects the artist's realization that the treatment of women parallels the treatment of animals, a concept inspired by the writings of Margaret Atwood. Over the years, The meat hook has gained recognition, with copies housed in prestigious university zine collections. Excerpts from The meat hook have been published in notable works on women in popular music, demonstrating its impact within feminist discourse and media studies. Other titles by Jasmine include The groupie gospel mixtape zine, Ghost, Riot grrrl Los Angeles 1992-1995 mixtape zine, and Touché, and titles edited by the mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 24 June 2025)  0aFeminismvPeriodicals 0aWomenxViolence againstvPeriodicals. 0aRapevPeriodicals. 0aForced sexual intercourse 0aForced sexual penetration 0aNonconsensual sexual intercourse 0aPenetration, Forced sexual 0aSexual intercourse, Forced 0aSexual intercourse, Nonconsensual 0aSexual penetration, Forced 0aSexual assault 0aHuman females 0aFemales 0aHuman beings 0aFemininity1 aJasmine, Lucretia Tye,eartist,efounder,ewriter.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43225101669nas a2200301 i 4500001001400000003000900014005001700023007001500040008004100055040003700096245001300133264005300146300003300199336002600232336003400258337002600292338003600318500003900354500003800393506007700431520060900508588006701117650001101184650001601195655001801211700003801229856010001267RAPMMMetanoiaNyNyRILM20250701133900.0cr cn         830000d19701972cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aMetanoia 1aFairfax, CA : bGreg and Suzy Shaw, c1970-1972.  a1 online resource (7 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 4, 5, 7-11.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aMetanoia, which circulated from 1970 to 1972, is one of the least remembered, self-published zines of the musical journalist and record executive Greg Shaw. While it described itself as a fanzine for "anyone who likes science fiction", some articles considered contemporaneous rock by groups such as The Kinks and The Grateful Dead. Metanoia is a valuable source of little-known writings by a highly celebrated music writer and thinker. Shaw's other titles, Mojo navigator, Mojo entmooter, Phonograph record magazine, Bomp!>, Rock, you sinner, and Duke of earl, are also included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZines. 0aRock music. 7aZines.2lcgft1 aShaw, Greg, d1949-2004,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35493402196nas a2200337 i 4500001001000000003000900010005001700019007001500036008004100051040003700092245001000129264005000139300003300189336002600222336003400248337002600282338003600308500003900344506007700383520099300460588006701453650002601520650003101546650003801577650002501615650002801640655001801668700003601686700003601722856010001758RAPMMmiauNyNyRILM20260706130400.0cr bn         830000d19961999sp    i o     0   a spa d  aNyNyRILMbengerdaepncNyNyRILM00amiau! 1aMurcia, Spain : bFANZINE MIAU!, c1996-1999.  a1 online resource (6 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  amiau! was a Spanish feminist punk fanzine from the 1990s, bound with staples and reproduced in black and white photocopies. It followed the line of riot grrrl fanzines, and discussed topics such as punk music, sexuality, and beauty. The creators of miau!, the sisters Lydia and Mabel Damunt Romero, stated in the manifesto published in the first issue (1996) that their goal was to provide readers with engaging material to counteract the boredom of existing publications. At the time, there were no fanzines in their city of Murcia, and the women's magazines did not address the topics they identified with. Each issue contained articles and comics, although the editors avoided fixed sections as a feature of the zine. miau!, along with Fempunk, became a pioneering feminist punk publication and was one of the titles that helped launch the Ladyfest España festival. Lydia and Mabel also play in their 20-year-old band, Hello Cuca, which is an icon of the riot grrrl movement in Spain.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZineszSpainzMurcia. 0aFeminism and musiczSpain. 0aComic books, strips, etc.zSpain. 0aPunk culturezSpain. 0aPunk culturexFeminism. 7aZines.2lcgft1 aDamunt Romero, Lydia,ecreator.1 aDamunt Romero, Mabel,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/37375002941cas a2200385 i 4500001001900000003000900019005001700028007001500045008004100060035002300101035002500124040003700149245002100186264005300207300003200260310001500292336002600307336003400333337002600367338003600393500003900429500002800468506007700496520151700573588006802090650002002158650005002178650004602228650006302274655004602337655001802383700002702401700002702428856010002455RAPMMMojoentmooterNyNyRILM20250625115438.0cr cn         190709d19681969cau x i o     0   a eng d  a(OCoLC)1107791487   a(OCoLC)on1107791487   aNyNyRILMbengerdaepncNyNyRILM00aMojo entmooter.  1aFairfax, CA : bGreg and Suzy Shaw, c1968-1969.  a1 online resource (1 issue)  aIrregular   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issue 1.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aMojo entmooter emerged from the legacy of two previous publishing efforts by fanzine legends Greg and Suzy Shaw: Mojo navigator and Entmoot. Mojo navigator, one of the first rock and roll magazines launched in the summer of 1966 and a pioneering voice in the underground music scene, ultimately ceased publication due to editorial disagreements, as explained by the Shaws, despite its potential to become a significant influence in the music world. Entmoot was dedicated to the works of J.R.R. Tolkien and gained recognition in fantasy circles before being discontinued as their founders shifted focus to music. Mojo entmooter sought to revive the spirit of exploration and discussion found in both previous projects while emphasizing personal insights into music and culture. Unlike traditional fanzines, it strived to stand out by including content from the underground press, which was made possible through its membership in the Underground Press Syndicate. With a modest circulation of 500, it aimed to connect with readers passionate about music, offering fresh perspectives and encouraging contributions from various genres, including science fiction and fandom. The Shaws mailed Mojo entmooter to members of the syndicate and to all major record companies to score review copies of new records for sourcing materials to write about. The Shaws' zines Metanoia, Mojo navigator, Duke of earl, Phonograph record magazine, Bomp!, Duke of earl, and Rock, you sinners! are also included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aFan magazines.  0aUnderground press publicationsvPeriodicals.  7aFan magazines.2fast0(OCoLC)fst01728966  7aUnderground press publications.2fast0(OCoLC)fst01160984  7aPeriodicals. 2fast 0(OCoLC)fst01411641  7aZines.2lcgft1 aShaw, Greg,epublisher1 aShaw, Suzy,epublisher403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39044202565cas a2200385 i 4500001001300000003000900013005001700022007001500039008004100054035001900095040003700114043001200151245003100163246003200194246006700226246003800293246001900331264006900350300003300419336002600452336003400478337002600512338003600538500003900574500004200613506007700655520090800732588006701640650007801707650015001785655004601935655003401981710006402015856010002079RAPMMMojonavNyNyRILM20260701102915.0cr cn         771027d19661967cau x i o     0   a eng d  a(OCoLC)3372962  aNyNyRILMbengerdaepncNyNyRILM  an-us-ca00aMojo-navigator R & R news.3 aMojo navigator R and R news1 iIssues for Aug. 1967- called:aMojo navigator rock & roll news30aMojo navigator rock and roll news30aMojo navigator 1aSan Francisco, Calif. : bMojo Publishing  Company, c1966-1967.  a1 online resource (3 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 11, 12, and 14.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aMojo navigator R&R News is considered the U.S. west coast’s first rock n’ roll magazine. It was the work of two San Francisco teenagers, David Harris and Greg Shaw. Taking advantage of Shaw’s previous experience as a fanzine maker, the two produced 14 mimeographed, stapled issues in 1966 and 1967 that were sold locally. The magazine focused on the psychedelic rock scene of the San Francisco area, featuring interviews with Grateful Dead, Big Brother and the Holding Co., Country Joe and the Fish, and The Doors. Greg Shaw later founded the fanzine (Who put the) Bomp! and the record label Bomp! Records, while Mojo navigator was a major influence on Jann Wenner, who founded Rolling Stone magazine in San Francisco in November 1967. Shaw's other titles, Metanoia, Mojo entmooter, Phonograph record magazine, Bomp!>, Rock, you sinner, and Duke or earl, are also included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aRock musicy1961-1970vPeriodicals.0_aRock_music_y1961-1970_vPeriodicals 0aRock musiczCaliforniazSan Francisco Bay Areay1961-1970vPeriodicals.0_aRock_music_zCalifornia_zSan_Francisco_Bay_Area_y1961-1970_vPeriodicals 7aPeriodicals.2lcgft0_aPeriodicals_2lcgft 7aZines.2lcgft0_aZines_2lcgft2 aUnderground Press Syndicate.0_aUnderground_Press_Syndicate403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35493203660cam a2200457 i 4500001001800000003000900018005001700027007001500044008004100059035002200100035001800122040003700140050002300177100009300200245003700293264003400330300003200364336002600396336003400422337002600456338003600482500003900518500017800557506007700735520079100812520085601603588006802459650006402527650006302591650003202654650003302686650003802719650003702757655002702794655004502821655003702866655007302903655004302976700008303019856010003102RAPMMMostunwantedNyNyRILM20260706130700.0cr bn         210616s2021    ilu   i o     0   a eng d  a(OCoLC)1256714108  ain00006456590  aNyNyRILMbengerdaepncNyNyRILM 4aZ286.Z54bM37 20211 aMason, Lizc(Zine publisher),eauthor.0http://id.loc.gov/authorities/names/no201203225110aMost unwanted zine /cLiz Mason. 1aChicago : bLiz Mason, c2021  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  a"The Most Unwanted Zine is based on research culled from zine readers via a Google survey and my experience selling Qustomized Quimby's Zine Packages at Quimby's Bookstore."1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aMost unwanted zine is the latest project by Chicago zinester Liz Mason. Inspired by the unconventional art of Russian-born conceptual artists Komar and Alexander Melamid, this zine boldly embraces everything zine enthusiasts claim to dislike. With a playful twist, Mason delivers an intriguing mix of unwanted elements, including poetry that readers would rather avoid, shoddy construction, and a self-indulgent perzine rant (criteria pointed out by real zine readers). Expect ridiculous font choices, baffling layouts, and meandering thoughts through a fictional punk scene and beyond. Mason has produced several zines, including Awesome things, Caboose, Dance dance party party zine zine, Here's a zine template, and Punk rock glee club, all of which are part of the RAPMM collection.  a"Based on extensive zine research and surveying, The Most Unwanted Zine incorporates everything people like least in zines. Inspired by Russian conceptual artists Komar and Melamid and their genius creations like 'The Most Unwanted Song,' The Most Unwanted Zine is a true charmer for any long-time zine reader. In Liz's own words: 'The #1 thing people said they didn't want in a zine? Poetry. So there's that. The #2 thing people complained about zines? Shitty construction. So there's that. But also, don't miss a self-involved perzine rant, ridiculous font decisions with bad letting/kerning, a poorly laid out photo spread, the obligatory punk scene report, vague or meandering ramblings, lecturing with pedantically big academic words, whining and more!'"--Antiquated Future description.uhttps://antiquatedfuture.com/zines/the-most-unwanted-zine/0 aOnline resource; title from RAPMM website (viewed 24 June 2025) 0aZines.0http://id.loc.gov/authorities/subjects/sh2005003810 0aSatire.0http://id.loc.gov/authorities/subjects/sh85117645 6aZines.0(CaQQLa)201-0428104 6aSatire.0(CaQQLa)201-0003483 7aSatire.2fast0(OCoLC)fst01105668 7aZines.2fast0(OCoLC)fst01896158 7aLiterary zines.2lcgft 7aPopular works.2fast0(OCoLC)fst01423846 7aZines.2fast0(OCoLC)fst01919987 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210 7aZines.2rvmgf0(CaQQLa)RVMGF-0000011791 aMason, Lizc(Zine publisher)0http://id.loc.gov/authorities/names/no2012032251403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38749704515cas a2200769 i 4500001001700000003000900017005001700026007001500043008004100058010001500099019001400114022001700128023001700145035002100162037003900183040016700222042001400389043001200403050001700415130002900432222003000461245001300491246002100504264005400525264005000579300003400629310002400663321002800687336002600715336003400741337002600775338003600801362003500837500005200872500003900924520117900963588006702142650004202209650004102251650005302292650005102345650001602396650004602412650005402458650005702512650005602569650005602625650004002681650005402721650005102775650004902826650006602875650007102941650007003012650007403082650006903156650007203225650007303297651004503370655004303415655003703458655001803495655002103513655001803534700009303552856010003645RAPMMMuchachafanNyNyRILM20260706130700.0cr cn         260630c20119999txu x i       0   a0eng    a2017208189  a8058579020 a2573-2412210 a2573-241221  a(OCoLC)986229219  bhttp://muchachafanzine.tumblr.com/  aDLCbengerdacDLCdOCLCOdDLCdOCLCOdDLCdOCLCOdDLCdOCLCFdOCLCOdOCLCAdDLCdOCLCOdTEUdOCLCOdDLCdEEMdOCLCOdIULdORUdOCLCQdIULdOCLCLdOCLCQdNyNyRILM  apccansdp  an-us---00aHQ1402b.M830 aMuchacha (McAllen, Tex.) 0aMuchachab(McAllen, Tex.)10aMuchacha1 aMuchacha fanzine 132011- :a[Murfreesboro, Tenn.] :b[Daisy Salinas] 33<2014-> :a[McAllen, Tex.] :b[Daisy Salinas]  a1 online resource (19 issues)  aIrregular,b<2014->  aQuarterly,b2011-<2013>  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan with: Issue #1 (Dec. 11)  aSome issues have also distinctive theme titles.  aDigitized version of a print zine.  aDaisy Salinas, a prolific zinester, founded the feminist punk zine Muchacha fanzine in 2011 based on a Chicana feminist perspective that encouraged involvement in the do-it-yourself (DIY) music scene, and fostered participation in grassroots activism. Muchacha fanzine opens up a space to reflect on race within feminist publications and gives voice to Black, Indigenous, and people of color (BIPOC) communities. In the inaugural issue, Salinas explains how her publication emanated from the riot grrrl movement and the DIY scene. Special issues are devoted to decolonizing punk, where Salinas compiled an international list of punk bands of color, and to Selena Quintanilla, the “Queen of Tejano music”. Over the years, Muchacha fanzine became a publication that featured marginalized voices from different places, on topics such as music, art, political education, intersectional feminisms, Indigenous resistance, Black Lives Matter, environmental justice, LBGTQ rights, migration, and much more. A pocket version of the zine, Muchacha mini, is also included in the RAPMM collection. In addition to fanzines, Salinas has formed several bands, including Frijolera Riot.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aFeminismzUnited StatesvPeriodicals. 0aMexican American womenvPeriodicals. 0aRiot grrrl movementzUnited StatesvPeriodicals. 0aSexual minoritieszUnited StatesvPeriodicals. 4aWomen's art 6aFéminismezÉtats-UnisvPériodiques. 6aAméricaines d'origine mexicainevPériodiques. 6aRiot grrrl (Mouvement)zÉtats-UnisvPériodiques. 6aMinorités sexuelleszÉtats-UnisvPériodiques. 7aComic books, strips, etc.2fast0(OCoLC)fst00869145 7aFeminism.2fast0(OCoLC)fst00922671 7aMexican American women.2fast0(OCoLC)fst01019031 7aRiot grrrl movement.2fast0(OCoLC)fst01098066 7aSexual minorities.2fast0(OCoLC)fst01202158 7aFeminism.2homoit0https://en.homosaurus.org/v4/homoit0000437 7aWomen's music.2homoit0https://en.homosaurus.org/v4/homoit0000755 7aLGBTQ+ music.2homoit0https://en.homosaurus.org/v4/homoit0003610 7aLGBTQ+ musicians.2homoit0https://en.homosaurus.org/v4/homoit0000908 7aLGBTQ+ arts.2homoit0https://en.homosaurus.org/v4/homoit0000816 7aLGBTQ+ artists.2homoit0https://en.homosaurus.org/v4/homoit0000070 7aLGBTQ+ activism.2homoit0https://en.homosaurus.org/v4/homoit0000006 7aUnited States.2fast0(OCoLC)fst01204155 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2fast0(OCoLC)fst01919987 7aZines.2lcgft 7aFanzines.2rvmgf 7aZines.2rvmgf1 aSalinas, Daisy,eeditor.1https://id.oclc.org/worldcat/entity/E39PCjy8JRfmdJr4WKfmy3PfMd403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39029202262nas a2200385 i 4500001001800000003000900018005001700027007001500044008004100059040003700100100003000137245003700167264004800204300003300252310001400285336002600299336003400325337002600359338003600385500003900421500003500460506007700495520095200572588006701524650002501591650003101616650002101647650001801668650002001686650001801706650002001724650001401744655001801758856010001776RAPMMMuchachaminiNyNyRILM20260706130700.0cr cn         260630c20239999txuuu i o     0   a0eng d  aNyNyRILMbengerdaepncNyNyRILM1 aSalinas, Daisy, eauthor.00aMuchacha mini / cDaisy Salinas. 1aSan Antonio, TX : bDaisy Salinas, c2021-.  a1 online resource (2 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 1 and 2.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aA sequel of Muchacha fanzine, this pocket-version zine was created by Chicana feminist zinester Daisy Salinas to continue sharing her ideas about Black, Indigenous, and people of color (BIPOC) punk, and in particular, of punk and women of color (WOC). These groups have not received the same attention that White people and men in punk generally get. The first issue includes a description of punk women and women of color such as Alice Bag, one of the creators of East Los Angeles punk scene with her band The Bags; Chicana drummer Michelle Gonzales, who has toured the world with her punk band Spitboy; Teresa Covarrubias; and Vaginal Creem Davis, a genderqueer drag musician and zinester who participated in the inception of the DIY queercore music scene. Muchacha fanzine, the publication that started Muchacha mini, is also included in the RAPMM collection. In addition to fanzines, Salinas has formed several bands, including Frijolera Riot.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aZineszUnited States 0aWomen punk rock musicians. 0aPunk rock music. 0aPunk culture. 0aMusic and race. 0aHorror films. 0aMotion pictures 0aActresses 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39031003191cas a2200601 i 4500001000800000003000900008005001700017007001500034008004100049010001800090022003100108035003100139035006000170035002500230037008800255040003700343042001600380050001700396082001400413130002300427210002500450222002600475245000900501264005200510300003400562310003600596321003000632336002600662336003400688337002600722338003600748362007300784500003900857500004400896506007700940515005201017520079201069588006901861650004001930650004101970650004802011650004702059650005902106650004602165650006202211650005302273650004002326655002402366655004602390648002202436700003102458856010002489RAPMMNDNyNyRILM20260706130900.0cr cn         870727d19821999txufx i o     0   a eng d  asn 87002208  0 a0894-8585 l0894-8585 21   a(CU-S)b41037868-01ucs_sdi   a(OCoLC)16288130 z(OCoLC)173693589 z(OCoLC)1009010834   a(OCoLC)ocm16288130    bND, c/o Daniel Plunkett, PO Box 4144, Austin, TX 78765, http://www.desk.nl/northam   aNyNyRILMbengerdaepncNyNyRILM  ansdp apcc 14aNX1.A1 bN3 10a705 211 0 aND (Austin, Tex.) 0 aN D b(Austin Tex.)  0aN D b(Austin, Tex.) 10aND.  1aAustin, Texas : bDaniel Plunkett, c1983-1999   a1 online resource (18 issues)  aTwo no. a year, b<Feb. 1995->   a3 no. a year (irregular)   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan with 1 (1982); ceased with issue 21 (Apr. 1999) or 22 (1999)?   aDigitized version of a print zine.  aRAPMM includes issues 2-6, 8-10, 12-21.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aStarting in 1995 publication frequency erratic.  aEditor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise-including groups like The Haters, Rhythm & Noise, and Vox Populi!-while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.0 aOnline resource; title from RAPMM website (viewed 16 June 2025)  0aAvant-garde (Music) vPeriodicals.  0aMusic y20th century vPeriodicals.  0aArts xExperimental methods vPeriodicals.  0aArt, Modern y20th century vPeriodicals.  0aArt and music xReviews y20th century vPeriodicals.  7aArt, Modern. 2fast 0(OCoLC)fst00816615  7aArts xExperimental methods. 2fast 0(OCoLC)fst00817748  7aAvant-garde (Music) 2fast 0(OCoLC)fst00824287  7aMusic. 2fast 0(OCoLC)fst01030269  7aPeriodicals. 2aat  7aPeriodicals. 2fast 0(OCoLC)fst01411641  7a1900-1999 2fast 1 aPlunkett, Daniel,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38512801869nas a2200313 i 4500001002200000003000900022005001700031007001500048008004100063040003700104100002800141245002300169264005300192300003200245336002600277336003400303337002600337338003600363500003900399506007700438520074300515588006701258650002001325650002801345650002501373650003901398655001801437856010001455RAPMMNegativeresponseNyNyRILM20250701164400.0cr cn         830000d19811981enk   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aRider, Alan, ecreator.10aNegative response. 1aCoventry, United Kingdom : bAlan Rider, c1981.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aNegative response was the 1981 title by Alan Rider in the A6-sized onezine trilogy series, after he published Sticky fingers and Certain substances. Negative response spoofed the music scene of Coventry, England, at the time. Intriguingly, the cover featured a crying baby. It contained a mix of cartoons lampooning the Coventry music scene, album reviews, and a cash giveaway competition (comprising a UB40 signing-on card). As with the previous two fanzines in the series, there was no editorial address, and it was credited as Yet Another Bad Habits Production, named after the "tuneless school punk band" where Rider played. Alan Rider also edited Adventures in reality and Not the jobhunter. All Rider's titles are included in RAPMM.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZineszEngland. 0aPopular musiczEngland. 0aSatirexPeriodicals. 0aComic books, strips, etc.zEngland 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38130802916cas a2200685 i 4500001001900000003000900019005001700028007001500045008004100060010001700101035001900118037005600137040013600193042001400329043001200343050002000355245002100375246005100396246000800447264004400455264004200499300003400541310007000575321002200645336002600667336003400693337002600727338003600753500002400789500006600813500005500879500008100934500004101015500003901056500007201095506007701167515005801244525004801302588004201350588002501392588006701417650002901484650003401513650003101547650005901578650003501637650003501672650003701707650006601744650002301810650002601833650002101859651010101880655002201981655005502003655002202058655001802080730003202098856010002130RAPMMNewYorkRockerNyNyRILM20260706131148.1cr cn         260630d19761984nyumn i o     0   a0eng d  a  2020204248  a(OCoLC)8150713  bNew York rocker, P.O. Box 253, Elmhurst, N.Y. 11373  aBGUbengcBGUdMULdOCLdNYPdJPGdAU@dOCLCQdOCLCFdOCLCOdEEMdOCLCOdSTFdOCLCQdDLCdOCLCOdOCLCLdUUSdOCLCOdOCLCLdNyNyRILM  alccopycat  an-us-ny00aML3533.8b.N48500aNew York rocker.1 iIssues for <June 1980-> have title:aNY rocker13aNYR 0a[New York] :bOver the Hill Productions3031984- :aNew York, NY :bRocker, Inc.  a1 online resource (46 issues)  aMonthly (except July and Aug.),b<Dec. 1979/Jan. 1980-Sept. 1981>  aBimonthly,b1976-  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aTitle from caption.  aEditor: A. Betrock, 1976- ; S. Andrew Schwartz, <Sept. 1981->  aPublished: Elmhurst, N.Y : New York Rocker, 1976-?  aPublication suspended in 1982, resumed publication with No. 56 (March 1984).  aIssues <-1981> printed on newsprint.  aDigitized version of a print zine.  aRAPMM includes issues 1-6, 8-14, 16-17, 20-21, 26-44, 46-47, 49-56.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aVolume numbering dropped beginning with issue no. 15.  aIssue for Sept. 1981 includes: Slash extra.0 aJuly/August 1981; title from caption.1 aNo. 56 (March 1984).0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aRock musicvPeriodicals. 0aPunk rock musicvPeriodicals. 0aPunk culturevPeriodicals. 0aPunk culturezNew York (State)zNew YorkvPeriodicals. 6aRock (Musique)vPériodiques. 6aPunk (Musique)vPériodiques. 6aPunk (Mouvement)vPériodiques. 6aPunk (Mouvement)zNew York (État)zNew YorkvPériodiques. 7aPunk culture2fast 7aPunk rock music2fast 7aRock music2fast 7aNew York (State)zNew York2fast1https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc 0aLittle magazines. 4aFan magazineszUnited Statesy20th century.5cmalg 7aPeriodicals2fast 7aZines.2lcgft0 aSlash (Los Angeles, Calif.)403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39189602377cas a2200385 i 4500001001400000003000900014005001700023007001500040008004100055035002300096037006300119040003700182043001200219245002500231246001900256264005300275300003300328310002200361336002600383336003400409337002600443338003600469500003900505500003100544506007700575520090300652588006901555650005901624650006201683651005301745655001801798700003301816752004201849856010001891RAPMMNolongerNyNyRILM20260706131248.1cr cn         940906d199u1995njufr i o     0   a eng d  a(OCoLC)ocm31056165  bJoseph A. Gervasi, 142 Frankford Ave., Blackwood, NJ 08012  aNyNyRILMbengerdaepncNyNyRILM  an-us---00aNO LONGER A FANzine.12aPhilthadelphia 1aBlackwood, NJ : bJoseph A. Gervasi, c199?-1995  a1 online resource (4 issues)  aTwo issues yearly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 4-7.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aNO LONGER A FANzine was a seven-issue publication from the early 1990s, edited by Joseph A. Gervasi. It focused on the Philadelphia hardcore scene and featured interviews with musicians and bands, including Abraham Rodríguez Jr. and Green Day, as well as conversations with other zine editors, tour diaries, and essays. Each issue of NO LONGER A FANzine included a note explaining that it was a 100% DIY publication, accompanied by a picture of Gervasi with his cat. Gervasi offered a trading advertisement in NO LONGER A FANzine for services and abilities he required. In the final issue, he reported on the activities of the Cabbage Collective, a group that organized all-ages, smoke-free, and alcohol-free hardcore shows in Philadelphia. In 2013, Gervasi started the Loud! Fast! Philly!, an audio interview archive that preserves the aural history of the Philadelphia hardcore punk scene.0 aOnline resource; title from RAPMM website (viewed 23 June 2025)  0aUnderground press publicationszNew JerseyzBlackwood. 7aUnderground press publications.2fast0(OCoLC)fst01160984 7aNew JerseyzBlackwood.2fast0(OCoLC)fst01250111 7aZines.2lcgft1 aGervasi, Joseph A.,eeditor.  aUnited StatesbNew JerseydBlackwood.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/41061602253cas a2200385 i 4500001001900000003000900019005001700028007001500045008004100060035002100101035002500122040003700147043002300184245002200207246000900229264005700238300003400295336002600329336003400355337002600389338003600415500003900451506007700490520086400567588006801431650004701499650007001546655002401616655002601640655001801666700002801684700002801712700002701740856010001767RAPMMNonstopbanterNyNyRILM20250624141021.0cr cn         871204c19851988ilubr i o     0   a eng d  a(OCoLC)17193175   a(OCoLC)ocm17193175    aNyNyRILMbengerdaepncNyNyRILM  an-us--- an-us-il 00aNon-stop banter. 13aNSB  1aOrland Park, IL : bNon*stop Banter, c©1985-1988.   a1 online resource (16 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aNon-stop banter was a vibrant fanzine published between 1985 and 1988 in Orland Park, Illinois. This center-stapled publication, edited by Debbie, Thomas, and Bruce Novak, comprised 16 issues filled with sharp interviews, insightful record reviews, and candid opinion pieces. It spotlighted the lively Chicago indie scene, covering bands like Big Black, Naked Raygun, and Eleventh Dream Day, as well as touring acts like Sonic Youth and R.E.M. Known for its fun and informative style, Non-stop banter emerged as a platform for Debbie, Thomas, and Bruce Novak, self-appointed music critics, to share their highly biased opinions and connect with fellow music enthusiasts. Each issue focused on new music, delivering substantial content on local favorites like The Outnumbered and The Del Fuegos, providing a unique perspective of the underground rock scene.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aRock music zUnited States vPeriodicals.  0aRock music zIllinois zChicago Metropolitan Area vPeriodicals.  7aperiodicals. 2aat  7aPeriodicals. 2lcgft  7aZines.2lcgft1 aNovak, Debbie,eeditor.1 aNovak, Thomas,eeditor.1 aNovak, Bruce,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39193901698nas a2200313 i 4500001002100000003000900021005001700030007001500047008004100062040003700103100002800140245002300168264005800191300003300249336002600282336003400308337002600342338003600368500003900404506007700443520056000520588006701080650002001147650002801167650002501195650004601220655001801266856010001284RAPMMNotthejobhunterNyNyRILM20250701165000.0cr cn         830000d19821983enk   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aRider, Alan, ecreator.10aNot the jobhunter. 1aCoventry, United Kingdom : bAlan Rider, c1982-1983.  a1 online resource (6 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aAvailable either for free or for ten pence an issue, Not the Jobhunter (1981) was an "agitzine" by Alan Rider of Coventry, England, that satirized a government-produced magazine entitled The job hunter and British political culture and politicians during the first term of Margaret Thatcher's Conservative government. With a tagline of "Be more than a witness", it featured political polemic as well as some music reviews. Rider's other zines-also featured in RAPMM-include Adventures in reality, Sticky fingers, Certain substances, and Negative response.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZineszEngland. 0aPopular musiczEngland. 0aSatirexPeriodicals. 0aSatirezEnglandxPolitics and government. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42940502066nas a2200313 i 4500001001700000003000900017005001700026007001500043008004100058040003700099245001700136264005500153300003400208336002600242336003400268337002600302338003600328500003900364506007700403520094100480588006701421650002101488650003201509650003501541650002801576655001801604700003001622856010001652RAPMMNuevafuerzaNyNyRILM20260706144548.1cr cn         830000d19891993ck    i o     0   b spa d  aNyNyRILMbengerdaepncNyNyRILM00aNueva fuerza 1aMedellín, Colombia : bNueva fuerza, c1989-1993.  a1 online resource (12 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aCreated by Yaneth Alzate as the sequel of the fanzine Visión rockera, also included in the RAPMM collection, Nueva fuerza aimed to document the hardcore metal punk scene in Colombia during the 1990s. Alzate focused on independent bands such as La Pestilencia, I.R.A., Athanator, and Masacre, which originated from the suburbs and marginalized areas of Bogotá and Medellín. Their lyrics addressed harsh realities and rejected the mainstream music industry. Nueva fuerza was produced in a homemade style and duplicated through photocopying. It featured interviews with both Colombian and foreign underground bands, comic strips, and articles that condemned issues like bullfighting and compulsory military service. The publication also had correspondents in other countries, including Mexico and Venezuela. In the supplement of its final issue, number 11, Alzate chronicled the history of rock in Medellín since the late 1960s.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZineszColombia. 0aHardcore (Music)zColombia. 0aHeavy metal (Music)zColombia. 0aPunk culturezColombia. 7aZines.2lcgft1 aAlzate, Yaneth,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38834102291nas a2200433 i 4500001001300000003000900013005001700022007001500039008004100054022001500095035002300110035002500133040003700158049001000195050002000205210002000225222002200245245002300267264011400290300003400404310001500438336002600453336003400479337002600513338003600539500003900575506007700614520054800691588006901239600004901308600012801357650003401485650004801519655004601567655002601613710007601639710004201715856010001757RAPMMOldtimeNyNyRILM20250618153207.0cr cn         240405c19881994msuqr i o ko  0   a eng d  z1044-1042   a(OCoLC)1428794196   a(OCoLC)on1428794196   aNyNyRILMbengerdaepncNyNyRILM  aRBNN  4aML3523 b.O52x 0 aOld time ctry.  0aOld time country 00aOld time country.  1aOxford, Mississippi : bThe University of Mississippi Center for the Study of Southern Culture, c1988- 1994.  a1 online resource (12 issues)  aQuarterly   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPublished between 1988 and 1994 by the Center for the Study of Southern Culture at the University of Mississippi, Old time country evolved from the newsletter of the Jimmie Rodgers Memorial Association. Under the editors W.K. McNeil and David Nelson, it featured pieces based upon first-hand reportage alongside historical research and sociocultural analysis. Committed to traditional forms of country music, the magazine often featured big country stars of the 1930s and 1940s on their covers, such as Wilf Carter, Gene Autry, and Lulu Belle.0 aOnline resource; title from RAPMM website (viewed 18 June 2025) 10aRodgers, Jimmie, d1897-1933 vPeriodicals. 17aRodgers, Jimmie, d1897-1933. 2fast 0(OCoLC)fst00199386 1https://id.oclc.org/worldcat/entity/E39PBJghjtMXPjf3qjJQpGGbVC  0aCountry music vPeriodicals.  7aCountry music. 2fast 0(OCoLC)fst00881424  7aPeriodicals. 2fast 0(OCoLC)fst01411641  7aPeriodicals. 2lcgft 2 aUniversity of Mississippi. bCenter for the Study of Southern Culture. 2 aJimmie Rodgers Memorial Association. 403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35487502597cas a2200517 i 4500001002100000003000900021005001700030007001500047008004100062010003100103040003700134022002800171035003700199042001400236050001800250082001200268210002300280222002600303245005600329246000900385246001500394246002000409264007600429300003300505310001400538336002600552336003400578337002600612338003600638500003900674506007700713520058900790588006901379650004601448650006801494650006401562650003701626650006401663650004201727655006201769655004301831655004401874700003501918700002601953856010001979RAPMMOnetwothreefourNyNyRILM20260706131648.1cr cn         860701d19851990cauqr i o     0   a eng d  asn 86036310 zsn 86001644   aNyNyRILMbengerdaepncNyNyRILM0 a0889-0536l0889-053621  a(OCoLC)13806863z(OCoLC)13819041  apccansdp 4aML3533.8bO5310a7842110 aOne two three four 0aOne, two, three, four00aOne, two, three, four : bA rock 'n' roll quarterly10a123410a1, 2, 3, 413aOnetwothreefour 1aLos Angeles, CA : bStrong Sounding Thought Press, Inc., cc1984-c1990.  a1 online resource (9 issues)  aQuarterly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aA seminal scholarly journal dedicated to popular music studies, OneTwoThreeFour appeared from 1984 to 1990, altogether releasing nine issues under various editors, including Brenda Johnson-Grau (UCLA) and Gary Burns (Northern Illinois University). Highly interdisciplinary in scope, OneTwoThreeFour addressed academics as well as music journalists and other readers interested in sociocultural and musicological perspectives on popular music. One issue of OneTwoThreeFour focused on music videos; other topics of discussion included gender, racism, technology, and the music industry.0 aOnline resource; title from RAPMM website (viewed 20 June 2025)  0aRock musicvPeriodicals0(ctweharu)280659 0aMusicxPhilosophy and aestheticsvPeriodicals0(ctweharu)275023 0aMusicxHistory and criticismvPeriodicals0(ctweharu)286512 7aMusic2fast0(OCoLC)oca02048224  7aMusicxPhilosophy and aesthetics2fast0(OCoLC)oca02048692  7aRock music2fast0(OCoLC)oca02059086  7aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635 7aPeriodicals2fast0(OCoLC)oca10077273  7aPeriodicals2lcgft0(OCoLC)oca10077273 1 aJohnson-Grau, Brenda,eeditor.1 aBurns, Gary,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/20938804204cas a2200781 i 4500001001600000003000900016005001700025007001500042008004100057010001400098022002800112035002400140040003700164042001400201050001600215082001100231222001700242245001800259246002400277264006100301264006400362300003400426310002100460321002100481321003100502321004900533336002600582336003400608337002600642338003600668500003900704500007300743506007700816515009800893515008600991520087301077530006001950588006902010650003302079650003402112650003202146650003302178650004202211650005702253650003002310650003702340650005002377650004602427650003602473650004302509650004702552650004502599650005502644650002702699650002902726650003702755650002702792650002202819650002802841655006202869655004302931655014002974700002903114776005303143776005303196776007303249856010003322RAPMMPaidmyduesNyNyRILM20250617141701.0cr cn         750731d19741980ilu x i       0   a0eng    a75642126   a0097-8035l0097-803521  a(OCoLC)ocm01799171   aNyNyRILMbengerdaepncNyNyRILM  apccansdp00aML1b.P105204a780/.5 0aPaid my dues00aPaid my dues.1 iAlso known as:aPMD 13<-March 1976>:aMilwaukee, WI :bWomens' Soul Publishing313<August 1977>Jan. 1980:aChicagobCalliope Publishing, Inc.  a1 online resource (12 issues)  aIrregular,b1980  aQuarterly,b1974  aIrregular,b1975-Mar. 1976  aQuarterly,bfall 1977-October-December, 1979  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  a"A Quarterly journal of women and music" (subtitle varies slightly).1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aIssues no. 4-6 published in 1975-1976 lack a volume designation but constitute v. 1, no. 4-6.  aNo issues published between no. 6 (Mar. 1976) and v. 2, no. 1 (fall 1977) issues.  aFounded by Dorothy Dean of Milwaukee in 1974, Paid my dues is an important document of women's music of the 1970s. A major focus of the zine was women folk musicians and singer-songwriters, especially those who directly confronted political concerns in their lyrics, such as Betsy Rose, Jane Voss, Willie Tyson, Vera Johnson, and Margie Adam. Other articles delved into women's jazz and classical music, covering "foremothers" like Hildegard von Bingen and Clara Wieck Schumann alongside living artists such as Vivian Fine and Mary Watkins. Each issue featured sheet music for songs contributed by women composers, and articles on practical matters-reading sheet music, guitar-playing technique, chord substitutions-were also included. Paid my due's profiles, interviews, reviews, and editorials provide insight into the evolution of second-wave feminism more broadly.  aAlso issued on microfilm from Primary Source Microfilm.0 aOnline resource; title from RAPMM website (viewed 17 June 2025)  0aWomen in musicvPeriodicals. 0aWomen musiciansvPeriodicals. 0aWomen's musicvPeriodicals. 0aFeminist musicvPeriodicals. 0aWomen's music festivalsvPeriodicals. 0aWomen musiciansxHistory and criticismvPeriodicals. 0aMusic tradevPeriodicals. 0aFeminism and musicvPeriodicals. 7aFeminism and music.2fast0(OCoLC)fst00922744 7aFeminist music.2fast0(OCoLC)fst00922792 7aMusic2fast0(OCoLC)fst01030269 7aMusic trade.2fast0(OCoLC)fst01030641 7aWomen musicians.2fast0(OCoLC)fst01178182 7aWomen's music.2fast0(OCoLC)fst01178761 7aWomen's music festivals.2fast0(OCoLC)fst01178762 7aWomen's music.2homoit 7aLesbian culture.2homoit 7aWomen's music festivals.2homoit 7aLGBTQ+ events.2homoit 7aFeminism.2homoit 7aLGBTQ+ culture.2homoit 7aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635 7aPeriodicals.2fast0(OCoLC)fst01411641 7aPeriodicals.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140261390(uri) http://id.loc.gov/authorities/genreForms/gf20140261391 aDean, Dorothy,efounder.08iOnline version:tPaid my duesw(OCoLC)103119458908iOnline version:tPaid my duesw(OCoLC)100113466508iMicrofilm version:tPaid my duesw(DLC)  2006225397w(OCoLC)70057182403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35490802120nas a2200325 i 4500001002200000003000900022005001700031007001500048008004100063040003700104245003100141264006300172300003300235336002600268336003400294337002600328338003600354500003900390500009700429506007700526520084600603588006701449650001101516650002901527655001801556700003601574700004801610700003601658856010001694RAPMMPhonographrecordNyNyRILM20260706131748.1cr cn         830000d19711973cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aPhonograph record magazine 2aLos Angeles : bUnited Artists Records, Inc., c1971-1973.  a1 online resource (5 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues from February 1971, May 1972, September 1972, May 1973, and June 1973.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe rock magazine Phonograph record magazine was founded in Los Angeles, California, and issued between 1970 and 1978 with Marty Cerf, zine legend Greg Shaw, and renowned English rock critic Ken Barnes as editors. Originally owned by the record label United Artists Records, it enjoyed a circulation of over 100,000. Writers included Colman Andrews, Lester Bangs, Mitchell Cohen, Richard Cromelin, John Ingham, Mark Leviton, John Mendelsohn, Metal Mike Saunders, Bud Scoppa, and Jon Tiven. Stars who appeared in its pages included many of the era's most well-known rockers: The Doors, Elton John, David Bowie, Frank Zappa, Suzi Quatro, Alice Cooper, New York Dolls, The Ramones, and Iggy Pop. Shaw's other titles, Metanoia, Mojo entmooter,Mojo navigator, Bomp!, Rock, you sinners, and Duke of earl, are also included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 1 July 2025) 0aZines. 0aRock musicvPeriodicals. 7aZines.2lcgft1 aCerf, Marty,eeditor,efounder.1 aShaw, Greg, d1949-2004,eeditor,efounder.1 aBarnes, Ken,eeditor,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35493002519cas a2200457 i 4500001001400000003000900014005001700023007001500040008004100055010001700096015002100113016002600134022003100160035002500191035003700216040003700253042002500290082002100315210001500336222001500351245002000366246005000386246002900436264005900465264005300524300003400577310001500611336002600626336003400652337002600686338003600712500003900748506007700787520087700864588006901741650003001810650004501840655004601885700003001931856010001961RAPMMPigpaperNyNyRILM20250616145800.0cr cn         820511d19751987xxc x i o     0   a eng d  acn 81031512   a810315122 2can   a(AMICUS)000001305744 0 a0710-3034 l0710-3034 21   a(NNU)000301476NYU01   a(OCoLC)8415753 z(OCoLC)8264991   aNyNyRILMbengerdaepncNyNyRILM  anlc aisds/c ansdp 0 a780/.42/05 219 0 aPig. pap.  0aPig paper 04aThe Pig paper. 13aSchweine Zeitung fAug.-Dec. 1977; Apr. 1978 13aCochonnerie fApr. 1978  1aMississauga, Ontario : bPig Productions, c1975-1987 21aHuntington Beach, CA : bPig Productions, c1982  a1 online resource (34 issues)  aIrregular   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe pig paper is cited as Canada's first self-published music fanzine. Co-founded in 1975 by the writer, record producer, filmmaker, singer, and songwriter Gary Pig Gold, its first issue was styled as a mock concert program for a gig in Toronto that year by The Who, while the third issue took a similar format for a 1977 concert by the Kinks. As it developed, the zine provided coverage of the punk and indie scenes in Canada and beyond, combining parody and serious analysis. For instance, the fifth issue (August 1977) included an interview with the Ramones, conducted after a performance in Toronto. In 1978, the offshoot Pig Records emerged, releasing a single by the Canadian rock group Simply Saucer. Later issues took a newsletter form with mock headlines like "John Lennon has come back as a crow!", but The pig paper continued over 32 issues until December 1987.0 aOnline resource; title from RAPMM website (viewed 16 June 2025)  0aRock musicvPeriodicals.  7aRock music. 2fast 0(OCoLC)fst01099204  7aPeriodicals. 2fast 0(OCoLC)fst01411641 1 aGold, Gary Pig,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39189202229nas a2200301 i 4500001002300000003000900023005001700032007001500049008004100064040003700105245002400142264007000166300003300236336002600269336003400295337002600329338003600355500003900391506007700430520114800507588006701655650001101722650002201733655001801755700002501773700002901798856010001827RAPMMPositiveinfluenceNyNyRILM20250702114500.0cr cn         830000d19881989cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aPositive influence. 1aSan Pedro, California : bAnji Lum and Buster Cates, c1988-1989.  a1 online resource (6 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPublished between 1988 and 1989, Positive influence was a dynamic hardcore publication founded by vocalist and zinestress Anji Lum (Anji Bee) and Buster Cates in San Pedro, California. Throughout six inspiring issues, this fanzine featured engaging interviews with various local bands, including Chain of Strength, Operation Ivy, and Uniform Choice, capturing the essence of the hardcore music scene. The publication reflected Anji Lum's deep roots in the punk music world and her experiences as one of the few women in the straight-edge hardcore scene of the late 1980s. Inspired by posicore (positive hardcore), Anji's vision for the zine served as a platform to empower others and foster a sense of community within the scene. In the first issue, Lum wrote an influential article, Girls in the scene, addressing the marginalization of women and reclaiming their presence in the hardcore culture. Positive influence was a heartfelt project aimed at sharing thoughts, nurturing connections, and bringing purpose to the readers' lives. Lum also published the zines Desperation, Descent, and Substitution, also included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZines. 0aHardcore (Music). 7aZines.2lcgft1 aLum, Anji,ecreator.1 aCates, Buster,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42020702703nas a2200385 i 4500001001700000003000900017005001700026007001500043008004100058022001400099040003700113245001700150246006400167246006500231246005300296246005400349246006400403264004700467264004800514300003400562336002600596336003400622337002600656338003600682500003900718506007700757520121700834588006702051650001002118650001502128650002702143655001802170700002902188856010002217RAPMMProgressionNyNyRILM20260701112100.0cr cn         260630d19922018mau|| i o     0   a0eng d0 a1087-2744  aNyNyRILMbengerdaepncNyNyRILM00aProgression.1 aProgression : bthe bi-monthly journal of progressive rock.1 aProgression : bthe bi-monthly journal of progressive music.1 aProgression : bthe journal of progressive rock.1 aProgression : bthe journal of progressive music.1 aProgression : bthe quarterly journal of progressive music. 1aLowell, MA : bJohn Collinge, c1992-2010.31aShirley, MA : bJohn Collinge, c2011-2018.  a1 online resource (77 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aProgression was launched by journalist John Collinge in 1992, during the so-called “third wave” of progressive rock. Inspired by Jason Rubin’s prog rock newsletter On reflection, Collinge put out the first 14 issues of Progression in a newsletter format before shifting to a full color magazine in 1995. Published in the U.S.A., Progression nevertheless took a geographically and stylistically broad approach to progressive music. Alongside features on famed groups like Yes, Jethro Tull, and Genesis, it includes columns on lesser-known artists such as Dutch symphonic metal band Delain, Indonesian jazz guitarist Tohpati, and Italian progressive metal band Kingcrow. Extensive album review sections are a staple of Progression, with some spanning nearly a hundred pages. Reflecting the importance of live performances for progressive music audiences, Progression also routinely featured festival reports—for example on Rites of Spring, NEARfest, Baja Prog, and ProgFest—and concert film reviews. Over its 26-year run, Progression’s extensive criticism, international coverage, and attention to established and emerging artists established it as a significant chronicle of progressive music culture.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aZines 0aRock music 0aProgressive rock music 7aZines.2lcgft1 aCollinge, John,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/44371602130nas a2200301 i 4500001001600000003000900016005001700025007001500042008004100057040003700098245002600135264007400161300003300235336002600268336003400294337002600328338003600354500003900390506007700429520102300506588006701529650002101596650003201617650003301649650002801682655001801710856010001728RAPMMProntuarioNyNyRILM20260706132048.1cr bn         830000d20212022ck    i o     0   b spa d  aNyNyRILMbengerdaepncNyNyRILM00aProntuario Medellín. 1aMedellín, Colombia : bProntuario Medellín Collective, c2021-2022.  a1 online resource (3 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aProntuario Medellín is a fanzine that captured the essence of Medellin's vibrant punk scene by exploring the diverse subgenres performed locally: hardcore, grindcore, and ultra. Just as the prontuario (criminal record) contains the judicial annotations of a person, the three issues of Prontuario Medellín brought together all the sound, culture, and politics of the time. According to the collective Prontuario Medellín, devoted to rescuing the musical memory of popular culture and underground, the three core values of this independent scene were autonomy, self-sufficiency, and a strident sound. Prontuario Medellín follows the city's zine tradition established by titles like Metal fuerza, Fragmento, Visión rockera, and Nueva fuerza (the last two are part of the RAPMM collection). This fanzine shows how the creativity of the musical scene challenged the traditional narrative that depicted the youth of the 1980s and 90s as criminals and emphasized their role in cultural resistance and critical thinking.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZineszColombia. 0aHardcore (Music)zColombia. 0aGrindcore (Music)zColombia. 0aPunk culturezColombia. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38842902318cas a2200409 i 4500001001600000003000900016005001700025007001500042008004100057010001400098022002800112035002400140037005500164040003700219042001400256050001900270082001600289130003700305222003800342245001600380264005700396300003400453310001400487336002600501336003400527337002600561338003600587500003900623506007700662520084500739588006901584650003401653650004701687655004301734700003101777856010001808RAPMMPropagandaNyNyRILM20260706132048.1cr cn         830303d19822002nyu x i o     0   a eng d  a83641656 1 a0737-0776l0737-077621  a(OCoLC)ocm09274382   bF.H. Berger, P.O. Box 296, New Hyde Park, NY 11040  aNyNyRILMbengerdaepncNyNyRILM  apccansdp00aML3533.8b.P760 a784.5/42190 aPropaganda (New Hyde Park, N.Y.) 0aPropagandab(New Hyde Park, N.Y.)10aPropaganda. 1aNew Hyde Park, NY : bFred H. Berger, c©1982-2002.  a1 online resource (26 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPublished during the 1980s and 1990s, Propaganda focused on all topics related to goth, including fashion, fetish gear, witchcraft, and literature, as well as music. Founded by the journalist and photographer Fred H. Berger in 1982, who was credited in some issues of the zine as "Propaganda Minister", the zine included interviews with major musical artists, from Siouxsie and the Banshees to Bauhaus to The Cure, as well as with the American gothic novelist Anne Rice. Photographs, often taken by Berger, commonly featured androgynous young men and women in fetish gear. Given the number of alternative and underground genres associated with the goth aesthetic-ranging from industrial music and darkwave to neo-psychedelia and dream pop-Propaganda serves as a significant historical record of early alternative and indie music in general.0 aOnline resource; title from RAPMM website (viewed 16 June 2025)  0aPunk rock musicvPeriodicals. 7aPunk rock music.2fast0(OCoLC)fst01084153 7aPeriodicals.2fast0(OCoLC)fst014116411 aBerger, Fred H.,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35483102332cas a2200409 i 4500001001200000003000900012005001700021007001500038008004100053035002600094035002100120040003700141043001200178245001700190246001100207246001900218264005600237264005700293300003300350336002600383336003400409337002600443338003600469500003900505506007700544520053100621588006801152650011801220650008501338650012501423650008301548650004201631655007301673655001901746700005701765856010001822RAPMMPuddleNyNyRILM20250625142047.0cr bn         110819d19881992cau|| i o     0   a eng d  a(CaEvSKY)sky239946728  a(OCoLC)931841159  aNyNyRILMbengerdaepncNyNyRILM  an-us-ca00aPuddle zine.1 aPuddle1 aPuddle fanzine 1aMiranda, CA : bChristopher Appelgren, c1988-1990.31aBerkeley, CA : bChristopher Appelgren, c1991-1993.  a1 online resource (6 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPuddle was a perzine written, edited, and designed by Chris Appelgren from 1988 to 1994 in the East Bay area. Appelgren, along with collaborators such as Lawrecene Livemore and Robert Eggplant, created nine issues of Puddle, focusing on writing about music and local punk communities. Appelgren worked for Lookout Records and eventually became its owner. As a designer, he created artwork for many East Bay bands and has performed as a musician in multiple bands. The East Bay Punk Archive has provided the scans of Puddle.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aPunk culturezCaliforniazSan Francisco Bay AreavPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109126 0aPunk rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aStudentszCaliforniazSan Francisco Bay AreavBiographyvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85129296 0aSkateboardingvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85123098 4aAlternative comic books, strips, etc. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210 0aFan magazines.1 aAppelgren, Christopher,edesigner,eeditor,ewriter.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/41167902996cas a2200505 i 4500001001400000003000900014005001700023007001500040008004100055010001700096022002800113035002300141035001300164037006900177040003700246042001400283043001200297082001200309130003300321210003400354222003800388245005000426264005800476264005300534300003400587310001400621336002600635336003400661337002600695338003600721362005700757500003900814506007700853520106600930588006801996650003402064650004602098650004402144650004702188651004502235655004302280700003102323700003602354856010002390RAPMMPunctureNyNyRILM20260702100418.0cr cn         891127d19822000cauqr i o     0   a0eng d  asn 89002198 0 a1047-4528l1047-452821  a(OCoLC)ocm20697237  a14010152  bPuncture Magazine, 1592 Union St., #431, San Francisco, CA 94123  aNyNyRILMbengerdaepncNyNyRILM  ansdpamsc  an-us---10a7052110 aPuncture (San Franc. Calif.)0 aPunctureb(San Franc. Calif.) 0aPunctureb(San Francisco, Calif.)10aPuncture :ba magazine of music and the arts. 1aSan Francisco, CA : bPuncture Magazine, c1982-1992.31aPortland, OR : bPuncture Magazine, c1992-2000.  a1 online resource (47 issues)  aQuarterly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan in 1982; ceased with no. 47 published in 2000.  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFounded by Patty Stirling and Katherine Spielmann in 1982, Puncture was a rare example of a fanzine established by two women. Based first in San Francisco and later in Portland, it lasted for 47 issues over 18 years. The zine documented the development of the influential Bay Area independent music scene from the early 1980s onward-including groups like Dead Kennedys, Flipper, and MDC alongside experimental outfits like Negativland and Toiling Midgets-while also covering major players from further afield, such as Meat Puppets, Minor Threat, and Crass. As it evolved from a black-and-white mimeographed fanzine to a glossy newsstand magazine, Puncture mirrored the larger trajectory of alternative music, which grew in popularity and became more mainstream in the 1990s. Profiles of soon-to-be-major indie rock icons such as Sleater-Kinney, Hole, Pavement, Flaming Lips, Belle & Sebastian, the Pixies, Cat Power, Nick Cave, Neutral Milk Hotel, Fugazi, My Bloody Valentine, and Guided By Voices provide valuable perspectives on a transformational period.0 aOnline resource; title from RAPMM website (viewed 2 June 2025)  0aPunk rock musicvPeriodicals. 0aPunk culturezUnited StatesvPeriodicals. 7aPunk culture.2fast0(OCoLC)fst01084152 7aPunk rock music.2fast0(OCoLC)fst01084153 7aUnited States.2fast0(OCoLC)fst01204155 7aPeriodicals.2fast0(OCoLC)fst014116411 aStirling, Patty,efounder.1 aSpielmann, Katherine,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35483702323cam a2200349 i 4500001002200000003000900022005001700031008004100048035003100089035002300120040003700143043001300180100007800193245004500271264004800316300003300364336002600397336003400423337002600457338003600483500003900519506007700558520086100635588006901496610002701565650007401592650003201666655008101698655007601779655001801855856010001873RAPMMPunkrockgleeclubNyNyRILM20250623145741.0180427d20132015ilua  i o     0   a eng d  a(NPV)b33618793-01vac_inst   a(OCoLC)1032614451   aNyNyRILMbengerdaepncNyNyRILM  an-us--- 1 aMason, Liz, eauthor. 0http://id.loc.gov/authorities/names/nb2003018184 10aPunk rock glee club. n\2 / cLiz Mason  1aChicago, Ill. : bThe author, c2015-2016.   a1 online resource (2 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPunk rock glee club was a fanzine started in 2013 by Liz Mason, dedicated to celebrating the spirit and sounds of Chicago's Blue Ribbon Glee Club. This a cappella group brings a fresh twist to classic punk rock anthems, covering iconic bands like the Buzzcocks, the Raincoats, and Fugazi. In the inaugural issue of Punk rock glee club, Mason explored the captivating journey of a community forged through the love of music, featuring in-depth interviews with both current and former members. In the second issue, members talked about their relationships to the songs they sing form bands like The Buzzcocks, Generation X, The dB's, T-Rex, Blondie, and more. Mason has produced several zines, including Awesome things, Caboose, Dance dance party party zine zine, Here's a zine template, and Most unwanted zine, all of which are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 23 June 2025) 20aBlue Ribbon Glee Club  0aPunk rock music. 0http://id.loc.gov/authorities/subjects/sh85109128  0aGlee clubs zUnited States  7aInterviews. 2lcgft 0http://id.loc.gov/authorities/genreForms/gf2014026115  7aZines. 2lcgft 0http://id.loc.gov/authorities/genreForms/gf2014026210  7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38749301881nas a2200289 i 4500001001400000003000900014005001700023007001500040008004100055040003700096245001400133264005400147300003200201336002600233336003400259337002600293338003600319500003900355506007700394520085700471588006701328650002101395650002801416655001801444700002901462856010001491RAPMMPunkzineNyNyRILM20250702122100.0cr cn         830000d20152015ck    i o     0   a spa d  aNyNyRILMbengerdaepncNyNyRILM00aPunkzine. 1aBogotá, Colombia : bLa Valija de Fuego, c2015.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPublished by La Valija de Fuego in 2015, or the year 31 of the Orwell era, Punkzine was devoted to snippets of Colombian punk song lyrics that addressed its convoluted social times. As Vortice Rebel, the editor, explained, "In times of upheaval in France, there were the accursed poets; in times of war, inequity, and chaos in Colombia, there were punks. City rats, prophets of bad milk, suicidal pilots among cement sewers, children of the unpredictable future or no future, it all depends on the crystal that conquers the events. These elusive fragments are like phlegm thrown into the darkness that soilsthe made-up reality. Each stanza reminds us that something is not right and that, as Lautreamont said, poetry can be written by everyone". Punkzine included lyrics from bands such as Bastardos Sin Nombre, I.R.A., Libra, Diarrea, and Aversión.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZineszColombia. 0aPunk culturezColombia. 7aZines.2lcgft1 aRebel, Vortice,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39193101631nas a2200289 i 4500001001400000003000900014005001700023007001500040008004100055040003700096245001400133264004400147300003400191336002600225336003400251337002600285338003600311500003900347506007700386520057700463588006701040650004801107655001801155700003101173700003701204856010001241RAPMMPussycatNyNyRILM20250702123700.0cr cn         830000d19892000sp    i o     0   b spa d  aNyNyRILMbengerdaepncNyNyRILM00aPussycat. 1aLeón, Spain : bPussycat, c1989-2000.  a1 online resource (13 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe Spanish fanzine Pussycat, published in the 1990s, was devoted to the 1960s mod culture. It was edited by Alex Cooper and his mod bandmate from Los Flechazos, Elena Iglesias Sastre. Cooper, an avid collector of mod-from records to magazines, press releases, music sheets, and postcards-used the materials he collected in his frequent trips to London to write some of the articles of Pussycat. Cooper published 13 issues of Pussycat between 1989 and 2000. Later on, he published two books about 1960s beat music in the United Kingdom, based on his extensive mod archive.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aMod culture (Subculture)yNineteen sixties. 7aZines.2lcgft1 aDíez, Alejandro,eeditor.1 aSastre, Elena Iglesias,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/37109401939nas a2200289 i 4500001001100000003000900011005001700020007001500037008004100052040003700093245001200130264004700142300003200189336002600221336003400247337002600281338003600307500003900343506007700382520096000459588006701419650001101486650001601497650001801513655001801531856010001549RAPMMQzineNyNyRILM20250702125000.0cr cn         830000d19981998ch    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM00aQ-zine. 1aShenzhen, China : bQ Discotheque, c1998.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aCombining Ray Gun-style graphic design, The Face and i-D-style photography, and a uniquely freewheeling Chinese textual style, Q-zine features abundant use of lines, ink-smudge effects, misprint aesthetics, endlessly varied fonts, decadent colors produced by processing positive film as negatives, and surreal, dream-like language. Together, these elements create a subculture publication that aligns with international trends. Some might criticize it for lacking national characteristics, but the privilege of the new generation lies in their ability to transcend the confines of ethnocentrism and directly engage with an international cultural context. The rock musicians and DJs featured in Q-zine are not the entertainment stars idolized by mainstream media, nor does the lifestyle it promotes align with the white-collar existence championed by so-called fashion magazines. Everything it discusses is filtered through a consciously intellectual lens.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZines. 0aRock music. 0aRave culture. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42470302833cas a2200481 i 4500001001500000003000900015005001700024007001500041008004100056010001700097022002800114035002000142040003700162042001400199050001900213210003200232222003400264245001500298264005100313300003500364310001400399336002600413336003400439337002600473338003600499362003100535500003900566506007700605520102800682588006701710650003401777650003801811650003101849650004401880650004701924650005101971655003702022655004302059655007302102700003902175700003702214856010002251RAPMMRazorcakeNyNyRILM20260706132648.1cr cn         010207c20012019caubr i o     0   a eng d  a  20012143141 a1533-7464l1533-746421  a(OCoLC)45867013  aNyNyRILMbengerdaepncNyNyRILM  ansdpapcc14aML3533.8b.R390 aRazorcakeb(Los Angel. Ca.) 0aRazorcakeb(Los Angeles, Ca.)00aRazorcake. 1aLos Angeles, CA : bGorsky Press, c2001-2019.  a1 online resource (109 issues)  aBimonthly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aIssue #1 (Mar./Apr. 2001)-  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aRazorcake is one of the only independent music magazines or fanzines to remain in print up to the present day. Like the earlier fanzine Slash, it sheds light on the underground punk scene of its hometown, Los Angeles. However, its coverage extends throughout the U.S. and beyond; interviews have featured artists such as Hasil Adkins and Kathleen Hanna and bands from Tenement to Martha alongside an array of thinkers and artists. Launched in March 2001 by Sean Carswell and Todd Taylor, Razorcake took inspiration from the punk zine Flipside, which was also edited by Taylor and ceased publication around the same time Razorcake started. The zine's first issue was published in a newsprint format, including the cover, whereas all subsequent issues have featured a glossy, full-color cover but have retained a black-and-white newsprint style on the inside. Razorcake claims to be the only music magazine in the U.S. that is a 501(c)(3) non-profit organization, meaning that all profits are used to cover operational costs.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aPunk rock musicvPeriodicals. 0aPunk rock musiciansvPeriodicals. 0aPunk culturevPeriodicals. 7aPunk culture.2fast0(OCoLC)fst01084152 7aPunk rock music.2fast0(OCoLC)fst01084153 7aPunk rock musicians.2fast0(OCoLC)fst01084156 7aZines.2fast0(OCoLC)fst01919987 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aCarswell, Sean, d1970-,ecreator.1 aTaylor, Todd, d1972-,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35492601722nas a2200301 i 4500001001800000003000900018005001700027007001500044008004100059040003700100100003500137245004100172264005400213300003200267336002600299336003400325337002600359338003600385500003900421506007700460520060600537588006701143650002101210650004301231650002801274655001801302856010001320RAPMMRefractariosNyNyRILM20250702133200.0cr cn         830000d20192019ck    i o     0   a spa d  aNyNyRILMbengerdaepncNyNyRILM1 aSosa, Marco,eauthor,eeditor.10aRefractarios : bRuido y fotocopias. 1aBogotá, Colombia : bLa Valija de Fuego, c2019.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aIn Refractarios: Ruido y fotocopias, published in 2019, the author and editor Marco Sosa, who describes himself as a "third-world punk", chronicles the birth and development of punk and fanzine-making in Bogotá and Medellín, Colombia, from 1983 to 1991-a convoluted period of Colombian history. Sosa is also the founder of La Valija de Fuego, an editorial house and independent bookstore dedicated to fanzines and various self-published and underground publications. Sosa published Refractarios: Ruido y fotocopias to mark the launch of the fanzine collection at the Biblioteca Nacional de Colombia.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZineszColombia. 0aPunk rock musicxPublishingzColombia. 0aPunk culturezColombia. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39193402091cas a2200361 i 4500001001200000003000900012005001700021007001500038008004100053035002300094035002000117040003700137050001900174100003400193245001900227264004700246300003400293310001400327336002600341336003400367337002600401338003600427362001900463500003900482506007700521515008100598520078800679588006901467650004101536655001801577655003401595856010001629RAPMMReglarNyNyRILM20260706132937.8cr cn         050914d19932020ilu x i o 6   0   a eng d  a(OCoLC)ocm61498680  a(OCoLC)61498680  aNyNyRILMbengerdaepncNyNyRILM14aML3533.8b.A961 aAuman, Chris,d1970-eauthor.10aReglar wiglar. 1aChicago, IL : bChrispy Auman,c1993-2020.  a1 online resource (26 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan in 1993.  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPrint publication ceased after No. 21 (2005) and resumed with No. 22 (2014).  aReglar wiglar was first published in 21 issues from 1993 to 2005 as a print-only zine, focusing on Chicago bands and concerts. At its peak, each issue consisted of 100 pages with a circulation of 2000 distributed through the retail chain Tower Records and the zine distributor Desert Moon. When print publication ceased, a Reglar wiglar blog was started, followed by a digital magazine in 2010, before a return to print in 2014. Over the years, the zine has often featured satire: interviews with made-up artists (e.g., the "controversial rapper Enenen"), reviews of non-existent records, or parody reviews. It has also continued to feature real musicians-from the well-known metal group Lamb of God to local bands like Lollygagger and Summer Girlfriends-as well as comic artists.0 aOnline resource; title from RAPMM website (viewed 16 June 2025)  0aAlternative rock musicvPeriodicals. 7aZines.2lcgft 7aComics (Graphic works)2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38670602436cas a2200469 i 4500001001300000003000900013005001700022007001500039008004100054010002600095022001700121023001700138029002200155032001700177035002000194037010800214040009300322042001400415050001900429130004100448210002800489222003400517245001300551260010400564300003400668310001400702336002600716336003400742337002600776338003600802362007300838500003900911506007700950520055601027588006701583650003101650650004401681655004301725655002401768710007401792856010001866RAPMMRejoiceNyNyRILM20260701132930.9cr cn         260630d19871994msuqr i o    s0   a0eng d  a89650916zsn89006232 0 a1044-1034210 a1044-1034211 aAU@b000020567310  a003801bUSPS  a(OCoLC)19687552  bRejoice!, Center for the Study of Southern Culture, the University of Mississippi, University, MS 38677  aNSDbengcNSDdDLCdNSDdDLCdNSTdDLCdOCLCQdOCLCFdOCLCOdEEMdGILDSdOCLCQdNyNyRILM  ansdpapcc00aML3186.8b.R440 aRejoice! (University, Oxford, Miss.)0 aRejoice!b(Univ. Miss.) 0aRejoice!b(University, Miss.)10aRejoice!  aOxford, MS :bCenter for the Study of Southern Culture, the University of Mississippi, c1987-1994.  a1 online resource (20 issues)  aQuarterly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan with winter 1987 issue; ceased with v. 5, no. 1 (winter 1994).  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aPublished by the Center for the Study of Southern Culture at the University of Mississippi from 1987 to 1994, Rejoice!’s in-depth interviews, reviews, and profiles provide valuable insights on the longer history of gospel music and the contemporaneous Christian music scene. It featured stars of the time (such as Amy Grant, Marion Williams, Shirley Caesar, and Carman) as well as long-standing traditional gospel groups (The Sensational Nightingales, The Blind Boys of Alabama) and famed artists from the past (including Mahalia Jackson and Elvis).0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aGospel musicvPeriodicals. 7aGospel music.2fast0(OCoLC)fst00945026 7aPeriodicals.2fast0(OCoLC)fst01411641 7aPeriodicals.2lcgft2 aUniversity of Mississippi.bCenter for the Study of Southern Culture.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35487602162nas a2200301 i 4500001001500000003000900015005001700024007001500041008004100056040003700097100003800134245002800172246005000200264005400250300003200304336002600336336003400362337002600396338003600422500003900458506007700497520106500574588006701639650001101706650002501717655001801742856010001760RAPMMRiotgrrrlNyNyRILM20250702134500.0cr cn         830000d20252025cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aJasmine, Lucretia Tye, ecreator.10aRiot grrrl mixtape zine13aRiot grrrl Los Angeles 1992-1995 Mixtape zine 1aLos Angeles, CA : bLucretia Tye Jasmine, c2025.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aRiot grrrl mixtape zine, published in 2025, is one of the most recent zines by the prolific writer, zinester, and artist Lucretia Tye Jasmine. This zine reflects on her journey as an artist and writer, and her involvement with the grrrl riot movement and how it influenced her publications. As Jasmine explained, "[The riot grrrls] words were words I longed to hear from someone besides me, all about the male-dominated music scene and patriarchy's exploitation of women and that girls and women can rock". Riot grrrl mixtape aimed to represent the girls and women of the riot grrrl movement, particularly from the Los Angeles scene. It features 1970s sewing patterns that embody "that riot grrrl vibe of DIY exploration and the look and feel of tattered romance". Other works by Jasmine include The groupie gospel mixtape zine, Ghost author, and Touché, and titles edited by the mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZines. 0aRiot grrrl movement. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43226101599nas a2200325 i 4500001001300000003000900013005001700022007001500039008004100054040003700095100004400132245005200176264005600228300003300284336002600317336003400343337002600377338003600403500003900439505032100478506007700799588006700876650002600943650005500969650004701024650004601071650003801117655001801155856010001173RAPMMRockocoNyNyRILM20250709124700.0cr bn         830000d19801985sp    i o     0   b spa d  aNyNyRILMbengerdaepncNyNyRILM1 aTrillo, Miguel, d1953-,ephotographer.10aRockocó : bimágenes del pop-rock madrileño 1aMadrid : b[publisher not identified], c1980-1985.  a1 online resource (6 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.0 aNúmero zero. Especial movidas 1980 -- Nú́mero uno. Especial Mods -- Número dos. Especial Punkis -- Número tres. Especial, Tecno, Modernos, Siniestros -- Número cuatro. Especial Rockers y Teddys -- Número cinco. Especial Heavys y Rockeros -- Número seis. Imágenes de la juventad española 2000-2016.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZineszSpainzMadrid. 0aRock musiczSpainzMadridy1981-1990vPeriodicals. 0aRock musiczSpainy1981-1990vPeriodicals. 0aRock musicianszSpainzMadridvPortraits. 0aRock musicianszSpainvPortraits. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43377201936nas a2200301 i 4500001002000000003000900020005001700029007001500046008004100061040003700102100004500139245002300184264003900207300003200246336002600278336003400304337002600338338003600364500003900400506007700439520083800516588006701354650001101421650004801432650003601480655001801516856010001534RAPMMRockyousinnersNyNyRILM20250702142400.0cr cn         830000d19711971cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aShaw, Greg, d1949-2004,e[relator term]10aRock, you sinners! 1aFairfax, CA : bGreg Shaw, c1971.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFanzine legend Greg Shaw wrote the piece titled Rock, you sinners! in 1971 for the second mailing of FRAK'S APA, borrowing the title from a 1956 song by Art Baxter. In Rock, you sinners!, Shaw comments on the work of other contributors from a previous issue of the apazine, suggests to exchange tapes through the APA given (since most of the people involved in it would have tapes of "obscure music, especially of local bands"), and reflects on the life of a rock critic, emphasizing his interest in writing only record reviews. Along with Duke of earl, Rock, you sinners! highlights the significance of publications from amateur press associations (APAs) in the realm of popular music. The zines Metanoia, Mojo navigator, Mojo entmooter, Phonograph record magazine, Bomp!, and Duke of earl are also included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZines. 0aRock musicxCriticsxHistory and criticism. 0aUnderground press publications. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40616202977cas a2200493 i 4500001001400000003000900014005001700023007001500040008004100055010001700096022002800113035002000141040003700161042001400198050002000212082001200232210002800244222003500272245001900307246001300326246004400339264004500383300003400428336002600462336003400488337002600522338003600548515003100584500003900615506007700654520097100731588006801702650004201770650008201812650005601894650005501950650004202005655005602047655004302103655007302146655008702219700007702306856010002383RAPMMRoctoberNyNyRILM20250624142915.3cr cn         950928c19929999iluar i o     0   a eng d  asn 95044413 0 a1534-9853l1534-985321  a(OCoLC)33216208  aNyNyRILMbengerdaepncNyNyRILM  apccansdp00aML3533.8b.R66810a7412130 aRocktoberb(Chic. Ill.) 4aThe rocktoberb(Chicago, Ill.)04aThe rocktober.13aRoctober13aRocktober comics and musicfwinter 1995 1aChicago, IL : bJake Austen, c1992-2023  a1 online resource (53 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aNone published, 2014-2019.  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aRoctober, a zine edited by Jake Austen since 1992, spotlights Chicago's underground music scene. With more than 50 issues released, Roctober features in-depth interviews, often exceeding 10,000 words, capturing the unique stories of local musicians, usually accompanied by caricatures of the musicians themselves, cartoons, and photographs. The zine is available at record stores and independent bookstores such as Quimby's Bookstore, with a readership ranging from 3000 to 5000. Each issue is designed to resemble the aesthetic of magazines such as Maximum rocknroll and Highlights, presenting unknown stories from underground music and including profiles of rockabilly guitarist Cordell Jackson and the all-women band Corn Colly. Jake Austen is the creator of the children's dance show Chic-a-go-go, which has aired on television for 15 years. The classic Kiddie-a-go-go inspired Austen after interviewing The Mulqueens, the show's original creators, for Roctober.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 4aAlternative comic books, strips, etc. 0aRock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2010109536 0aRock musicvComic books, strips, etc.vPeriodicals. 0aRock musicvCaricatures and cartoonsvPeriodicals. 7aRock music.2fast0(OCoLC)fst01099204 7aCaricatures and cartoons.2fast0(OCoLC)fst01423691 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210 7aInsertions (Provenance)2rbmscv0http://id.loc.gov/vocabulary/rbmscv/cv002435MiEM1 aAusten, Jake,eeditor.0http://id.loc.gov/authorities/names/no2001064639403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39512702568cas a2200457 i 4500001001700000003000900017005001700026007001500043008004100058010001700099035002300116035002000139040003700159042000800196043001200204050001900216082003200235100007400267245003200341264004400373264005000417264004800467264004400515300003400559336002600593336003400619337002600653338003600679500003900715506007700754500009800831520071100929588006901640650003901709650004101748650003801789650004301827655007301870655006701943856010002010RAPMMRollerderbyNyNyRILM20250616144304.0cr cn         940414d19901999nhu|| i o     0   a eng d  a  2023227114  a(OCoLC)ocm30392605  a(OCoLC)30392605  aNyNyRILMbengerdaepncNyNyRILM  apcc  an-us--- 4aML3533.8b.R6504a052qOCoLC223/eng/202302161 aCarver, Lisa,eauthor.0http://id.loc.gov/authorities/names/n9605102210aRollerderby /cLisa Carver. 1aDover, NH : bLisa Carver, c1990-1999.21aGuerneville, CA : bLisa Carver, c1992-1993.21aSan Francisco : bLisa Carver, c1993-1994.21aDenver, CO : bLisa Carver, c1994-1995  a1 online resource (25 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFeatures the writings and music of Lisa Carver, occasionally under the pen name Lisa Suckdog.  aPublished in the 1990s by zinester Lisa Carver in Dover, New Hampshire, this "no-apologies feminist" fanzine contains interviews with underground performance artists and fellow zinesters. In the first issue of Rollerderby, Carver explains how she started the zine: "Rollerderby was originally going to be another Disaster fanzine by Bill Callahan. Then Lisa said she would help, and we decided to change the name to Rollerderby. Then Costes was supposed to supply drawings and 'stuff,' but he forgot to. Then Bill dropped out. So I suppose that makes me editor." Some of the contributors included zinester Reverend Anthony (Conquer now), and comic artist John Porcellino (King-cat comics and stories).0 aOnline resource; title from RAPMM website (viewed 16 June 2025)  0aWomen rock musiciansvPeriodicals. 0aAlternative rock musicvPeriodicals. 0aRiot grrrl movementvPeriodicals. 0aTeenagerszUnited StatesvPeriodicals. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210 7aFanzines.2rbmscv0http://id.loc.gov/vocabulary/rbmscv/cv02061403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42913102397nas a2200397 i 4500001001000000003000900010005001700019007001500036008004100051035002200092040003300114100002200147245001000169264005500179264005000234264005800284264005300342300003300395336002600428336003400454337002600488338003600514500003900550500006100589506007700650520083800727588006701565588006201632650003101694650004401725650005801769650002701827650002701854655001801881856010001899RAPMMSCAMNyNyRILM20260701134700.0cr cn         260630d19912020fluuu i o     0   a0eng d  a(OCoLC)1158317058  aUOKbengerdacUOKdNyNyRILM1 aLyle, Erica Dawn.00aScam. 1aFort Lauderdale, FL : b[Erica Dawn Lyle], c1991.21aMiami, FL : b[Erica Dawn Lyle], c1993-1997.21aSan Francisco, CA : b[Erica Dawn Lyle], c2000-2009.31aBrooklyn, NY : b[Erica Dawn Lyle], c2010-2020.  a1 online resource (8 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aWritten and published by Erica Dawn Lyle, aka Iggy Scam.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aConceived by Erica Dawn Lyle, SCAM, which initially served as an "equal parts introductory guide on how to get things for free and punk memoir”, explores various events and locations related to punk and activism, including the contrast between the 2010 Miami’s Art Basel and Miami’s many tent cities, the street art and activism in post-economic-collapse Buenos Aires, and a recounting of California's early hardcore punk movement amidst the Occupy Los Angeles protests. Lyle celebrated the 25th anniversary of SCAM by publishing issue 10, which features articles about Laurie Anderson, SHELLSHAG, art shows in empty lots in New York City, and Kenya Robinson. Lyle is active as writer, curator, experimental musician, and former guitarist for the legendary band Bikini Kill, which was key in pioneering the riot grrrl movement.0 aOnline resource; title from RAPMM website (viewed 1 July 2026)  aDescription based on no. 2 (June 1993); title from cover. 0aPunk culturevPeriodicals. 0aSquatterszFloridazMiamivPeriodicals. 0aSwindlers and swindlingzFloridazMiamivPeriodicals. 0aSubculture periodicals 0aZineszFloridazMiami. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39192202190nas a2200313 i 4500001001400000003000900014005001700023007001500040008004100055040003700096245002300133264006000156300003300216336002600249336003400275337002600309338003600335500003900371506007700410520104800487588006701535650001001602650002701612650002401639655001801663700003001681856010001711856006501811RAPMMSeatranqNyNyRILM20260701135700.0cr cn         260630d20002001kyuqr i o     0   a0eng d  aNyNyRILMbengerdaepncNyNyRILM00aSea of tranquility 1aLouisville, KY : bImages and words, Inc., c2000-2001.  a1 online resource (6 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aWriter and radio host James Bickers founded Sea of tranquility in 1995 as a web magazine covering progressive rock, metal, and their intersections. In 1998 he began publishing it as a black and white zine, before transitioning to a full color magazine in winter 2000. Responding to readers who questioned the publication’s coverage of metal in a progressive rock magazine—and vice versa—Bickers argued in favor of a broad understanding of progressive music, defining it as “any music which takes chances, thinks ahead, ignores limitations, and breaks new ground”. Issues include extensive album reviews, interviews, eclectic “listening room” sections that dive into recommendations from the publication’s slate of writers, and detailed studies of selected albums, for example on Spiral Architect’s A sceptic’s universe and Symphony X’s V. Sea of tranquility ceased print publication in 2001, when it was acquired by Progression (also included in the RAPMM collection), but it maintains an active web presence to this day.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aZines 0aProgressive rock music 0aHeavy metal (music) 7aZines.2lcgft1 aBickers, James,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/443753423Sea of tranquility websiteuhttps://www.seaoftranquility.org01760cas a2200421 i 4500001002100000003000600021005001700027007001500044008004100059022002800100035002000128040003700148042001400185050001900199082001500218210002400233222003000257245001300287246002100300264005200321300003400373310002400407321002400431336002600455336003400481337002600515338003600541500003900577506007700616650009300693650009500786650008200881655007800963655004301041700007801084700007601162856010001238RAPMMSecondsmagazineOCoLC20260706133437.8cr bn         900919d19872000nyubr i o     0   a eng d0 a1052-5025l1052-502521  a(OCoLC)22408751  aNyNyRILMbengerdaepncNyNyRILM  ansdpapcc00aML3533.8b.S4300a781.662200 aSecondsb(N.Y.N.Y.) 0aSecondsb(New York, N.Y.)00aSeconds.1 aSeconds magazine 1aNew York, NY : bSeconds Magazine, c1986-2000.  a1 online resource (51 issues)  aBimonthly,b<1996->  aQuarterly,b<-1990>  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines 0aMusiciansvInterviewsvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2008108144 0aCelebritiesvInterviewsvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2008100236 0aRock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2010109536 7aInterviews.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026115 7aPeriodicals.2fast0(OCoLC)fst014116411 aBlush, Steven,eeditor.0http://id.loc.gov/authorities/names/no20020031781 aPetros, George,eeditor.0http://id.loc.gov/authorities/names/n95037990403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43793802038nas a2200349 i 4500001002000000003000900020005001700029007001500046008004100061040003700102041001200139066000700151245006200158264005400220300003300274336002600307336003400333337002600367338003600393500003900429506007700468520078200545546003101327588006701358650001701425650003201442655001801474700003301492856010001525880002801625880003501653RAPMMShiyanxianfengNyNyRILM20260701145000.0cr cn         260630d20112015cc || i o    u0   e0chi    aNyNyRILMbengerdaepncNyNyRILM0 achieng  c1006880-01aShiyan xianfeng = China avant-garde music fanzine 1aXi county, China : bXi productions, c2011-2015.  a1 online resource (4 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThis pocket-sized Chinese zine is dedicated to experimental and avant-garde music, which, in the eyes of the editor Xi Zhi Zi, is one of the most extreme and marginal forms of auditory art in the world, having surpassed the boundaries of music itself. In the 2010s, Chinese experimental and avant-garde musicians, labels, and performance organizations were emerging one after another, seemingly ready to rival the rock world. However, at that time, there were no specialized publications in the magazine media that focused on this music, thus Shiyan xianfeng was born. What sets this zine apart from others is its presentation of a nostalgic and authentic record of past events and figures, rather than focusing on the present. Four issues were published between 2011 and 2015.  aText primarily in Chinese.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aZineszChina 0aAvant-garde (Music)zChina. 7aZines.2lcgft1 6880-02aXi, Zhi Zi,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/406893006245-01/1a实验先锋1 6700-02/1a息之子,eeditor.02689cam a2200385 i 4500001001200000003000900012005001700021007001500038008004100053035002400094035002200118040003700140050002500177100003100202245010800233246009400341264004200435264004100477264001100518300003200529336002600561336003400587337002600621338003600647500003900683506007700722520043500799520065701234588006801891610004801959650004502007655007802052655007302130856010002203RAPMMSkinnyNyNyRILM20260706133637.8cr cn         230925t20232023iluac i o     0   a eng d  a(OCoLC)on1399433829  a(OCoLC)1399433829  aNyNyRILMbengerdaepncNyNyRILM 4aML421.S565bC37 20231 aCapshaw, Vanessa,eauthor.10aSkinny Puppy : bso much love and thank you for everything : final tour fanzine / cby Vanessa Capshaw.14aSkinny Puppy : bfarewell final tour fanzine! : so much love and thank you for everything 1aIllinois : bDVanessa Capshaw, c2023 3a[Lancaster, Pa.] :b[Risolve Studio] 4c©2023  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aArtist Vanessa Capshaw juxtaposed hearts, flowers, and pink paper with images of the Canadian band Skinny Puppy, known for their harsh industrial sounds and horror-film imagery, in this risographed fanzine. Formed in 1982, Skinny Puppy disbanded for the second time in 2023. Skinny Puppy: Farewell final tour fanzine includes images from the performance they gave in Silver Spring, Maryland, as part of their final tour that year.  a"Risograph printed Skinny Puppy fanzine! Includes full-bleed photographs taken at the Silver Spring, Maryland show of their final tour, drawings and fan art by Vanessa Capshaw, and write-ups by various contributors who also attended the final tour and loved every goddamn minute of it. This fanzine is a hot pink mess of hearts and flowers dedicated to the best band that ever existed.28 pages; 8" x 10"; Two Color Risograph (Black & Fluorescent Pink); Saddle-stitched, black staples. Edition of 250 copies."--Publisher's description.uhttps://www.darlingnight.com/shop/skinny-puppy-farewell-final-tour-fanzine-so-much-love-and-thank-you-for-everything0 aOnline resource; title from RAPMM website (viewed 24 June 2025)20aSkinny Puppy (Musical group)xAppreciation. 0aIndustrial musicxHistory and criticism. 7aRisographs.2lcgft0http://id.loc.gov/authorities/genreForms/gf2021026034 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38849802905cas a2200457 i 4500001001100000003000900011005001700020007001500037008004100052035002600093035002400119035002100143040003700164043001200201130003200213245001100245246002000256264004900276300003400325310002400359336002600383336003400409337002600443338003600469362008000505500013900585500003900724506007700763520086900840588006901709650008501778650008201863650011001945650010702055655001902162655007302181700003302254700003102287700002902318856010002347RAPMMSlashNyNyRILM20260706133737.8cr cn         111021d19771980caumr i o     0   a eng d  a(CaEvSKY)sky253334371  a(OCoLC)ocn775879481  a(OCoLC)775687797  aNyNyRILMbengerdaepncNyNyRILM  an-us-ca0 aSlash (Los Angeles, Calif.)10aSlash.13aSlash magazine. 1aLos Angeles, CA : bSlash, c©1977- ©1980.  a1 online resource (28 issues)  aMonthly (irregular)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan with v. 1, no. 1, 5/77; ceased with v. 3, no. 5, copyrighted in 1980.  aEditors: volume 1, number 1-volume 3, number 2, Steven M. Samiof, Melanie Nissen; volume 3, number 3-volume 3, number 5: Robert Biggs.  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFounded in Los Angeles in 1977 by the journalist Steve Samiof and the photographer Melanie Nissen, Slash ranks among the most important fanzines of the first-wave punk era. It chronicled the underground music scene in Los Angeles of the late 1970s, which featured groups like Bags, The Weirdos, and The Screamers. The fanzine was published monthly in tabloid style in color on commercial newsprint. Its striking cover images included black-and-white portraits of singers Alice Bag and Debbie Harry. Beginning in 1978, Slash Records operated in tandem with the publication, releasing recordings by the Germs, X, and other L.A. punk acts. Slash Records continued as an independent record label after the magazine published its last issue in 1980. In 1986 it was sold to London Records and later folded into Universal Music Group, which disbanded the imprint in 2000.0 aOnline resource; title from RAPMM website (viewed 16 June 2025)  0aPunk rock musicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aPunk culturevPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109126 0aPunk rock musiczCaliforniazLos AngelesvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aPunk culturezCaliforniazLos AngelesvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109126 0aFan magazines. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aSamiof, Steven M.,efounder.1 aNissen, Melanie,efounder.1 aBiggs, Robert,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35490601057nas a2200277 i 4500001001900000003000900019005001700028007001500045008004100060040003700101245002000138264008000158300003200238336002600270336003400296337002600330338003600356500003900392506007700431588006700508650001100575655001800586700003700604700003800641856010000679RAPMMSomegirlsriotNyNyRILM20250702143300.0cr bn         830000d20152015cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aSome girls riot 1aLos Angeles, CA : bLucretia Tye Jasmine and Lucretia Baldwin Ward, c2015.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZines. 7aZines.2lcgft1 aJasmine, Lucretia Tye,ecreator.1 aWard, Lucretia Baldwin,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43223502408cas a2200421 i 4500001001200000003000900012005001700021007001500038008004100053016003100094017004900125022001400174035002100188035002700209037003800236040003900274210002900313222003000342245001100372264005400383300003400437336002600471336003400497337002600531338003600557500003900593506007700632520096000709588006701669650001001736650001501746650001801761655001801779700002701797700003101824700003101855856010001886RAPMMSpiralNyNyRILM20260701165055.0cr cn         260630d19931996sp mu i o     0   b0spa d7 abiseBNE199403243462SpMaBN  aM 25518-1993bOficina Depósito Legal Madrid0 a1134-0878  a(OCoLC)436563772  a(SpMaBN)bise0000030415  bPO. Box 332, 28230c300 pta fasc.  aSpMaBNbspacSpMaBNerdcdNyNyRILM0 aSpiralbLas Rozas, Madr. 0aSpiralbLas Rozas, Madrid00aSpiral 0aLas Rozas, Spain : bRevista Spiral, c1993-1996.  a1 online resource (33 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aSpiral was founded by Luis Calvo, Sergio Aguilar, and Joako Ezpeleta, who wrote in the inaugural issue of their desire to cover music and opinions they found lacking in mainstream media. Across 32 large-format issues of increasing length, Spiral documents music from a wide range of genres and places, including coverage of performers who are now widely known (Hole, Oasis, Björk) and others less frequently encountered (London-based pop-punk duo Shampoo, Basque indie rockers Le Mans, Philadelphian hip hop trio The Goats). In addition to feature articles and interviews, each issue includes diverse LP, single, and fanzines reviews as well as a Breves column with short updates on bands and performances internationally, but especially across Spain. Spiral also covers independent record labels (Elefant, Sarah, A Turntable Friend) and filmmakers (Hal Hartley, Icíar Bollaín), thus showing a commitment to mapping a mid-1990s indie culture landscape.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aZines 0aRock music 0aIndie culture 7aZines.2lcgft1 aCalvo, Luis,efounder.1 aAguilar, Sergio,efounder.1 aEzpeleta, Joako,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/44360201854nas a2200313 i 4500001001900000003000900019005001700028007001500045008004100060040003700101100002700138245002000165264005300185300003200238336002600270336003400296337002600330338003600356500003900392506007700431520073400508588006701242650002001309650002801329650002501357650004001382655001801422856010001440RAPMMStickyfingersNyNyRILM20250702144300.0cr cn         830000d19811981enk   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aRider, Alan, eauthor.10aSticky fingers. 1aCoventry, United Kingdom : bAlan Rider, c1981.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aSticky fingers was the second of the anonymous spoof fanzines produced in the 1980s by Alan Rider-who also edited Adventures in reality, Not the job hunter, Certain substances, and Negative reaction (all also in RAPMM). This one-off fanzine, devoted to the local music scene of Coventry, England, included an article on how to be a fanzine editor, claiming you needed £2800, most of which was to be spent on private helicopters, personal secretaries, and bodyguards. There were also recipes for rat stew and a piece on how to be in a band ("Get Mummy to knit you some nice anarchy jumpers"), as well as cartoons and funny stories. The anonymity of the authorship was eventually revealed in an editorial of Adventures in reality.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZineszEngland. 0aPopular musiczEngland. 0aSatirexPeriodicals. 0aComic books, strips, etc.zEngland. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38131102585nas a2200313 i 4500001001200000003000900012005001700021007001500038008004100053040003700094245001100131264005800142300003400200336002600234336003400260337002600294338003600320500003900356506007700395520147800472588006701950650001102017650004102028650001702069655001802086700003802104700002902142856010002171RAPMMStressNyNyRILM20250702154300.0cr cn         830000d19952000nyu   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aStress 1aNew York, NY : bStress Publishing Inc., c1995-2000.  a1 online resource (25 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe magazine Stress offered an insiders' look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx-the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds-Blacks, Latinos, Asians, and whites-bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZines. 0aHip-hopzNew York (State)zNew York. 0aRap (Music). 7aZines.2lcgft1 aKET c(Graffiti artist),eeditor.1 aGreen, Jessica,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40616501777nas a2200289 i 4500001001200000003000900012005001700021007001500038008004100053040003700094245001300131264006200144300003200206336002600238336003400264337002600298338003600324500003900360506007700399520076200476588006701238650001801305650002301323655001801346700002301364856010001387RAPMMSubjamNyNyRILM20260706134000.0cr bn         830000d19981998ch    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM00aSub jam. 1aXi county, China : bXi Changpian/Xi Productions, c1998.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aOriginally designed to be the house program for the Spring of New Music festival scheduled for April 1998 in Lanzhou, Gansu province, Sub jam turned out to be a one-issue zine in memory of the festival, which got canceled. Yan Jun, editor of the zine and organizer of the festival, planned to invite 15 bands from China's provinces to showcase the development of rock music outside the epicenter, Beijing. Some of those bands who are better known today include PK14 (Nanjing), Shetou (Ürümchi), ZMZB (Wuhan), and Pangu (Nanchang). The zine provides not only information about these bands, but also writings on the general development of rock music in various regions of China, which makes it a must-read for researchers of Chinese rock music in the 1990s.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZineszChina. 0aRock musiczChina. 7aZines.2lcgft1 aJun, Yan,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40604102170nas a2200337 i 4500001001800000003000900018005001700027007001500044008004100059040003700100100002500137245001800162264006200180264004600242300003300288336002600321336003400347337002600381338003600407500003900443506007700482520092000559588006701479650002201546650004901568650004701617650002201664650002801686655001801714856010001732RAPMMSubstitutionNyNyRILM20250702161800.0cr cn         830000d19901994cau   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM1 aLum, Anji,ecreator.00aSubstitution. 1aSan Pedro, CA : bSam Pederson and Anji Bee, c1990-1991.31aLong Beach, CA : bAnji Bee, c1993-1994.  a1 online resource (4 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aLaunched by Anji Lum (Anji Bee)--vocalist for Lovespirals and passionate zinestress--Substitution emerged as a vibrant exploration of the underground music scene in Los Angeles and Orange County. After completing her six-issue zine Positive influence (also part of RAPMM), Lum sought to delve into new venues and connect with diverse musicians and audiences. This innovative four-issue zine embraced a clean, modern aesthetic, reflecting its partially computerized origins in the early 1990s. Featuring articles on influential bands like Sonic Youth, insightful opinion columns, and reviews of records and shows, Substitution offered a fresh perspective on industrial and alternative music. With contributions from writers who expressed a range of sociopolitical viewpoints and artistic endeavors, Substitution blended music with art and culture. Lum also wrote the zines Descent and Desperation, included in RAPMM.0 aOnline resource; title from RAPMM website (viewed 2 July 2025) 0aZineszCalifornia 0aUnderground musiczCaliforniazOrange County 0aUnderground musiczCaliforniazLos Angeles 0aIndustrial music. 0aAlternative rock music. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42150702183cas a2200409 i 4500001001500000003000900015005001700024007001500041008004100056035002300097035001300120040003700133245001500170264004700185264004000232300003300272310001400305336002600319336003400345337002600379338003600405500003900441506007700480520055000557588006901107650003401176650007001210650007501280650004501355650003701400650004701437655003701484655004301521655007301564700003601637856010001673RAPMMSuperdopeNyNyRILM20250620145547.0cr bn         050916c19911998wau   i o     0   a eng d  a(OCoLC)ocm61521471  a16110259  aNyNyRILMbengerdaepncNyNyRILM00aSuperdope. 1aSan Francisco : bJay Hinman, c1991-1994.31aSeattle, WA : bJay Hinman, c1998.  a1 online resource (8 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aSuperdope was a 1990s fanzine crafted by Jay Hinman, a San Francisco-based college radio DJ and music expert. Celebrating the raw energy of lo-fi garage punk, Superdope showcased the underground sounds that often slip through the mainstream's cracks. With its DIY cut-and-paste aesthetic, each issue included concert reviews, album reviews, and interviews, featuring bands like Supercharger, Cheater Slicks, and Night Kings. Hinman also produces the podcast Radio dies screaming, where he explores the sub-underground music of the last 60 years.0 aOnline resource; title from RAPMM website (viewed 20 June 2025)  0aPunk rock musicvPeriodicals. 0aFan magazines.0http://id.loc.gov/authorities/subjects/sh85047176 0aMusicvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85088772 7aFan magazines.2fast0(OCoLC)fst01728966 7aMusic.2fast0(OCoLC)fst01030269 7aPunk rock music.2fast0(OCoLC)fst01084153 7aZines.2fast0(OCoLC)fst01919987 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aHinman, Jay,eeditor,efounder.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40675702485cas a2200445 i 4500001002600000003000900026005001700035007001500052008004100067010001400108035002400122037006200146040003700208042000800245050001700253082001500270245003100285246002800316246000900344264007300353264005600426300003400482310001400516336002600530336003400556337002600590338003600616500003900652506007700691520074700768588006901515650003101584650004401615655004401659700002701703776006101730780006601791785008401857856009801941RAPMMTheBeatReggaeAfricanNyNyRILM20260706134200.0cr cn         841206d19831988caubr i o     0   a eng d  a87645433   a(OCoLC)ocm11459308   bBongo Productions, P.O. Box 29820, Los Angeles, CA 90029.  aNyNyRILMbengerdaepncNyNyRILM  apcc00aML3532b.R4300a781/.521904aThe Reggae & African beat.30aReggae and African beat13aBeat 1aSanta Monica, CA : Bongo Productions for KCRW, 89.9 FM, c1982-1983.31aLos Angeles, CA : bBongo Productions, c1983-1988.  a1 online resource (11 issues)  aBimonthly  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFounded in 1981 by publisher and editor C.C. Smith and continuing until 2009, The beat described itself as "the world's leading publication on reggae, African, Caribbean and world music". Originally a fanzine for the radio program The reggae beat (broadcast by KCRW-FM in Santa Monica, California), it progressed from a handmade publication to a major, glossy newsstand magazine available at many book stores and music outlets. This mirrored the increasing popularity and prominence of the genres it covered. The beat is valuable not only for its profiles and interviews of artists like Bob Marley, Burning Spear, Alton Ellis, and Miriam Makeba, but also as a source for tracking the application and interpretation of the "world music" label.0 aOnline resource; title from RAPMM website (viewed 17 June 2025)  0aReggae musicvPeriodicals. 7aReggae music.2fast0(OCoLC)fst01093058 7aPeriodicals.2fast0(OCoLC)fst01411641.1 aSmith, C.C.,efounder.08iOnline version:tReggae & African beatw(OCoLC)69040921600tReggae beat & African beatw(DLC)   87645431w(OCoLC)1715616800tBeat (Los Angeles, Calif. : 1989)x1063-5319w(DLC)   89640303w(OCoLC)20690008403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/395801775nas a2200289 i 4500001001200000003000900012005001700021007001500038008004100053040003700094100003700131245001300168264005400181300003200235336002600267336003400293337002600327338003600353500003900389506007700428520074900505588006701254650001101321655001801332655003501350856010001385RAPMMToucheNyNyRILM20250707135400.0cr bn         830000d20142014cau   i o     0   b eng d  aNyNyRILMbengerdaepncNyNyRILM1 aJasmine, Lucretia Tye,ecreator.10aTouché. 1aLos Angeles, CA : bLucretia Tye Jasmine, c2014.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aTouché, edited by the prolific writer, zinester, and artist Lucretia Tye Jasmine, was a photographic zine that told a romantic narrative through a series of staged photographs. The sequence begins in a serene outdoor setting, where a woman is seen gazing out reflectively. As the sequence progresses, a second figure, a guitar player, appears, and their interaction evolves into the story's emotional core. Other titles by Jasmine include The groupie gospel mixtape zine, Ghost, Riot grrrl Los Angeles 1992-1995 mixtape zine, and Touché, and titles edited by the mother-daughter zinester duo, Lucretia Baldwin "Teka" Ward and Lucretia Tye Jasmine, including Absolution and Some girls riot. All of these works are part of the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZines. 7aZines.2lcgft 7aComics (Graphic works).2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43224302088cas a2200361 i 4500001001500000003000900015005001700024007001500041008004100056017004800097035002200145035002100167040003700188130002200225245001400247246002200261246002200283264005800305300003400363336002600397336003400423337002600457338003600483500003900519506007700558520070800635588006801343650001801411655007901429655007301508700004501581856010001626RAPMMTremolinaNyNyRILM20260706134400.0cr bn         180914d19992004sp uu i o     0   b spa d  aM 1803-2018bOficina Depósito Legal Madrid  a(OCoLC)1055855826  a(SpMaBN)a6314506  aNyNyRILMbengerdaepncNyNyRILM0 aTremolina (Irún)10aTremolina3 aTremolina fanzine3 aFanzine Tremolina 1aMadrid : bJesús Miguel Gimeno Rosales, c1999-2004.  a1 online resource (14 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aBetween 1999 and 2004, Jesús Miguel Gimeno Rosales published 15 issues of Tremolina. The opening dialogue between a pilot and a stewardess in the first issue of the fanzine explains that the term tremolina denotes a noisy commotion in the air or the chaos created by multiple voices shouting. Some of the European and North American bands to which Gimeno Rosales dedicated the pages of Tremolina include Altered Images, Black Tambourine, Hello Cuca, La Buena Vida, Los Empresarios, Meteosat, Morrissey, Pedro Páramo, La Casa Azul, Chico y Chica, Patrullero Mancuso, Slumber Party, and The Peechees, among others. Tremolina also featured items about movies, comics, and cultural events in Spain.0 aOnline resource; title from RAPMM website (viewed 18 June 2025) 0aZineszSpain  7aPeriodicals.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026139 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140262101 aGimeno Rosales, Jesús Miguel,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38929702314cas a22003864 i 4500001001100000003000900011005001700020007001500037008004100052022001400093035002600107035002100133040003700154041001300191043002100204130003000225245001100255264004800266300003500314336002600349336003400375337002600409338003600435500003800471500003900509520080900548546006901357588006801426588006601494650008101560650009401641655001901735655007301754856010001827RAPMMTrustNyNyRILM20260706130113.0cr bn    mpcma250506d19862022gw || i o     0   a0ger d  a1615-4347  a(CaEvSKY)sky255035192  a(OCoLC)858752461  aNyNyRILMbengerdaepncNyNyRILM0 ageraeng  ae-gw---ae-gx---0 aTrust (Augsburg, Germany)10aTrust. 1aAugsburg :bTrust-Verlag-GBR, c1986-2022.   a1 online resource (217 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  a"Norddeutsches Hardcore Magazin."  aDigitized version of a print zine.  aFounded by a group of participants in the Southern German punk scene (Dolf Hermannstädter, Michael Alber, Armin Hofmann, Moses Anrdt, Tomasso Shultze, and Anne Ullrich), Trust has been the dominant German-language punk zine since its first publication in 1986. It was modeled after the U.S. punk zine Maximumrocknroll and, in 1987, the two zines collaborated on a jointly-issued photozine. Trust's extensive musical coverage has featured bands such as The Drive-in, Nirvana, and Gossip prior to their mainstream breakthroughs, while its large review sections include a substantial number of non-music-related books. It continues to be edited by Hermannstädter and appears twice a month as a print publication that can be found in booksellers in German railway stations, as well as in digital form.  aText in German with some articles and advertisements in English.0 aOnline resource; title from RAPMM website (viewed 2 June 2025) 1 aLatest issue consulted: Nr. 217 (December/January 2022/2023). 0aAnarchismvPeriodicals.0http://id.loc.gov/authorities/subjects/sh2007101103 0aPunk rock musiczGermanyvPeriodicals.0http://id.loc.gov/authorities/subjects/sh85109128 0aFan magazines. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/36962103310cas a2200553 i 4500001001300000003000900013005001700022007001500039008004100054010001700095035002300112035001300135040003700148042000800185043002100193245001900214264004800233300003300281310002700314321003300341336002600374336003400400337002600434338003600460500003900496506007700535520096600612588006901578651009001647651006401737651007901801651005301880651007401933651004802007650005802055650004402113650005102157650006202208651005202270651004502322648002102367655005602388655003902444655004302483655002902526655001802555700008302573856010002656RAPMMTwistedNyNyRILM20250617153311.0cr bn         880919c19821987caumr i o     0   a eng d  asn 93023630   a(OCoLC)ocm18501961  a13840529  aNyNyRILMbengerdaepncNyNyRILM  apcc  an-us-caan-us---00aTwisted image. 1aBerkeley, CA : bAce Backwords, c1982-1987  a1 online resource (8 issues)  aMonthly,b<Nov. 1989->  aIrregular,b1982-<Jan. 1987>  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aTwisted image was a zine edited by Ace Backwords--later co-edited with Bruce N. Duncan and Mary Mayhem-- from 1982 to 1994. Ace Backwords envisioned Twisted image as an underground media aimed at the "admittedly improbable task of putting out an 'art' paper in a commercial setting". He encouraged the contributors and artists to convey their message as clearly as possible to avoid the emptiness of pseudo-art. The early issues of the zine, with a circulation between 5000 and 10,000, explored different aspects of the punk rock youth culture that was surging through the San Francisco Bay Area. Each of the nine issues featured record reviews, interviews, visual arts, comics, and sharp critiques of the political discourses of the time. In 1987, Ace Backwords changed the zine format from a tabloid to a monthly xeroxed newsletter focused on comics, which he continued publishing until 1994. The East Bay Punk Archive has provided the scans of Twisted image.0 aOnline resource; title from RAPMM website (viewed 17 June 2025)  0aUnited StatesxSocial life and customsy1971-vCaricatures and cartoonsvPeriodicals. 0aUnited StatesxSocial life and customsy1971-vPeriodicals. 0aUnited StatesxCivilizationy1970-vCaricatures and cartoonsvPeriodicals. 0aUnited StatesxCivilizationy1970-vPeriodicals. 0aUnited StatesxHistoryy1969-vCaricatures and cartoonsvPeriodicals. 0aUnited StatesxHistoryy1969-vPeriodicals. 0aUnderground press publicationszCaliforniazBerkeley. 7aCivilization.2fast0(OCoLC)fst00862898 7aManners and customs.2fast0(OCoLC)fst01007815 7aUnderground press publications.2fast0(OCoLC)fst01160984 7aCaliforniazBerkeley.2fast0(OCoLC)fst01205020 7aUnited States.2fast0(OCoLC)fst01204155 7aSince 19692fast 7aCaricatures and cartoons.2fast0(OCoLC)fst01423691 7aHistory.2fast0(OCoLC)fst01411628 7aPeriodicals.2fast0(OCoLC)fst01411641 0aUnderground periodicals. 7aZines.2lcgft1 aBackwords, Ace,d1956-,eeditor0http://id.loc.gov/authorities/names/n93024632403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42713401967cas a2200373 i 4500001001400000003000900014005001700023007001500040008004100055015001600096016002200112016002300134035002500157035002100182040003700203041000800240082003800248245001300286264005600299264004500355300003400400336002600434336003400460337002600494338003600520500003900556500007900595506007700674520063600751588006901387650001901456655001801475856010001493RAPMMUnderdogNyNyRILM20260706134700.0cr cn         130625c200620uugw q  i o     0   a ger d  a13,B422dnb7 2DE-600a2721802-87 2DE-101a1036440567  a(DE-599)ZDB2721802-8  a(OCoLC)861222498  aNyNyRILMbengerdaepncNyNyRILM  ager0482\ua323.04404305qDE-101222/ger00aUnderdog31aDötlingen, Germany : bFred Spenner, c2006-2023.21aWildeshausen, Germany : b˜F.œ Spenner  a1 online resource (39 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.  aRAPMM includes issues 15-19, 21-23, 26-28, 30, 33-35, 37-38, 56-71, 73-78.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe German zine Underdog (started in 2002 and still in print) combines punk fandom with political coverage, describing itself as committed to a "world without exploitation and oppression". Each issue is devoted to a specific topic: these have included "more punk no war", "pop feminism and queer-feminist subcultures", and "punk and disability" but also "police violence and racism" and "animal rights". Interviews have featured organizations such as People for the Ethical Treatment of Animals (PETA) and Foodsharing Bremen, and several academics, along with musical groups such as Deutsch Amerikanische Freundschaft and Das Pack.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aZineszGermany 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/38132503126cas a2200577 i 4500001001900000003000900019005001700028007001500045008004100060010001700101022002800118032001400146035002400160037008300184040003700267042001400304050001900318082001200337130004400349222004500393245002100438246002900459246000800488264007400496264005800570300003400628310002200662321003400684321003700718321003700755336002600792336003400818337002600852338003600878362004300914500003900957500003900996500004001035506007701075520086601152588006802018650004102086650004502127650005402172650005802226655004302284655002402327700005002351700004702401856010002448RAPMMUndertheRadarNyNyRILM20260706134700.0cr cn         041019d20012013cauqr i o     0   a0eng d  a  20042143940 a1553-2305l1553-230521  a330bUSPS  a(OCoLC)ocm56771889   bUnder the Radar, 238 S. Tower Drive, #204, Beverly Hills, Calif. 90211c$15.00  aNyNyRILMbengerdaepncNyNyRILM  ansdpapcc00aML3533.8b.U5310a7812130 aUnder the radar (Beverly Hills, Calif.) 0aUnder the radarb(Beverly Hills, Calif.)10aUnder the radar.13aUnder the radar magazine13aUTR 13Dec. 2001/Jan. 2002-Jan. 2012:aBeverly Hills, CA : bUnder the Radar313<2012>aRockbridge Baths, VA : bUnder the Radar LLC.  a1 online resource (27 issues)  aQuarterly,b2015-  aFive no. a year,b2001-<2002>  aFour issues a year,b<2003>-2007  aFive issues a year,b2008-<2014>  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aBegan with December 2001-January 2002.  a"The solution to music pollution."  aDigitized version of a print zine.  aRAPMM includes issues 21-23, 25-48.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe first issue of Under the radar appeared in December 2001 with the indie rock band Grandaddy on the cover. Since then, The Cardigans, Japanese Breakfast, Mitski, Kamasi Washington, Joanna Newsom, Jarvis Cocker, and Belle and Sebastian are among the artists to have been featured on its front cover, while it was also the first magazine to interview the major indie bands Vampire Weekend and Fleet Foxes. Under the radar continues to cover the U.S. alternative and indie rock and pop scene online and in print to this day. The husband-and-wife team of Mark and Wendy Lynch Redfern founded and run the magazine from Lexington, Virginia, with Mark working as editor and writing many of the articles, while Wendy oversees the layout and supplies some of the photography. Special political protest issues are released to coincide with U.S. presidential elections.0 aOnline resource; title from RAPMM website (viewed 3 June 2025)  0aAlternative rock musicvPeriodicals. 0aAlternative rock musiciansvPeriodicals. 7aAlternative rock music.2fast0(OCoLC)fst00806181 7aAlternative rock musicians.2fast0(OCoLC)fst00806183 7aPeriodicals.2fast0(OCoLC)fst01411641 7aPeriodicals.2lcgft1 aRedfern, Mark,efounder,epublisher,eeditor.1 aRedfern, Wendy Lynch,epublisher,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35674002104nas a2200289 i 4500001001900000003000900019005001700028007001500045008004100060040003700101245002000138264005800158300003300216336002600249336003400275337002600309338003600335500003900371506007700410520105400487588006701541650002001608650003601628655001801664700003201682856010001714RAPMMVisionrockeraNyNyRILM20260706143600.0cr bn         260706d19861988ck || i o     0   b0spa d  aNyNyRILMbengerdaepncNyNyRILM00aVisión rockera 1aMedellín, Colombia : bVisión Rockera, c1986-1988.  a1 online resource (9 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aConsidered one of the first punk zines in Medellín, Visión rockera, edited by Olga Castrillón as a collective project, chronicled the life of rock music in Medellín during the second half of the 1980s. Serving as a precursor to the fanzine Nueva fuerza, also included in the RAPMM collection, Visión rockera sought to bring visibility to local bands and generate discussions about the rock scene in the city. Castrillón believed that sharing opinions on music and culture was crucial for the growth of the scene and for raising awareness of this countercultural movement. Some issues of the zine focused on strengthening the emerging independent music scene and explored the existence of national rock. Visión rockera also featured profiles of both local and international bands, including the Chilean group Los Prisioneros, as well as reviews of rock concerts in the areas surrounding Medellín. Additionally, it included translations of English-language interviews with bands such as Possessed, which had previously appeared in Metal mania.0 aOnline resource; title from RAPMM website (viewed 6 July 2026) 0aZineszColombia 0aRock musiczColombiazMedellín 7aZines.2lcgft1 aCastrillón, Olga,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/45890301931cas a2000349i 4500 001001300000003000900013005001800022007001500040008004100055035002300096040003700119245001300156264004400169300003200213310001500245336002600260336003400286337002600320338003600346500004800382500003900430506007700469520072000546588006801266650001101334650002901345650003401374655001801408700002701426710002801453856010001481RAPMMVulcherNyNyRILM20250625115944.0 cr cn         230526d1978    inuuu i o     0   a eng d  a(OCoLC)1380366862   aNyNyRILMbengerdaepncNyNyRILM00aVulcher  1aBloomington, IN : bBob Richert,c1978   a1 online resource (1 issue)  aIrregular   atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aSelf-hype in the Gulcher tradition.--Cover   aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aVulcher was a short-lived publication from 1978, the last title in the zine saga edited by Bob Richert in Bloomington, Indiana. In the editor's words, "VULCHER magazoon [sic] is published for self-hype and self-abuse whenever Bob Richert can get EZ Edde to stop pulling his pud long enough to come up with something". This zine was dedicated to The Gizmos, a punk band from Bloomington, Indiana, that recorded all their albums at Gulcher Records, which was owned by Richert, one of the earliest small independent labels and fanzines in the area. It also featured articles about the 1978 Gizmo's recording World tour. The sibling publications Beyond our control and Gulcher are also included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 25 June 2025) 0aZines  0aRock musicvPeriodicals  0aPunk rock musicvPeriodicals  7aZines.2lcgft1 aRichert, Bob,eeditor.2 aGulcher Records (Firm) 403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39599802360nas a2200409 i 4500001001500000003000900015005001700024007001500041008004100056040003700097245001700134246002500151246002600176246002700202246003100229246002300260264004100283264004300324264004600367264004300413300003300456336002600489336003400515337002600549338003600575500003900611506007700650520090700727588006701634650001101701650002901712650003401741650002901775655001801804700002801822856010001850RAPMMWinduptoyNyNyRILM20260706145100.0cr cn         830000d19931996miu   i o     0   a eng d  aNyNyRILMbengerdaepncNyNyRILM00aWind-up toy.13aWind-up toy magazine13aWind-up frozen entree13aWind-up toaster pastry13aWind-up industrial burnoff13aWind-up butter cow 1aChicago, IL : bLiz Clayton, c1993.21aAnn Arbor, MI : bLiz Clayton, c1993.21aChicago, IL : bLiz Clayton, c1994-1995.31aAnn Arbor, MI : bLiz Clayton, c1996.  a1 online resource (5 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThe author and journalist Liz Clayton published Wind-up, a zine capturing the 1990s indie rock boom, out of Chicago and Ann Arbor from 1993 to 1996. During this time, Clayton frequently traveled across the Midwestern and Eastern U.S. for shows, many of which are reviewed across the publication’s run. Interview subjects included the Mary-Timony-fronted Helium, prolific lo-fi arena rockers Guided by Voices, and Steve Albini’s cat Fluss. Wind-up also featured recipes, fanzine and city reviews, and columns by musicians themselves, including The Coctails on playing Lollapalooza, Yo la Tengo on a disappointing Late night with Conan O’Brien appearance, and Stephin Merritt on formulism in songwriting. Each issue was titled with a variation on the Wind-up theme, beginning with Wind-up toy and culminating in the thematic issue Wind-up butter cow, dedicated to Ohio’s musical past and present.0 aOnline resource; title from RAPMM website (viewed 9 July 2025) 0aZines. 0aRock musicvPeriodicals. 0aPopular culturevPeriodicals. 0aRock groupsvInterviews. 7aZines.2lcgft1 aClayton, Liz,ecreator.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/43771501898cas a2200289 i 4500001001700000003000900017005001700026007001500043008004100058040005000099245006900149264005300218300003400271336002600305336003400331337002600365338003600391500003900427506007700466520079900543588006701342650001001409650004101419655001801460700003001478856010001508RAPMMWomeninrockNyNyRILM20260706145100.0cr cn         260630d20162020ohua| i o     0   a0eng d  aZCUbengerdacZCUdZCUdOCLCOdZCUdNyNyRILM00aWomen in rock :bwe live it! /cIzzi Krumbholz, Editor-in-chief. 1aCincinnati, Ohio : bWomen in Rock, c2016-2020.  a1 online resource (10 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aEditor-in-chief Izzi Krombholz wrote in Women in rock’s first issue that it was not just a magazine, but also a lifestyle. Women in rock sustained a celebratory and thankful tone through its ten colorful, saddle-stitched issues released from 2012 to 2019. The zine aimed to establish a historical lineage of women rockers (e.g., Patti Smith, Sister Rosetta Tharpe, Alice Bag, Cherry Vanilla, Sharon Jones) while also highlighting contemporary artists and bands through interviews, such as those with singer-songwriters Shilpa Ray and Sarah Shook, the folk and Americana quartet Our Native Daughters, and sludgy post-punkers Wipeout. Issues also include thematic playlists, occasional book and film reviews, and practical articles on topics from touring to workouts to ending a bad date early.0 aOnline resource; title from RAPMM website (viewed 1 July 2026) 0aZines 0aWomen rock musicianszUnited States. 7aZines.2lcgft1 aKrombholz, Izzi,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/45641802136cas a2200373 i 4500001001800000003000900018005001700027007001500044008004100059035002400100035002100124040003700145050001600182245002000198264005200218300003300270310001400303336002600317336003400343337002600377338003600403500003900439506007700478520069000555588006801245650004001313650003401353650004001387650003201427655007301459655007801532700005201610856010001662RAPMMWomeninsoundNyNyRILM20250623141829.0cr cn         161031c20159999xxu x i o     0   a eng d  a(OCoLC)ocn961478116  a(OCoLC)961478116  aNyNyRILMbengerdaepncNyNyRILM14aML82b.W65700aWomen in sound. 1a[United States] : bMadeleine Campbell, c2015-  a1 online resource (8 issues)  aIrregular  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aA zine that started in 2015, Women in sound contains extensive interviews with women and non-binary people who work with sound and music. Interview subjects have included the home recording artist Linda Smith, the electronic music trailblazer Suzanne Cia, the recording engineer Susan Rogers, the DJ-singer Yaeji, the singer-songwriter-producer Vagabon, and the bassist Carol Kaye. Edited by sound engineer Madeleine Beyer (formerly Madeleine Campbell), interviews concentrate on issues related to technology and the music industry, supplemented by practical guides on similar topics, such as a glossary of synthesizer terminology and a section entitled "How do I start my own label?".0 aOnline resource; title from RAPMM website (viewed 23 June 2025) 0aWomen sound engineersvPeriodicals. 0aWomen musiciansvPeriodicals. 0aTransgender musiciansvPeriodicals. 0aGay musiciansvPeriodicals. 7aZines.2lcgft0http://id.loc.gov/authorities/genreForms/gf2014026210 7aInterviews.2lcgft0http://id.loc.gov/authorities/genreForms/gf20140261151 aCampbell, Madeleinec(Sound engineer),eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/39189302086cam a2200301 i 4500001001600000003000900016005001700025007001500042008004100057035002200098040003700120110002000157245004200177264004400219300003200263336002600295336003400321337002600355338003600381500003900417506007700456520100600533588006801539650002801607655001801635700003101653856010001684RAPMMXicanistasNyNyRILM20200519175930.0cr bn         190627s2013    xxu   i o     0   a eng d  a(OCoLC)1105930641  aNyNyRILMbengerdaepncNyNyRILM2 aRasquache Zines10aXicanistas & punkeristas say it loud! 1aOakland, CA : bBrenda Montaño, c2013  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aIn Xicanistas & punkeristas say it loud, the writer Brenda Montaño amplifies the powerful narratives of Xicanas, who were essential yet overlooked contributors to the punk movement. Covering xicanistas and punkeristas from the suburbs of Southern California to the vibrant pueblos of Chiapas in Mexico, this fanzine celebrates the fierce spirit of self-identified "womyn" of color whose experiences and histories challenge colonial narratives and redefine cultural identities. Through the lens of punk as a megaphone for teenage rebellion and empowerment, Montaño interweaves compelling personal stories with an exploration of influential bands like The Brat and Los Ilegales, while illuminating the unique aesthetic of rasquachismo within DIY punk culture. The fanzine includes a list of "badass xicanas" of the past and present and a playlist honoring these revolutionary women. Montaño also published Louder than bombas: On raza, Morrissey, and The Smiths, also included in the RAPMM collection.0 aOnline resource; title from RAPMM website (viewed 24 June 2025) 0aUnderground periodicals 7aZines.2lcgft1 aMontaño, Brenda,ewriter.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42696601681nas a2200289 i 4500001002200000003000900022005001700031007001500048008004100063040003700104245004800141264005500189300003200244336002600276336003400302337002600336338003600362500003900398506007700437520061900514588006701133650001801200650002301218655001801241700003201259856010001291RAPMMXiliyinyuejulebuNyNyRILM20250707140600.0cr bn         830000d19951995cc    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM00aXili yinyue julebu = bHeineken music club. 1aShenzhen : bXili pijiu : bHeineken beer, c1995.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aThis is a fanzine edited by zinester Ou Ning in 1995, commissioned by Heineken to promote jazz music in Shenzhen, in southeastern China. The content, including Ou's introductions to the Joe Rosenberg Quartet and Chet Baker, Feng Yu's review of Bix Beiderbecke, and jazz singer Coco (Zhao Ke)'s written accounts of the jazz music scene in Shanghai, represents some of the earliest jazz writings in China. The graphic design was handled by Han Jiaying, using black-and-white printing on kraft paper, which made it stand out among the various promotional materials distributed for free in bars and other music venues.0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZineszChina. 0aJazz musiczChina. 7aZines.2lcgft1 aOu, Ning, d1969-,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42470502448nas a2200289 i 4500001001700000003000900017005001700026007001500043008004100058040003700099245003300136264006700169300003300236336002600269336003400295337002600329338003600355500003900391506007700430520139800507588006701905650001801972650002601990650002402016655001802040856010002058RAPMMXinqunzhongNyNyRILM20260706155100.0cr bn         830000d19941995ccu   i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM00aXin qunzhong = bNew masses. 1aXi county, China : bXi Changpian/Xi Productions, c1994-1995.  a1 online resource (2 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aAfter 1994, various bars began emerging across China, providing numerous opportunities for music performances. Xin Qunzhong/New Masses was a loosely organized collective that used bars as a platform to promote avant-garde music culture. It embodied an ideal: to foster a new persona through music as a powerful medium-one that would transform idol-worshiping crowds into independent thinkers and discerning individuals. Between 1994 and 1995, Xin Qunzhong published two issues of the Xin qunzhong zine and organized events such as the New Masses Musical Coevolution Movement concert and shows by the Australian experimental group Peril, and the China tour of John Zorn and Yamatsuka Eye. These activities spread the spirit of independent music across China. The organizational concept of "new masses" was influenced by the Neue Slowenische Kunst (NSK) art collective from Slovenia, while the philosophical spirit of the zine drew inspiration from Hong Kong's Heiniao tongxun (Blackbird communication). Much like Guo Danian (Lenny Kwok)'s radical anti-commercial, anti-establishment stance, Xin qunzhong advocated for anti-heroism and anti-idolization, emphasizing an independent spirit to counteract the banality of pop music. In its two issues, whether discussing local music or introducing international information, Xin qunzhong consistently reflected this clear and unwavering perspective.0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZineszChina. 0aPopular musiczChina. 0aIndie musiczChina. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40978901973nas a2200337 i 4500001002300000003000900023005001700032007001500049008004100064040003700105245010300142264006700245300003200312336002600344336003400370337002600404338003600430500003900466506007700505520067300582588006701255600002301322610003101345650001801376650003501394650002801429650002801457655001801485700003201503856010001535RAPMMXinyinyuehuitekanNyNyRILM20250707171300.0cr bn         830000d19961996cc    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM00aWe meet...: 1996 Xinyinyuehui tekan = bWe meet...: 1996 alternative music festival special issue. 1aShenzhen, China : bTaiyang guangchang : bSun square, c1996.  a1 online resource (1 issue)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aFrom 31 December 1995 to 2 January 1996, Ou Ning organized a three-night New Year music festival at the Taiyang Guangchang (Sun Plaza) in Shenzhen. The invited bands included Tangchao (Tang Dynasty) from Beijing; Liu Yida (Tats Lau) and his Guanli Xiaoxue (Government Primary School), ...Huh?!, Virus, and Black & Blue (with Candy Lo as lead singer) from Hong Kong; Song Xiaojun from Guangzhou; and Yijiao from Shenzhen. In the special publication edited for this festival, in addition to introducing the participating bands, Ou also reflected on independent music events that took place in Guangzhou and Shenzhen between 1993 and 1995 through articles and a timeline.0 aOnline resource; title from RAPMM website (viewed 7 July 2025)00aLiu, Yida, d1963-20aTang chao (Musical group). 0aZineszChina. 0aAlternative rock musiczChina. 0aIndie pop musiczChina. 0aMusic festivalszChina. 7aZines.2lcgft1 aOu, Ning, d1969-,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/42471202127nas a2200289 i 4500001002300000003000900023005001700032007001500049008004100064040003700105100003300142245005100175264006700226300003300293336002600326336003400352337002600386338003600412500003900448506007700487520103900564588006701603650001801670650003101688655001801719856010001737RAPMMXixianyinyuezazhiNyNyRILM20260706145600.0cr cn         830000d20112022cc    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM0 aXi Zhi Zi,eeditor,eauthor.00aXixian yinyue zazhi = bXi country music zine. 1aXi county, China : bXi Changpian/Xi Productinos, c2011-2022.  a1 online resource (3 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aXixian yinyue zazhi is a zine written and edited by Xi Zhi Zi ("Son of Xi"), a music lover living in Xi, a little-known county subordinate to Xinyang, central China's Henan province. Three issues have been published between 2011 and 2022. The original purpose of the zine's creation was to document the editor's personal impressions of music magazines he had read, as well as to collect information on various Chinese music magazines. This project has continued until now, with 63 reviews of music magazines written and over 400 entries on Chinese music magazines collected. Starting from the third issue, the zine ventured into a new domain-music media research. It focuses on introducing rare sound storage media (such as shaped vinyl records, shaped thin-film records, shaped CDs, open reel tapes, MD discs, disk records, USB records, and MP3 Buddha chanting machines) collected by the editor over the years, along with accompanying images and textual information. This is a one-person zine, a one-person nostalgia and celebration.0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZineszChina. 0aMusicvPeriodicalszChina. 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40689701888nas a2200289 i 4500001001700000003000900017005001700026007001500043008004100058040003700099245003300136264006700169300003300236336002600269336003400295337002600329338003600355500003900391506007700430520084100507588006701348650001801415650002301433655001801456700002401474856010001498RAPMMYaogunhenanNyNyRILM20260706145700.0cr cn         830000d20112014cc    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM00aYaogun henan = bRock henan. 1aXi county, China : bXi Changpian/Xi Productions, c2011-2014.  a1 online resource (4 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aYaogun Henan belongs to the top layer of the trilogy of zines edited by Xi Zhi Zi, dedicated to the rock scene of central China's Henan province. The two other zines edited by Xi Zhi Zi, Yaogun Xinyang and Xixian yinyue zazhi (also included in RAPMM), are dedicated to Xinyang, a city in southern Henan, and the Xi county, which is subordinate to Xinyang. Yaogun Henan is a pocket-sized 64-page publication. Published between 2011 and 2014, the three issues of the zine contain useful information about bands, shows, albums, music venues, festivals, and instrument shops in Henan, most of which are little known outside the province. As the editor put it, Yaogun Henan is "a zine dedicated to Henan rock music...Past, present, and future. Your youthful scenes will be captured in this small fanzine, forever preserved in time!"0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZineszChina. 0aRock musiczChina. 7aZines.2lcgft0 aXi Zhi Zi,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40689201990nas a2200301 i 4500001001900000003000900019005001700028007001500045008004100060040003700101245003700138264006700175300003300242336002600275336003400301337002600335338003600361500003900397506007700436520090200513588006701415650001801482650002301500655001801523700002401541700002301565856010001588RAPMMYaogunxinyangNyNyRILM20260706145800.0cr cn         830000d20112015cc    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM00aYaogun xinyang = bRock xinyang. 1aXi county, China : bXi Changpian/Xi Productions, c2011-2015.  a1 online resource (5 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aYaogun Xinyang is a pocket-sized 64-page zine dedicated to the rock scene of Xinyang, a city in central China's Henan province. The editors, Xi Zhi Zi and Yang Mu, aim to document the development of rock music in this city from a personal perspective, saying, "as an independent cultural magazine from a small city, it is truly remarkable that it has persevered for five years despite the scarcity of information. From the unfamiliarity and alienation when we first arrived in this city, to the gradual integration into it today, whether acknowledged or not, we have, in fact, become a part of it". Five issues were published between 2011 and 2015, with articles about bands, shows, and music venues in the city, as well as musicians who have moved out of Xinyang. There are also a series of articles about bands in local colleges and universities, whose information can be hardly found elsewhere.0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZineszChina. 0aRock musiczChina. 7aZines.2lcgft0 aXi Zhi Zi,eeditor.0 aMu, Yang,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/40689402275cas a2200421 i 4500001001500000003000900015005001700024007001500041008004100056010001400097022002800111035002400139037003700163040003700200042001400237043001200251050001300263222002500276245002600301264004700327300003300374336002600407336003400433337002600467338003600493500003900529506007700568520068800645588006901333650004401402650004101446650005401487650004201541651010901583655004301692655001801735856010001753RAPMMYesterdayNyNyRILM20250618164938.0cr cn         750930c19751977nyuuu i o     0   a eng d  a75643862   a0098-1796l0098-179621  a(OCoLC)ocm01799603   bP.O. Box 1825, FDR Station 10022  aNyNyRILMbengerdaepncNyNyRILM  apccansdp  an-us---00aML1b.Y4 0aYesterday's memories00aYesterday's memories. 1aNew York : bFreebizak, Inc., c1975-1977.  a1 online resource (8 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aA zine dedicated to retrospective, in-depth articles on R&B and doo-wop artists from the past (hence the title), Yesterday's memories was active from 1975 to 1977 and profiled well-known stars, like The Four Tunes, alongside more obscure artists, such as The Turks. The result of a collaboration among veteran doo-wop-ologists Marvin Goldberg, Mike Redmond, and Marcia Viance, the zine contained profiles and complete discographies of otherwise under-documented artists who sometimes had only a single hit song on the R&B charts or only broke through in regional markets.The zine is named after a little-known 1955 song by Lillian Leach and The Mellow, a Bronx-based doo-woo group.0 aOnline resource; title from RAPMM website (viewed 18 June 2025)  0aRock musiczUnited StatesvPeriodicals. 0aRhythm and blues musicvPeriodicals. 7aRhythm and blues music.2fast0(OCoLC)fst01097281 7aRock music.2fast0(OCoLC)fst01099204 7aUnited States.2fast0(OCoLC)fst012041551https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 7aPeriodicals.2fast0(OCoLC)fst01411641 7aZines.2lcgft403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/35491401917nas a2200301 i 4500001001900000003000900019005001700028007001500045008004100060040003700101245005500138264006700193300003300260336002600293336003400319337002600353338003600379500003900415506007700454520079500531588006701326650001801393650002901411650003301440655001801473700002401491856010001515RAPMMYinanlangchaoNyNyRILM20260706145900.0cr cn         830000d19831985cc    i o     0   a chi d  aNyNyRILMbengerdaepncNyNyRILM00aYin'an langchao = bChina dark wave music fanzine. 1aXi county, China : bXi Changpian/Xi Productions, c2011-2015.  a1 online resource (5 issues)  atextbtxt2rdacontent  astill imagebsti2rdacontent   acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDigitized version of a print zine.1 aAccess limited to subscribers of RILM Archive of Popular Music Magazines  aYin'an langchao is a a pocket-sized 64-page Chinese zine dedicated to pan-dark music, edited by Xi Zhi Zi, who summarized it by the sentence "I wander in the noisy mundane world, lost in a state of speechlessness and meditation, hoping to quietly depart at the moment of waking from the midnight dream". Yin'an langchao is the predecessor of Yinyue diyu (Music hell), a blog edited by Xi Zhi Zi. The purpose of this zine is to document the development of Chinese dark music from a fan's perspective. Five issues were published between 2011 and 2015. Yin'an langchao focused on recommendations of bands, albums, labels, and magazines, in the hope that more people will notice this music genre, "for beyond your rock 'n' roll sky, there exists an even deeper and more expansive starry night".0 aOnline resource; title from RAPMM website (viewed 7 July 2025) 0aZineszChina. 0aDarkwave (Music)zChina. 0aDark ambient (Music)zChina. 7aZines.2lcgft0 aXi Zhi Zi,eeditor.403RILM Archive of Popular Music Magazines linkuhttps://rapmm.rilm.org/en/pages/collection/406889